Madonna

Madonna -
a closet fan
a kate west confession




It's easy to disparage Madonna Louise Ciccone Ritchie. But go ahead - she won't mind. She's rich and successful and doesn't take any crap from anyone. She enjoys controversy and the spotlight and changing styles as often as her underwear. She works damn hard and whether or not you care (and why should you care about celebrity goings on, the American version of royalty, sort of - there are much more important things to follow on planet earth), she's not going anywhere. Spoiled yes, and self-indulgent certainly, and while I can admire her tenacity, I'm not assigning her more importance than world leaders or policy changers.

Still, her music gets in my head and won't let go. Her voice has the warmth that she can't or won't show. Sure, the lyrics are often inane, but for some reason it gives me strength when I need it and hours of contemplation on road trips. Maybe it's because she works so ferociously on herself, molding her body and spirit to her every whim. I played "Ray of Light" a million and one times during my big break up and it sustained me and kept me going. Her first experimental album will always feel special to me, obligating me to collect each new album with youthful anticipation. She makes great power workout songs too (try "Jump" when going for a run). So many of her songs are go get 'em self respect chats. It's not easy to achieve rock longevity.

I can't explain it. My musical theater friends are appalled that I enjoyed "Evita". I know, I know, she didn't have the range, but did increase her own and as usual, worked her ass off during filming. A fitting role, I thought, and possibly the only acting she ever did well. As I keep telling people, I don't attribute logic to my favorites. I often love bad movies no one else likes (and rightly so - I get why it's bad, but am still a fan, i.e. "Alien 3"). And didn't Linda Hamilton model her "T2" Sarah Connor role after Madge?

Maybe I just like the balance of the sweetness of her vocals with the toughness of her exterior and wish I could emulate that. In spite of growing up without a mother, her single-mindedness got her everything she wanted. I understand musical sophistication - I love old and modern jazz and classical music and have attended scores of operas. I even dig the Kingston Trio. Aside from my sentimental 80's indulgence, Madonna doesn't really fit into my musical library, yet I am fiercely loyal to her Highness. But I would never want to meet her. I'm not advocating all this overexposed oversharing either. In other words, I don't read about her (or anyone's) personal life. I'm just quietly trying to be bad ass for as long as I can and mind my own beeswax.

Besides, she's 5'2", as is Yours Truly. And now she's older, as am I. And still going strong. As am I. So sue me.

More Madonna:

Hard Candy

Confessions on a Dance Floor

Music

American Life

Ray of Light

Madonna - Drowned World Tour 2001

Madonna - Video Collection 1993-99

Evita

Bedtime Stories

The Immaculate Collection

I'm Breathless

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James Adomian

Impersonator Extraordinaire
a kate west recommendation







James Adomian is a brilliant young comic who does THE best impersonation of George W I've ever seen. Granted I haven't seen every GW impersonator, but I am fairly confident Adomian is way up there. You heard it here.

Not only does he capture the mannerisms, but he has the pathology of speech down pat. He's an accomplished mimic, a well-trained improviser and not a bad actor to boot. Trained at the world-famous Groundlings (www.groundlings.com), I doubt there is anything he can't do.

See for yourself. You can catch him on any number of late night shows, including Craig Ferguson and of course YouTube. Look him up on IMDB (and note the prominent "Harold and Kumar" credit)!


James on YouTube:

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FRIES ON THE SIDE



OPENING NIGHT
FRIES NATION - SATURDAY, APRIL 19, 2008
www.friesontheside.com
Season 6: Opening Night (Thursday, April 24)








"It's the biggest Fries on the Side show ever and all proceeds go to a wonderful cause. That's right, every penny we make goes to charity:water. The best part is that the venue matches our ambitions. We're at the 700 seat Music Box at the Henry Fonda. Tickets went on sale only yesterday and we've already sold an enormous number of them, so be sure to get yours today. As always, for all of your Fries on the Side information, visit our web site.

WHO
Hosted by Garrett Morris, Musical Guest The Kin, and a rooftop after party with DJ Brett.

WHERE
The Music Box @ Henry Fonda - 6126 Hollywood Blvd., Los Angles, CA 90028

WHEN
Thursday, April 24th @ 8pm - Doors open at 7pm

TICKETS
If you want to see a seating chart and buy tickets there's only one place to go ( LINK TO TICKETS )
Take a closer look at the venue and the show - ( Fries Opener One Sheet PDF )
Have a look at our Season 5 recap video too - ( Season 5 Recap Video ) - a big thank you to Thomas Everman (our video guru) for assembling this.
Host: Garrett Morris
Garrett Morris Garrett Morris is an original Saturday Night Live cast member. He trained at Julliard School of Music and appeared in several Broadway musicals before joining the SNL family. Since then he's appeared in many films and television shows including Different Strokes, The Jeffersons, and most recently, Family Guy. Garrett is the host and founder of the Downtown Comedy Club, declared the official comedy club of LA in 2007 by the mayor of Los Angeles.

The Downtown Comedy Club
www.downtowncomedyclub.com


Musical Guest: The Kin
The Kin We're incredibly happy to announce that The Kin will be our musical guest at the opening night show. To learn more about this amazing band, we've included some information for those of you who are old and out of the loop...

Brothers Thorry and Isaac Koren are a long way from singing harmonies in the backseat of the car on family trips in their hometown of Adelaide, Australia. The brothers, known simply as The Kin, were following different musical paths until they united to create a song as a wedding present for their father in 2003. Instantly, the brothers knew they'd stumbled upon something amazing. As Isaac said, "After we played together we realized that we couldn't not do this."

The Kin's music has been featured on radio including Q104.3 NY, 104.7 MA, WZBC Boston, WMMR and XM Radio. They've made several notable TV appearances, including FOX's Good Day New York and Fearless Music TV, Backstage with Barry Nolan on Comcast and CBS Saturday Morning's Second Cup Cafe. Their print credits include Billboard, New York Times, BMI, Time Out New York, YRB, Foam and more. Recently, the duo had three of Rise and Fall's songs featured on Lifetime TV's critically acclaimed series, Army Wives.

Besides creating music that spans the globe, the brothers Koren are devoted to creating a better world. They recently began working with, and promoting the efforts of, charity:water (www.charitywater.org), a non-profit initiative bringing clean water and basic sanitation into impoverished communities throughout Africa and the world. They band raises money through awareness and outreach via their website as well as by performing at organization sponsored events. As of March '08, they have raised over $35,000. The band also works closely with Save Darfur (www.savedarfur.org), an organization aimed at fighting for human rights in the Sudan region."

Presented by Snow Queen Vodka

Regular Season Cast Members:
Shane Elliott, Kenny Stevenson, Dorien Davies, Jeff Huit, Rachel FordPritchett, Sean Pritchett, Chris Pauley, Wes Robertson, Avi Rothman, Barbara Sanders, AJ Schuermann, Anthony Tedesco

Previous review here: http://www.katewestreviews.com/2007/08/fries-on-side.html










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Sweeney Todd







Sweeney Todd - The Demon Barber of Fleet Street
a kate west review
music & lyrics by Stephen Sondheim
book by Hugh Wheeler
directed by John Doyle
at the Ahmanson Theatre
Center Theatre Group
135 North Grand Ave, Los Angeles 90012
playing March 11 - April 6, 2008
contact 213-628-2772 or www.centertheatregroup.org

The much-talked about Tony-award winning new Broadway production of "Sweeney Todd" has arrived in Los Angeles. John Doyle (the same director who brought the new version of Sondheim's "Company" to New York) directs Stephen Sondheim's acclaimed operatic piece about a bloody barber this spring.

Sweeney Todd (played by David Hess), a long-suffering British barber (formerly Benjamin Barker), whose wife and child were cruelly stolen from him by an abusive Judge, returns to London years later to wreak revenge and falls in with his mad match Mrs. Lovett (Judy Kaye). In this take, the Greek-like tragedy is accompanied by stylistic orchestration and staging which, while certainly innovative, tend to take away from the raw emotion and passion of the story's essence.

The cast is strong, especially Lauren Molina as Todd's lost daughter Joanna and Judy Kaye as the nutty meat pie maker Mrs. Lovett, who takes in Todd and inspires him to start slaughtering people ("A Little Priest"). Frustrated over not being able to reach his nemesis the Judge, Todd grows even more reckless ("Epiphany") and it sends him closer and closer to the edge, until the final destruction consumes all. There are some inexplicable casting choices, such as Pirelli, the outrageous rival barber, being played by a woman (Katrina Yaukey), and while it is interesting that every cast member plays a musical instrument, it is also a gimmick that steals some richness from the original piece.

This production plays more like a stylistic concert version of a once-dimensional and multi-layered musical. The actors literally play out to the audience and do not make eye contact with each other or connect, leaving us even more disconnected. The essential horrific barber chair is missing and the blood and gore is also representational, with the actors donning red spattered white jackets when killed and red paint poured from bucket to bucket. The violence is so stylized in fact, that it distills and objectifies the intensity we should feel.

The music is still Sondheim great ("The Ballad of Sweeney Todd", "Johanna", "Green Finch and Linnet Bird") and the voices all Broadway quality, but the stories don't always come across and if you bring a friend who has never seen the show, he/she may be lost. For instance the "By the Sea" number where Lovett conjures up such delightful visions for the disillusioned Todd would read better with more nuance as would sweet Tobias (Edmund Bagnell) reassuring Lovett that nothing will harm her ("Not While I'm Around"). Every relationship, from the dueling barbers ("The Contest") to Anthony (Benjamin Magnuson) pursuing Johanna in "Ah, Miss" and "Kiss Me" and Todd grimacing through "Pretty Women" with the Judge would be better served with more interaction between the players.

The set is one towering piece on the back wall where the actors take props they need from time to time - another stylization, along with a not-too-subtle interchangeable coffin. To those not familiar with the story, it is about retribution and vengeance and how bitterness corrupts the victim more than the aggressor. It is a dark and tragic tale and the opera-like score deserves an epic-like production, in emotion and visual riches, but this modern minimisation diminishes the overall effect and may leave many cold and untouched.

The Original Score:
Sweeney Todd, the Demon Barber of Fleet Street (1979 Original Broadway Cast) Read more!

John Adams

John Adams - HBO
a kate west review
















John Adams, one of our early founding fathers, is now back in vogue. HBO brings us his story (based on David McCullough's Pulitzer prize novel) in a seven-part mini series.

The versatile Paul Giamatti plays a very real and human John Adams, with a burning vision of uniting the former British colonies into a United States of America. Laura Linney is his loyal wife Abagail, supporting and advising him throughout all of his different stages of life. It is remarkable to watch this touching relationship play out just like any modern couple.

And of course the history is fascinating as well. We first get to know Adams as he defends some British soldiers in an unjust trial and then through his direct involvement in the birth of our fine nation. This includes making the great journey abroad to the Old World to plead assistance from France and Denmark, in spite of the impact on his family life. He then returns, adamant as always to principle, in spite of failing popularity.

The casting is great, all fine actors, and many of them done up to look like the historical characters they portray, complete with the bad teeth and powdered wigs. It's filmed with natural-looking light too, with an addicting original and classical soundtrack. Fans of the book are well pleased with this cinematic rendition and for those of us who haven't read the book yet, it's a good insight into what it might really have been like for these complicated and dimensional revolutionaries.


If you enjoyed this, a recommended beautiful period piece is Stanley Kubrick's "Barry Lyndon".
http://www.imdb.com/title/tt0072684

Read the book:
John Adams Read more!

If I Can Do It, You Can Do It

On March 2, 2008, I ran the Los Angeles Marathon, at age 41, after an adult life as a couch potato. And since I'm a big believer in sharing the wealth, now I'm going to share the secret of marathoning over 40 with you.

DAY ONE
Say yes to your friend who asks you to run RELAY FOR LIFE for the AMERICAN CANCER SOCIETY. You agreed to do it because it sounded fun at the time, but as the day approaches, ditching this for a movie sounds better and better. RFL, in case you didn't know, is a 24 hour relay at a local high school track, the idea being that each team has a number of members walking (or running) around the track for 24 hours, since cancer never stops either. Since you haven't exercised in maybe a year, you decide just to walk and meet up with an old friend who agrees to circle the route with you. While catching up, you're having such a fun conversation that when she says "hey, do you want to train for the Los Angeles Marathon with me?" you say yes, because, hey, this relay thing is fun and you aren't really paying attention. How hard could it be?

DAY TWO
It is now August, a couple of months after RELAY. Your friend calls to tell you that you both need to register for Aids Project Los Angeles, the organization training you to run the marathon. She ends up not being able to go the meeting with you so you cheerily head downtown and are surprised to find that you need to give them a $75 registration fee. Oops. Then the bright-eyed administrator tells you that you'll need to raise $1500 before January. AND training is three times a week, twice on your own and once with the group. It becomes increasingly apparent that you've never run a marathon before. Now you remember that another friend suggested you train for a 5K and you weren't really focusing on the difference before, but now you've learned that MARATHON means 26.2 miles and that 5K is only 3. You didn't know that before. But what the hell, you need to get in shape so you sign all the forms and wait for what happens next.

DAY THREE
Today is orientation at a running store in Santa Monica. You and your friend head out to see what's in store for you. Apparently $200 worth of must-have running shoes is what's up. And you really do need special shoes, tailored to your feet. Otherwise you'll have scores of foot problems, blisters and worse. But you're not spending money on a sports bra - you hope the old one you've used for the past years will last just a little bit longer. So you sit and listen to the NIKE sales pitch (you don't know much about running yet but you do know you don't need a special timed musical device in your shoe). It's inspirational to listen to current and former athletes and then the actual clients of the AIDS program you are running for - so there is a good cause in all this and you really will be helping people after all. Maybe this won't be so bad. After some carbs you both head back home, ready for the very first day of training.

DAY FOUR
Today is your first day at Griffith Park, the official training site. They tell you that you will be running three miles and that you'll be timed and placed in the appropriate running group. This is the first time you hear about pace groups and walk/run ratios. They are training you in what's called the Jeff Galloway method, from a Marathon Guru who devised a way of running with paced walking breaks to conserve energy, enabling the runner a burst of energy at the end (try it, it works!) You lope around the L.A. Zoo and the Gene Autry Museum and it's not so bad. You have your IPod and it's not too hot, so you finish up in just under an hour and they tell you to go to the 15 minute pace group next week. That means you'll run a mile in 15 minutes with a 2:2 ratio (run 2 minutes/walk 2 minutes). Huh, wait till you tell your friends you're "in training".

DAY FIVE
Jesus, Mary and Joseph. This is the worst idea you've ever had, you've never been so miserable in your entire life. Good GOD, why did you agree to do this?!! A week ago they told you to come to the 15 minute pace group so you dutifully showed up (early Saturday morning!) and met your fellow runners. One of them is a former ice skating champion and all of them look lean and fit. Uh-oh. The Pace Group Leader (PGL) starts you all out walking for 2 minutes and then you have to run 2. Then walk 2, then run 2 and you realize that your shins feel weird, which you later find out are called shin splits. It's agony. You get slower and slower and the Designated Driver (DD), the one who stays behind to make sure the laggers are taken care of, does indeed stick with you, as you get more and more upset. It's the longest day of your life. Everyone told you that the timing day, the 3 miles, would be the worst day, but they are stupid. Today is the worst. You can't ever imagine going 10, 12, 20, much less 26.2 miles. You just want to die. The earlier the better. Finally, finally, finally you end up back at the training site and you beg the coach to put you in a different pace group. You end up email/stalking him with every neurosis you can think of. There's a reason he won't give out his phone number.

DAY SIX
So the next week you come back to the training site in spite of your misgivings and they let you into the slower pace group. Now instead of 2:2, you are 1:4 (or as it turns out 1:3) running/walking. Fine. But then they send you up this ENORMOUS and tortuous hill. When are you going to get a break? Your shin splints are worse and you are the very last person in so you cheat a little and don't stop at the rest stop so that coach won't catch up to you and make you ride the ride of shame back to the site. But you do learn some things. Shin splints happen with new runners and last a few months. You can fight them by icing your shins for 20 minutes, resting 20 minutes, icing again another 20 minutes, resting, then icing a last 20 minute set. TWICE A DAY. You can do some exercises too, anything with your ankles, like calf raises, since they engage the shins. Don't put the ice bag directly on your skin, use a towel. Eat a lot of potassium (like a hell of a lot of bananas). You are also learning about how runners eat. You MUST eat before a run, but nothing heavy. You find out what your stomach can tolerate and it seems like oatmeal and a banana in the morning is the way to go. And you make sure you are hydrated (clear urine, especially before a big run). Once you begin running, you lose salt and sugar so you bring runner's bars and gels and the all important GATORADE. Pretzels are a great source of salt too, about a few miles in and you are told to eat something every 45 minutes and keep hydrating (just don't overdo it). Your stomach will tell you what you need.

DAY SEVEN
The next week you think maybe you are getting the hang of the studying part (you are reading Jeff Galloway's MARATHON). You've learned about chafing, which is where your clothes rub against you with the constant moving and makes you raw. You buy sports gel (never use antiperspirant, it doesn't work for running) and you put it everywhere that might have friction. In addition to that, your stomach goes up and down while moving, so you are very susceptible to nausea but you think you finally have that beat. The actual running still sucks. And you're expected to do runs on your own twice a week (30-45 minutes each), in addition to the long weekend run! Definitely hard to get so early, on a Saturday, no less. You hate the coach. And your fellow runners. And the volunteers. And anyone who doesn't have to run on Saturday mornings. Sigh. A typical training regimen may go like this: 3 miles, 6 miles, 10 miles, back down, back up, building your mileage, until one week you find yourself running 12 miles (12 MILES? That's a Half Marathon!) You watch SPIRIT OF THE MARATHON and cheer along with everyone else in the theater and you begin to realize what an emotional accomplishment this will be in the end. You hope.

DAY EIGHT
You wake up one morning panicked about the fundraising. You have to raise $1500! Your family and friends have of course given you some here and there but that's not going to bring you to your goal. In panic mode, you ask your marathoner friends and they make some great suggestions: fundraising events like wine and cheese receptions, donated theatrical shows (i.e. the actors give you the ticket proceeds) and maybe some corporate sponsors. Some of these events pan out, some don't. But due to the surprising generosity of mere acquaintances and even strangers, you end up making your goal before the deadline and then some. Whew! By the way, if you are running with a charity group, they will happily guide you.

THREE MONTHS IN
You've been doing this for three months now and the actual Marathon still seems years away. You're not really going to run 26.2 miles are you? You secretly think that's all malarkey but that doesn't stop you from bragging to everyone about it, pointing out all your blisters and hitting people up for money. Everyone seems to want in on it and you start to feel just the tiniest bit pumped up about it. Your training group turns out to be comprised of a nice group of people and at first you were always, always, always the last one in but gradually you've kept up the pace and come in with the Pace Group Leader by the end of the run. On short runs. On long runs you still want to die. But at least you are getting to know the fine streets of Burbank, Glendale and Toluca Lake. There is a cactus garden you are way too familiar with. Same with the bathrooms at Carl's Jr. and Kinko's. And no matter how many times you go up that stupid hill in Glendale, it never seems to be getting any easier. But somehow your shin splints are going away. That's progress, right?

DECEMBER
Christmas rocks because now you have all these out of town family and friends who haven't heard every excruciating detail about your training yet. In fact, you drag some of them with you to a running store for your next pair of shoes since (as you wisely tell them all), your old shoes have worn out and you should always replace running shoes every three months. You ask the sales clerk at the running store a bunch of questions about pacing and running so he knows you know what you are talking about (but still doesn't care). You are excited to be fit for a new pair, even though they look exactly like your old pair. Now you just need to concentrate on running, you tell your family, because you have made all the money you need to. And then some. Did they want to hear more about it - because you'd be glad to tell them! While on vacation, you arrange to run on your own, measuring distances in your car. You've got your pack with all the vitals - asthma inhaler, gels, water, GATORADE. You've even impressed yourself.

TRAINING RUN
For some reason, your training group thinks it's a swell idea to do a "practice marathon". Meaning 26 miles. This is the stupidest idea you've ever heard of but since Jeff Galloway does it, you all have to as well. You get up SUPER EARLY Saturday, before the other groups, because, as they tell you ever so diplomatically, you are in the slowest pace group. It's damn cold but you arrive cheerful and remain so - for about 2 miles. Then you lose your sense of humor. You discover that on long runs, it only takes about 10 miles (yes, you can now run 10!) before you slip into a murderous rage and want to take out anyone who dares speak to you. You've read online that this is actually normal and that you need to take some breaks, get some of that sugar and salt back. Your teammates know better than to try to engage you in conversation at this point. On the "practice" day you are at mile 17 before you completely and utterly give up. If they make you go one more friggin' step, you will seriously have to hurt someone. The coach swings by to pick up the stragglers and offers some annoyingly cheerful words which you ignore. He really should stop talking now. You slink home to sit alone in the dark.

TAPER MADNESS
You were half kidding when you bitched to people about the ups and downs of marathon training but when you actually do research on it you discover that there really and truly is a thing called Taper Madness. Because of the intense training you've undergone now (when all is said and done, it ends up as 6 whole months!), your body has gotten used to the endorphin rush and the steady climb of mileage. So as you get closer to the actual D Day, M Day, the Marathon capital "M", you ease off the mileage because now your body is a well trained machine and it's ready for M Day, even if you aren't. Therefore you're going to have to run less and less to conserve energy. That means, unbeknowest to you, you will now be depriving your body of addictive chemicals. You will be a joy and a half at work and at home from now until March and they will ALL want to strangle you in your sleep. You'll think you've lost the ability to run and the least little strain or blister means it's all over. Everything is a disaster and you hate everyone just as much as they hate you. No one will want to come and cheer you on and you don't care but it's only 26.2 miles which ANYONE CAN DO, RIGHT?!! Sheesh.
THE CONVENTION
Today you took off from work and went downtown to the Convention Center to pick up your bib race number and everything you need to run in the biggest race in Los Angeles. Very important to get all this stuff BEFORE the race. You need a timing chip for your shoe too. They tell you 100 times not to forget - DO YOUR RESEARCH BEFORE YOU EVEN REGISTER. There is a LOT to remember. You've got your bib, so now you are free to enjoy the sites. And sights. Everyone there is obviously a runner (even you now). So many booths - but you are warned NOT to try anything new - it's too soon before the race. Every new thing should have been tested during training. By now you should know your body inside and out, what your stomach can tolerate, what socks to wear (nylon, not cotton, same with shirts please) so as not to blister, a breathable hat that ventilates, etc. All of this should be second nature to you months before M Day. You've read every book you can get your hands on regarding running, especially women and running, so you feel you are as expert as you can be. At least that's how you feel today. Lord knows what will happen tomorrow.

THE LAST MEAL
So tonight all of you get to go to the Biltmore Hotel downtown for a big pasta party. The valet wants to charge you something abhorrently ridiculous (did he say $20??!!) so you back on out and around the corner to park somewhere else and then hike on over once again back to the hotel. But now you're in. And everyone is there - all of the team members you bonded with, your coach, all the staff members. There are speeches and pictures and you look at all of this people and marvel at how you put up with each others ups and downs the past 6 months. And it's beautiful. Coach gives you a big hug and tells you he believes in you and to get some sleep but not to worry about tossing and turning from nervousness (it's all normal) and that you would have gotten sleep earlier in the week so tonight just de-stress. Because TOMORROW IS M DAY!!! As you drive home, you think about all of this and can't believe 6 months went by so fast. The best thing about it of course is that everyone encourages you to eat carbs and one of your favorite comfort foods, pretzels, is now your snack of choice on a run. You're happy to share of course. People eat orange slices, bananas, pretzels, red vines and gels and power bars and obviously lots of water and sports drinks. You'll have to keep running when all this is over so you can keep eating the fun stuff.

M DAY
Believe it or not, the day has arrived. The Los Angeles Marathon. You've arranged to meet your friends at the starting line. Some of them park at the finish line thinking they'll drive themselves home, but you have coerced friends to drive you home. Who knows how you'll feel at the end? You wake up while it's still almost night, eat your oatmeal and recheck everything you've laid out before. Bib, timing chip, singlet shirt, jacket, running pants, shoes, socks, pack with blister band-aids, sunscreen, pretzels, salt vial, gels, power bars, extra safety pins, inhaler, sanitizer gels (for those awful porta pottys), hat, sunglasses, cell phone (to coordinate meeting supportive friends at different mile markers) and timing watch. You've finally figured out how to set the watch so it beeps at intervals, just like it's supposed to. Dark and cold, you carpool to the meeting place.
There are a lot of people here already, some reporters and many, many runners. As it gets closer to start time, everyone is ushered over to the start and you and your friends get more and more excited. Are you really running a marathon??? Randy Newman's "I Love L.A." blares out the speakers just as the starting pistol goes off and here you all go!
You were worried about the Cahuenga Pass (you've spent months studying the map layout of the route) but it's not too bad. You're pacing yourself, remembering Coach telling you to start slow, save the energy for the end. It's great to see so many people come out to support all the runners, but you can't high five them all or you will wear out too early. You will let their energy and excitement sustain and propel you. You're seeing Los Angeles in a way you've never seen before, from the ground, with all the streets closed, just for you. And you're running in the footsteps of the elite runners, another thing you never thought you'd do. Hollywood Blvd, Vine, Hancock, Park, KoreaTown, USC, South Central and more, all the way downtown to Flower, all in one day. Incredible.
Around Mile 12, your first set of supporters show up, hooting and hollering. You introduce everyone and you are still running with your team mates at this point, reminding each other to drink and eat enough. After that, you start drifting apart and start your own personal journey. Having been warned that headphones are not allowed you didn't bring your IPod, but so many people seem to be running with them that you regret not bringing it. No one cares and no one is checking. At Mile 18, your legs feel cramped and one of the staff members tells you to drink more GATORADE. You just need to make it to Mile 20 and another of your supporters will be there to cheer you on.
Mile 20. Thank God. You want to stop, you want to give up, the day has never seemed longer. Your Pace Group is expected to finish in 7 1/2 hours and now the lead runners are long gone, home and showered and you are still suffering, alone and desperate. But you see your friends and it's a miracle. They run a good part of the way with you, checking on you, keeping you focused and distracted at the same time, encouraging and loving you. It's a shot in the arm.
After that, you feel more and more determined and become even more focused. Physically, it's a pretty impossible thing you're doing, so at this mileage it's now all on your brain. You have to tell yourself you can do it, that you will finish and that nothing will stop you. Passing some team mates, you feel better, even though the miles seem longer and longer. Mile 24, Mile 25.
Mile 26. Can it be? Yes, and there's the finish line! Triumphant you see the flashing time as 8 hours (official timing chip says 7:59). EIGHT HOURS of constant run/walking. Why aren't you more tired? You receive your medal and then collapse, calling your friends to help you negotiate your way out of there. It starts sinking in that you RAN A MARATHON. You just went 26.2 miles and lived to tell the tale. No one will ever be able to take this away from you. You finally understand the big-journey-begins-with-a-single-step thing.

THE END
You should wear that medal, all week or even all month or however long you damn well want to. For a day of pain, you've earned a lifetime of bragging rights and it starts now. Speaking of which, when you check in with your Coach later, he tells you he was pretty worried about you, because of all the shin splints. You are floored. If you had known this, you might have let doubt overwhelm you, but because of all the positive feedback and encouragement you actually thought you could do this impossible thing, when really, you shouldn't have been able to. It blows your mind. And this is the turning point where you realize that it's important to listen to your heart and to trust yourself. You know how to prepare for things now, how to do research, how to work out, what to eat, what to wear, why you should take an ice bath after a long run and heck, maybe you can even offer advice to other people in your shoes who think they can't do it. Now you can tell them they can.


Read more!

Marathon Movie



















Spirit of the Marathon

a kate west recommendation


A range of racing experiences, from the amateur to the elite, every emotion is covered in "Spirit of the Marathon". One veteran marathoner said he doesn’t feel a runner’s high until the run is actually over and then mentioned that by the time he gets to the start line (which can take a good 20 minutes) and actually starts running a few miles, the elite runners have finished, gotten their medals, driven home, showered and turned on their TIVO. Who are these superhuman finish-in-a-mere-two-hours running gods? Thank God we are able to follow normal mortals, with reasonable marathoning expectations. The encore presentation was sold out, the theater packed, with everyone cheering and crying by the end. What is it about watching someone cross a finish line that speaks to the soul?

After this fantastic cinematic experience (and an unforgettable and inspirational score by Jeff Beal), you will realize that it really is a mental challenge. At some point the human body just can’t physically go beyond a certain mileage and since the Marathon goes beyond that, what gets you through it is the mental training. You are your own competition, battling common sense and the laws of physics. Yes, it should be fun, but it isn’t always. It’s a triumph of will and the very real ability to make your own motivational personal movie in your head. So maybe it’s not something you want to do, but something you have to do. There is nothing else on earth that challenges the common individual this way. You can't wait to see if you can accomplish it.

It's all in the title. It is the spirit and will of the everyman. If the goal is merely to finish, then anyone can be trained to run a marathon, as opposed to say, crazy triathlons with ridiculous mileage. It is something attainable and still tantalizingly impossible. Professionals mixing with the non-athletic. Explains why there are hundreds of thousands of people registering for every marathon.


Encore showing in February!

http://www.marathonmovie.com/












And of course what happens after .... Read more!

Bad Education















It's FREE, it's UNDER AN HOUR, and there are NO WIGS!!!


BAD EDUCATION
a kate west recommendation
written and performed by Drew Droege
directed by Andersen Gabrych

"Drew's always been hot for teachers. Especially the deranged, joyless, and hateful ones. And the ones named Maya Angelou. Bring pencil and paper, and don't be tardy."

One person show on the value of a bad education. Join Drew Droege (Groundlings Sunday Company alum) for this hilarious take on southern schooling.

Monday, February 4 @8pm
The Groundlings Theatre
7307 Melrose Avenue
Los Angeles, CA 90046

Free, but please make reservations at 323.934.4747 xt.41

For future shows please visit the following websites:
www.groundlings.com
www.ucbtheatre.com
www.comedycentral.com/email/ccstage/calendar.html
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One Night Stand

One Night Stand
a kate west recommendation




Explanation:
"One Night Stand is a completely improvised one-hour long musical. Yes, completely improvised--everything we do is made up on the spot without any writing or planning. That includes the music, the lyrics, the characters, the choreography, the plot, the dialogue and anything else you can think of!

At the beginning of our show we ask the audience for three things: the made-up title of a musical that has never been performed before, a location in which the musical will begin and the made-up name of a song that will appear at some point in the musical...

Using these suggestions, our seven actors and pianist concoct a thrilling and hilarious musical for you--a musical never performed before and never to be performed again! Don't believe us? Come twice! It's a crazy ride, so hang on tight when you join us for our next One Night Stand!"

www.onenightstandmusical.com
www.myspace.com/onenightstandimprov


CAST

Quinn
Beswick
Adam
Cochran
Kobi
Libii
Josh
Margolin
Sam
Martin
Jonah
Platt
Andrew
Resnick
Mollie
Taxe





Associate
Producer
Music
Director
PRODUCTION
Marc Platt Executive Producer
Will Adashek Producer
Dan Fishbach Producer & Director
Michele Spears Director


Performance Sites:
The Groundlings Theatre, Los Angeles
The Pleasance Dome, Edinburgh

The Hudson Guild Theatre, Los Angeles

The Dirty South Improv Festival, North Carolina
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