Showing posts with label Favorite. Show all posts
Showing posts with label Favorite. Show all posts

Jane Austen Unscripted

Impro Theatre presents
Jane Austen Unscripted
a kate west review














directed by Dan O'Connor
and Paul Rogan
produced by Matthew Quinn

running
Fri, Oct 10 – Sun, Nov 16
Fri, Sat 8pm
Sunday 7pm


Theatre Asylum
6320 Santa Monica Blvd.
Los Angeles, CA 90038
contact
(323) 960-7753
http://www.improtheatre.com

Cast and Company: Patrick Bristow (special guest), Tracy Burns, Kari Coleman, Lisa Fredrickson, Brian Jones, Stephen Kearin, Lauren Lewis, Brian Lohmann, Nick Massouh, Jo McGinley, Dan O’Connor, Edi Patterson, Jennifer Riege, Paul Rogan, Carla Rosati, Michele Spears, Mollite Taxe, and Floyd Van Buskirk.

Impro Theatre specializes in presenting rapt audiences with such impressive improvisational feats as "Dickens Unscripted", "Tennessee Williams Unscripted", "Shakespeare Unscripted" and even "Sondheim Unscripted". The latest presentation, "Jane Austen Unscripted", is equally noteworthy, complete with gorgeous period costuming and language. Directors Dan O'Connor and John Rogan lead the brilliant troupe in bringing the celebrated author's sensibilities to life, as it were.

Company members take a couple of suggestions from the audience and spin an entire Jane Austen styled original play. One hundred percent improvised, the complex plot unfolds, hearts are won, witticisms flung and poetry recited, all in perfect synchronicity. Yes, amazingly enough, the actors are making up the entire dialogue right under your very eyes. It's like watching a Jane Austen movie that delivers a clever wink to the audience. The accomplished actors also gently acknowledge the occasional transgressions in ad-libbing, turning funny situations into even more humorous turns. The time flies by and when you are transported back to your modern era, you will want to come back for more.

The company treats their revered authors with the deepest respect, creating lines befitting the original works. Theirs is definitely an original spin, but seemingly lifted from what might have been written. Consummate professionals through and through (look up their long list of credits) , the players will make you laugh and then inspire you to read the classic works for yourself. What will they think of next? We can't wait to find out.

Austen's Works:
The Complete Novels of Jane Austen (Wordsworth Special Editions) (Special Editions) Read more!

How To Look Good Naked

A Little Inspiration
a kate recommendation

Kelly Park Says Getting Naked For Carson Kressley Changed Her Life

HTLGN1.jpg

How To Look Good Naked, Lifetime's double-dare, self-esteem building reality show hosted by Carson Kressley, kicks off its second season [watch a preview] with a brand new make-over star on July 22. Her name is Kelly Park. She's a 39-year-old working mom, married for 12 years, who fell out of love with her body and herself. Kelly spoke with Fancast’s Quendrith Johnson about her incredible transformation from a woman who hid her figure in maternity sizes to showing off her new sexy styling self thanks to Carson and his HTLGN crew. Here's her story in her own words:

Why did I go on ‘How To Look Good Naked’? Good question. I didn’t like the way I looked, and I didn’t like myself. But that wasn’t always the case. I grew up a poor black girl in Philly. My family struggled. We never had enough food. But as I got older, I loved my body. I had a thin waist and beautiful little breasts. I was hot.

Then I got married, had a baby, and my body started to change. Things shifted. I went through this time when I woke up in the middle of the night and I discovered this strange white stuff on my nipple. I had no idea why. For two weeks, I thought I had cancer. What else could it have been? Then I figured out it was deodorant. My breasts had grown so large that they slid in my underarms. Okay?

I stopped paying attention to who I was. I didn’t feel like my body was cute anymore. I stopped wearing cute clothes. Seven or eight months after I had my daughter, I looked at myself standing completely naked and I simply could not believe that was my body.' What happened? Where did it go? My stomach has rolls and lines. I had stretch marks. Things were hanging. I just wasn't the same person.

HTLGN2.jpg

[Preview the new season.]

And it freaked me out. I used to look at myself in car windows! Then I started to feel invisible in the sense that my mom, who’s in her early sixties, started talking to me about as women get older, not just get bigger - as they age, they become invisible. Men just don't find them as attractive. I thought, 'wow, I'm going through that now, and I'm in my early 30's!'

Then I saw the casting notice for ‘How To Look Good Naked.’ I watched it for a couple weeks. I was like 'yeah, yeah.' Then something moved me, and I said to myself, 'You know what? I'm going to audition for this. I think this [sort of experience] is what I may need in my life.'”

I didn't tell my husband. I didn't tell anyone. I went in, and I auditioned. That was a dramatic process itself. It was kind of like Nip/Tuck in a way. The producers were like 'Tell me what you don't like about your body,’ and I really exposed myself. What did I have to lose? So I told them everything, starting from when I was a kid to the present day and how I felt like my dreams had been deferred because of the way I viewed myself. I even revealed how I am with my husband in private, our relations. I couldn’t believe the things I said.

Then, a couple days later, they called me back. As I talked to them on the phone, my husband asked, 'Who's that?' I said, “Oh, yeah, I auditioned for `How to Look Good Naked.’ He was like, 'WHAT!?' I said, “I auditioned for this incredible show, I think it can help me.”

I had no idea you had to get totally undressed. When I watched the very first episode of 'How to Look Good Naked,’ I never really saw the point where she took all her clothes off. I just saw the photo shoot. I thought yeah, maybe this is something I can do. I can just sit and talk to Carson!' I didn't know actually getting butt naked was part of the process!

But by the time they called me and said 'we want you on the show,' I was so ready for change, for whatever they told me to do. I remember talking to Carson, and he asked, “Do you trust me? Do you trust me on this journey that I am going to help you realize who you are?'”

I said, “You know what? Yes! Yes!”

At that point, there was no diet that was going to fix me, no self-help book that was going to help me. I had done all that, all of that stuff and it didn't work. I could not accept who I was; I would not accept it. I needed something drastic.

HLGN4.jpg

[See Fancast's Kressley photo gallery.]

Carson also opened up to me. He told me about his life as an entertainer. He said it had been difficult for him as a gay man to become something in show business, to get himself to the next level. But he had trusted himself, believed in his own abilities, and he asked me to do the same in myself.

He said, “I just need you to rely on yourself. Always trust yourself. Do whatever you need to do to get to the next level in your life -- to reach happiness, to reach that nirvana.”

He was extremely spiritual, and highly intelligent! I must say! It was a bit shocked by that. I thought wow, Carson Kressley is really smart. I also related in an unexpected way. Being a gay man, Carson was very sensitive to my issues. Because he's been through it; he's been through something. I could relate to what he's been through, being a woman of color. Both of us had faced, and overcome adversities in our lives.

But the point where I (totally) trusted him was on the second day. We were in a beautiful loft. Carson took me aside and said, “I need you to trust this part of the process. Take a deep breath, because we are going to start the healing now.”

Then he took me over to the mirror and we stood and looked at my reflection. Neither of us spoke. It was very powerful. Finally, he said, “Okay, now that you see yourself in your jeans and your 'maternity' shirt'' -- which I did wear maternity clothes, which was hilarious – “I need you to strip your clothes off.”

I was blown away when he asked me to do that. First, the whole Lifetime crew was there. Can you imagine that? It was a good 15 to 20 people. There was absolutely no privacy. If it was just Carson and me, I would’ve been sure, no problem. But there was an audience, and I hesitated. But he said, “I need you to do this.'”

I took off my clothes – except for my underwear. They told me to leave that on.

Still, I was sweating so much that I thought I was peeing on myself. Seriously. There was sweat running down the back of my thighs. I was terrified for the first three minutes. I showed my breasts, my underarms -- the things I thought were unsightly! And Carson didn't think anything of it. He was like, “You have a body! This is what it is.”

Normally when I looked at myself in the mirror, I only saw the things that I thought were ugly, horrible and tragic. But what was really powerful was that when Carson and I looked in the mirror together, he just kept pointing out the things that were beautiful about me. I never looked at my shoulders the way he looked at my shoulders. Or my wrists. Or the backs of my calves.

HTLGN3.jpg

At that point, I was so in the moment and, thanks to Carson, already starting to feel better about myself – and we were just getting started. We shot for seven days. Behind the scenes, I talked to the crew, some incredible, beautiful women, and they told me their issues. I was like, wow, I’m not alone. I saw that stuff on "Oprah,” but to really talk about it? It made me feel better.

The process was still difficult. For the first two days I cried like a child in the shower. I wanted to change my body, but nothing was going to change it overnight. In the meantime, I had to learn to accept my body as it was. Yes, I wanted to change, but this was my body, this was what I had to work with, this was me. I remember standing there saying, “You can’t hide anymore. You’re losing opportunities, losing in love, just losing…”

One day, I was sitting in a chair talking to the director, crying about everything I felt that I had lost in my life due to the fact that I couldn't accept my body. Suddenly Riaz Patel, the showrunner and executive producer, came over, put his hand on my shoulder and looked me dead in my face. '”Listen. I am going to tell you something,” he said. “You a crazy-ass fool.'”

He said it so brilliantly. Because I mean I'm from Philly, that's how we talk. That was the sounding bell. I was done wasting time. I was done losing.

Every day Carson asked, “Did you wake up this morning and say how beautiful you are?” And I said yes. Every day, they accentuated the positive. And it affected me. My husband could not believe how every day when I came home I was a little different, more aware, and kinder to myself.

By the time I got to the photo shoot, I was ready. I mean, this time there was no drama or hesitation. When Carson said it was time, I took my clothes off. I took everything off. I had no underwear on. No bra on. I was completely ready -- and completely naked!

And I loved me. I thought I looked hot again.

Everybody said, “Well, maybe it's the make-up.” No, they did my hair and face, but everything else was au natural. There wasn’t anything on my body. They didn’t even do my toenails. And there wasn’t any photoshopping. When I took off my clothes, there was only one thing different about me, and that was the way I thought about myself. It's 100 percent perception.

I also learned a lot. There were things they told me about putting on a bra that I don't even think my mother knows! Susan Nethero, the show’s 'Bra Whisperer,’ told me about certain underwire you shouldn't wear. Do you know you are never, ever, supposed to put a bra in the washing machine?

She also gave me some of the most incredible panties. I am a big girl, size 14, and I can wear sexy panties!

I thought I couldn't wear dresses because I had a pot belly. But Carson gave me this dress, a Donna Karan, and said, “Do you see your pot belly now?” I said, “NO!" He said, “Now do the catwalk like Naomi Campbell.” I said, “Naomi Campbell ain't got nothin' on me!' Tyra Banks ain't got nothing on me!” Later, after I showed some women that dress, they were amazed that I’d worn it without a girdle. But I did.

HTLGN5.jpg

[Watch all HTLGN videos]

I feel like Carson and I were separated at birth. We connected on and off camera. We were so ridiculous together. He was like my fairy godmother, no pun intended! We paid homage to Ethel Merman. I’ve never met anyone like Carson in my life. When you look at him, he's all Armani-ed out with his Prada shoes. But inside, he’s all love.

Carson kept referring to the universe that things happen for a reason, embracing your journey. He said things I always believed and heard and talked about. He said 'you need to love yourself Kelly; it's an insult to the universe if you don't!' He would always say that. He was right.

The best part is that I feel like my journey started when that shoot ended. One day after the shoot, I was at a Starbuck's around the corner from my house. There was a woman in front of me, and her bra was almost up to her neck in the back and the front of her bra was hanging almost down to her knees. It was terrible. I walked up to her and said, “Excuse me, I'm sorry, you have the wrong bra on. I just went through this incredible process -- and I just want to take you in the bathroom and show you my bra.”

So we went into the bathroom together, and I said 'I used to think I was a C; I am an S cup. I want to show you how this bra works. It was the strangest thing, obviously, but she thanked me. I said, “This is just the beginning of the process of changing the way you feel about yourself.'

We need to have a spectrum of beauty, not just one (skinny) type. There’s nothing wrong with that type, but there’s nothing wrong with other types.

I would say to women all across the world, we have to stop loathing ourselves just because we don’t look a certain way. Instead, we have to start loving ourselves no matter how we look.

Let me just say that my sex life is at an all time high! We are so in love again.

Original post here:

http://thebiz.fancast.com/2008/07/kelly_park_says_getting_naked.html



Read more!

Madonna

Madonna -
a closet fan
a kate west confession




It's easy to disparage Madonna Louise Ciccone Ritchie. But go ahead - she won't mind. She's rich and successful and doesn't take any crap from anyone. She enjoys controversy and the spotlight and changing styles as often as her underwear. She works damn hard and whether or not you care (and why should you care about celebrity goings on, the American version of royalty, sort of - there are much more important things to follow on planet earth), she's not going anywhere. Spoiled yes, and self-indulgent certainly, and while I can admire her tenacity, I'm not assigning her more importance than world leaders or policy changers.

Still, her music gets in my head and won't let go. Her voice has the warmth that she can't or won't show. Sure, the lyrics are often inane, but for some reason it gives me strength when I need it and hours of contemplation on road trips. Maybe it's because she works so ferociously on herself, molding her body and spirit to her every whim. I played "Ray of Light" a million and one times during my big break up and it sustained me and kept me going. Her first experimental album will always feel special to me, obligating me to collect each new album with youthful anticipation. She makes great power workout songs too (try "Jump" when going for a run). So many of her songs are go get 'em self respect chats. It's not easy to achieve rock longevity.

I can't explain it. My musical theater friends are appalled that I enjoyed "Evita". I know, I know, she didn't have the range, but did increase her own and as usual, worked her ass off during filming. A fitting role, I thought, and possibly the only acting she ever did well. As I keep telling people, I don't attribute logic to my favorites. I often love bad movies no one else likes (and rightly so - I get why it's bad, but am still a fan, i.e. "Alien 3"). And didn't Linda Hamilton model her "T2" Sarah Connor role after Madge?

Maybe I just like the balance of the sweetness of her vocals with the toughness of her exterior and wish I could emulate that. In spite of growing up without a mother, her single-mindedness got her everything she wanted. I understand musical sophistication - I love old and modern jazz and classical music and have attended scores of operas. I even dig the Kingston Trio. Aside from my sentimental 80's indulgence, Madonna doesn't really fit into my musical library, yet I am fiercely loyal to her Highness. But I would never want to meet her. I'm not advocating all this overexposed oversharing either. In other words, I don't read about her (or anyone's) personal life. I'm just quietly trying to be bad ass for as long as I can and mind my own beeswax.

Besides, she's 5'2", as is Yours Truly. And now she's older, as am I. And still going strong. As am I. So sue me.

More Madonna:

Hard Candy

Confessions on a Dance Floor

Music

American Life

Ray of Light

Madonna - Drowned World Tour 2001

Madonna - Video Collection 1993-99

Evita

Bedtime Stories

The Immaculate Collection

I'm Breathless

Read more!

Breaking Bad

Breaking Bad
a kate west recommendation
AMC Network





Vince Gilligan (a creative force behind "The X-Files" and "The Lone Gunmen") has created a daring new drama. "Breaking Bad" concerns a high school Chemistry teacher with terminal lung cancer. In order to leave his family (and especially his disabled son) with the best possible nest egg, he decides to put his chemical brain to work concocting the purest crystal meth the DEA has ever seen.

Bryan Cranston ("Malcolm in the Middle") plays the modest strait-laced teacher brilliantly, desperately driven down the road by fate towards becoming the town's next kingpin. Cranston has always done heart-wrenching drama extraordinarily well (as evidenced by a role in "The X-Files" when he was a man with an exploding brain) and can obviously do nuanced and broad comedy. The man can do practically anything.

With "viewer discretion" warnings galore, this show shocks and pulls no punches (blood, gore, murder, drugs and cancer), although the bleeped swearing is a bit odd. But absolutely worth a look to see one of the current best performances on television. Plus, hooray for filming television shows in widescreen!

Creator/Writer
Vince Gilligan

Director
Adam Bernstein

Series Cast
Aaron Paul ... Jesse Pinkman (8 episodes, 2008)
Bryan Cranston ... Walter White / ... (5 episodes, 2007-2008)
Steven Michael Quezada ... Gomez (5 episodes, 2008)
Carmen Serano ... Carmen (4 episodes, 2008)
Raymond Cruz ... Tuco (3 episodes)
Anna Gunn ... Skyler White (2 episodes, 2008)
Dean Norris ... Hank (2 episodes, 2008)
Betsy Brandt ... Marie (2 episodes, 2008)
RJ Mitte ... Walter White Jr. (2 episodes, 2008)
Maximino Arciniega ... Krazy 8 (2 episodes, 2008)
David House ... Dr. Delcavoli (2 episodes, 2008)
John Koyama ... Emilio (2 episodes, 2008)
Charles Baker ... Skinny Pete (2 episodes)
Jesus Jr. ... No Doze (2 episodes) Read more!

Peace Corps

Peace Corps Blog
a kate west recommendation










Check out my blog here: http://hubpages.com/hub/Social-Consciousness


Read more!

Once

















Once

a kate west recommendation

"Once" is a quiet little independent film that defied expectations and became a hit at the Sundance Film Festival. Starring two movie unknowns, Glen Hansard (lead singer of "The Frames") and Markéta Irglová, it quickly became one of the year's best films and perhaps one of the best music films in decades.

Hansard, while a gifted musician (already on board with the project), is no actor and Director John Carney had to beg him to be in the movie after Cillian Murphy ("Breakfast on Pluto", "Batman Begins") dropped out. With no budget and no leads, things looked dire until somehow everything started magically pulling together. Irglová claims to be no actor either and while both Hansard and Irglová were initially nervous about carrying a film, between their collective vast musical ability and director support, they did an amazingly beautiful and very real job of bringing the characters to life (which just goes to show you how "real" real people can be).

The story concerns two seemingly dissimilar people who slowly come to realize their profound similarities. A Czech immigrant (Irglová) encounters Hansard as a street musician in Dublin and they strike up a friendship. Both are reeling from relationship troubles and find that they also have in common a great love and ear for music. By helping each other explore that, they also change themselves irrevocably.

What stems from that, must be seen and definitely heard to be believed. The music is fantastic and the emotions rich. It is a must-see for anyone loving romance, music, hope and joy. Don't you dare miss it. Update: CONGRATULATIONS on winning the BEST SONG OSCAR! Y'all deserve it.


Directed by John Carney
Produced by Martina Niland
Written by John Carney
Starring Glen Hansard
Markéta Irglová
Music by Glen Hansard
Markéta Irglová
Interference
Cinematography Tim Fleming
Editing by Paul Mullen


Songs:
  1. Glen Hansard and Markéta Irglová: "Falling Slowly" (Hansard/Irglová)
  2. Irglová and Hansard: "If You Want Me" (Irglová)
  3. Hansard: "Broken Hearted Hoover Fixer Sucker Guy"
  4. Hansard and Irglová: "When Your Mind's Made Up"
  5. Hansard and Irglová: "Lies" – (Hansard/Irglová)
  6. Interference: "Gold" (Fergus O'Farrell)
  7. Irglová: "The Hill" (Irglová)
  8. Hansard: "Fallen from the Sky"
  9. Hansard: "Leave"
  10. Hansard: "Trying to Pull Myself Away"
  11. Hansard: "All the Way Down"
  12. Hansard and Irglová: "Once"
  13. Hansard: "Say It to Me Now"
Music:
Once

Movie:
Once

Read more!

Cliff Todd

Cliff Todd Sings
a kate west favorite


Cliff Todd is a phenomenal local singer who just happens to do a spectacular Frank Sinatra and an uncanny Bobby Darin. He's sung just about everywhere, including local musicals, rave parties and karaoke bars, gaining him a pretty fabulous local cult following here in L.A., and rightly so! He's got the smooth mannerisms and suave moves of many of the famous Rat Packers and can dazzle crowds with even more fun impersonations. Remember, you saw him here first. If only we could go back in time and place him at the old Sands Hotel. Ah well, he'll just have to find another smashing way to take Vegas by storm. Be sure to keep an eye out.

Catch him on My Space: http://www.myspace.com/clifftodd and then compare for yourself (below). As always, Cliff does it his way, so come fly with him now, before he gets too booked up.


The Legends:
The Legendary Bobby Darin

The Old Guard:
The Rat Pack Live at the Sands

The Ultimate Rat Pack Collection: Live & Swingin (CD & DVD) Read more!

Avenue Q

Avenue Q
a kate west review
music & lyrics by Robert Lopez
and Jeff Marx
directed by Jason Moore
choreographed by Ken Roberson
at the Ahmanson Theatre
Center Theatre Group
135 North Grand Ave, Los Angeles 90012
playing September 6 - October 14, 2007
contact 213-628-2772 or www.centertheatregroup.org

Winner of the 2004 Tony Award for Best Musical, Best Score and Best Book, adroitly clever "Avenue Q" is an inside look at the lives of the people on Avenue Q (supposedly in New York), of their loves, quarrels, hopes and dreams, just like in any other neighborhood, except some of them are puppets. You read that right. Like in Sesame Street, only the adult version. Direct from Broadway and Las Vegas, Los Angeles finally hosts the wildly popular show at the Ahmanson Theatre.

It all starts with Princeton (puppeted by Robert McClure) strolling into Avenue Q singing "What Do You Do with a B.A. in English?" What IS he going to do with his life now? Turns out he and the rest of the neighborhood aren't as happy as they could be ("It Sucks to Be Me" and "Purpose"). Princeton rents an apartment from former child star Gary Coleman (Carla Renata) and befriends a lovely little Monster named Kate (puppeted by Kelli Sawyer). They start dating after a few bumpy starts, such as Kate reprimanding Princeton that not all Monsters are related ("Everyone's a Little Bit Racist"). Their courtship is fairly standard ("Mix Tape", "You Can Be as Loud as the Hell You Want - When You're Makin' Love") but Princeton dumps her when he thinks she's getting in the way of him finding his ever-important and elusive purpose.

Meanwhile, roommates Rod and Nicky (puppeted by Robert McClure and Christian Anderson) struggle with their relationship when Nicky suspects Rod of being gay ("If You Were Gay") who vehemently denies it ("My Girlfriend, Who Lives in Canada"). Rod eventually kicks Nicky out, who ends up homeless and begging on the street ("The Money Song"). Asian stereotype Christmas Eve (Angela Ai) marries wanna-be comedian Brian (Cole Porter) and doles out sympathy and advice to everyone. Trekkie Monster (Christian Anderson) whacks off in his apartment ("The Internet Is For Porn") and life goes on. It all turns out alright, more or less. No give aways here; go see the show.

Interspersed with video monitors that show childlike animated lessons geared toward us cynical grownups, Director Jason Moore coordinates actors and puppets alike into show-stopping musical numbers by Robert Lopez and Jeff Marx (original creator). The actors are incredibly versatile, jumping from character to person to character again, some of them even doubling up on puppets (including ensemble players Minglie Chen, Maggie Lakis, Seth Rettberg and Danielle K. Thomas). Special fun is Kelli Sawyer's scandalously voluptuous Lucy the Slut, who seduces Princeton, ends up in the hospital and then finds God, turning her into Lucy the Virgin. Costume Designer Mirena Rada fits actors and puppets with equally appropriate dressing and Rick Lyon's puppets themselves are divine. And Scenic Designer Anna Louizos' cute little set is straight out of your favorite childhood televion show.

Musical highlights include Rob and Nicky's elaborate fog-filled dream sequence ("Fantasies Come True"), Princeton dancing with singing moving boxes ("Purpose") and "Schadenfreude" (the German expression meaning delighting in the misfortunate of others) which Nicky sings joyfully with Gary Coleman. Robert McClure handles his main characters deftly, as does Kelli Sawyer who sings sweetly or sultry, depending on which adorable puppet she's wearing. The whole cast does a perfectly amazing job. You'll notice some obvious Jim Henson and Sesame Street influences, like Rod and Nicky looking suspiciously like Bert and Ernie and Trekkie Monster, the masturbator with a distinctly computer nerd like name.

Generation X-ers will love remembering our struggles as twenty-somethings in tiny New York apartments, barely a step up from "Rent's" East Village Bohemians (Broadway's mega-hit modern update on "La Boheme"). The songs are funny, upbeat and memorable and it's absolute great fun to see puppets acting like real people, having sex (and in all kinds of positions too!), getting drunk, getting cold feet (you'll love Princeton's visually hysterical nightmare sweats on committment) and doing everything else demonstrating human weakness. At least according to the cheering audiences every night. Just remember to leave the kids at home.

"Avenue Q" has not been authorized or approved in any manner by the Jim Henson Company or Sesame Workshop, which have no responsibility for its content."

The Broadway Soundtrack:
Avenue Q (2003 Original Broadway Cast) Read more!

The Assassination of Jesse James

The Assassination of
Jesse James
by the Coward Robert Ford
a kate west review












The latest version of the Jesse James story is told in the remarkable film by Andrew Dominik, "The Assassination of Jesse James by the Coward Robert Ford". Narrated by Hugh Ross, with spots of sepia tones and vintage 1880's lenses, the film depicts the legendary outlaw in his final years.

Brad Pitt is the lead, portraying James as the calculatingly cold killer that he was, but with a haunting awareness of his own weaknesses. Casey Affleck (yes, Ben's little brother) gives an outstanding performance as Robert Ford, the man responsible for ending Jesse's life. Focusing less on the James/Younger brothers famous gang exploits, the film explores the aftermath, when the paranoia and disillusionment set in. It is a less glamorous look at the real inner world of the coarse and hardened men of the old west. Jesse James killed a lot of men in his time, and while he justified it to himself in his lifetime, it was never a noble affair, but often rather a petty reaction to life's inevitable obstacles.

Brad Pitt portrays James as the still wiley and alert man of infamy, with the dread of the modern mob boss. The scenes in which characters await his arrival are the most filled with fear and trepidation. As each suspected betrayer is gunned down, weeping and begging for mercy, the two Ford brothers become more and more nervous that James will discover their involvement with the authorities. One scene in particular shows Pitt slowly stirring his coffee, reading the newspaper, which everyone knows full well to be incriminating. The camera shows his hand stop stirring, then running his finger down the lines of print, leaving us in an agony of suspense.

The entire movie is told in bits of suspended anticipation and in character contemplation. In spite of it's length (two hours and 40 minutes), the movie keeps an appropriate pace, revealing each rich suspenseful moment, beat by beat. Pitt is wonderful as the icy cold James, someone you don't want visiting you in the middle of the night, someone with eyes in the back of his head. And Affleck outdoes himself as the nervous hero worshipper, forced to betray his idol, never making eye contact and justifying his cowardice for the rest of his short life. Sam Rockwell is also good as his brother Charley Ford and Sam Shepard makes a commanding appearance as Frank James. Every actor turns in a profound performance, from Paul Schneider and Jeremy Renner (the two initial Judas Iscariots) to Mary Louise Parker (as Jesse's wife Zee) and Zooey Deschanel (Ford's lover).

By the time we reach the final scene, where Jesse goes to hang a picture and Ford shoots him in the back, we've come to know these characters, for better or for worse. Although most of us know the history and expect the outcome, we still feel a pang for a fallen legend, deeply flawed though he might be. Perhaps, as is hinted in the movie, Jesse was ready for his execution, having wearied of his own inner conflict. And it is an unexpected bonus to be able to get to know Ford, so often painted as a cowardly villain, who may have been just as human as the rest of us.

The movie is ultimately about death, both that of James and Ford, one somber, yet exploited, the other virtually forgotten almost the moment it happens. It is also about vilifying and idolizing the wrong kind of hero. It is also much more than your standard western and a movie you will have a hard time letting go of.



The Book:
The Assassination of Jesse James by the Coward Robert Ford

The Film:


Directed by Andrew Dominik
Produced by Ridley Scott
(Executive Producer)

Jules Daly
Brad Pitt
Dede Gardner
David Valdes


Novel by:
Ron Hansen
Screenplay by:
Andrew Dominik

Starring

Brad Pitt
(Jesse James)
September 5, 1847April 3, 1882
Casey Affleck
(Robert Ford)

Mary-Louise Parker
(Zee James)
Sam Shepard
(Frank James)
Sam Rockwell
(Charley Ford)
Paul Schenider
(Dick Liddel)
Jeremy Renner
(Wood Hite)
Zooey Deschanel
(Dorothy Evans)

Music by Nick Cave
Warren Ellis
Cinematography Roger Deakins
Editing by Dylan Tichenor
Michael Kahn
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1408

1408 by Stephen King
a kate west review






The short story "1408" by Stephen King (in his collection "Everything's Eventual") is possibly one of the scariest stories ever written. The recent movie with John Cusack is not at all the scariest horror film. Or even close.

The only similarities are that Mike Enslin (John Cusack), a writer specializing in the supernatural, insists on staying in Room 1408 at the Dolphin Hotel, a notorious haunted room. And that he thinks he's seen it all, and has the jaded cynicism of a once-profound writer to prove it, one who's now reduced to base sensationalism. The hotel manager (Samuel Jackson) tires vainly to dissuade him. The movie then deviates into a self-indulgent personal tragic loss for the main character and much of what happens in Room 1408 really does appear to be in his head. And it's not very interesting. So enough about the movie.

The original story on the other hand, is a creepy, bone-chilling account of a truly evil room. It's not haunted, it's evil, and whoever stays there, or even cleans there, is always in danger of going mad. The cleaning women get headaches, the past tenants commit suicide and God knows what else happens behind that sinister door. Do adding up the numbers spell thirteen? You bet they do. The written imagery is startlingly descriptive and eerie and you want to scream for Mike to get the hell out of there before his mind goes, which starts to happen surprisingly fast. Strangely foreign guttural tones over the telephone, slimy bed covers, moving walls and bad people in paintings flow together in a confused jumble, adding to the discordance. It really is a hell of a room.

Stephen King is truly a master storyteller, prolific in the deepest sense of the horror genre. No one else can be as accessible as he can, while at the same time going to a complete grotesque extreme. And he creates clearly relatable characters, a refined technique over several decades. This is one of his finest, close to "The Mist" or even some of his longer novels. So if you haven't given him a try, and enjoy a good read, get started now. But leave on the lights.

Directed by Mikael Håfström
Produced by Lorenzo di Bonaventura

Written by Scott Alexander
(writer)
Matt Greenberg
(writer)
Larry Karaszewski (writer)
Stephen King (short story)

Starring

John Cusack
(Mike Enslin)
Samuel L. Jackson
Mary McCormack
Jasmine Jessica Anthony
Tony Shalhoub

Music by Gabriel Yared
Cinematography Benoît Delhomme


The Short Story Collection:
Everything's Eventual : 14 Dark Tales

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John Steinbeck & Jack London vs. Charles Dickens & Charlotte Brontë

a kate west reflection

The National Steinbeck Center in Salinas (www.steinbeck.org) above.

I know that everyone is crazy about Jane Austen these days, as well they should be. She's a classic and an astute, if sometimes strict, observer of human nature. Yet, while my mind absolutely accepts this, my heart belongs elsewhere. The romantic part of me wants the sweeping drama of the mating ritual and that whole dramatic dance. Charlotte Brontë's "Jane Eyre" provides this for me. Not that Austen isn't romantic. Of course she is. But her novels can be more intellectual and passionate, while at the same time giving us social messages. She's not everyone's cup of tea; Mark Twain disparaged her, but he was a cantankerous old man. Brilliant writers often are.

Personally, sometimes I just want to escape (not that Brontë can't be deep, relax). Mr. Rochester seems more mysterious than Mr. Darcy and seemingly unattainable, making him all the more desirable. And I'm a sucker for happy endings. Then there's Charles Dickens. "Oliver Twist" is definitely a real depiction of the harshness of old English orphanages, but it does end well for the main character. Many people make fun of me for this, but "A Tale of Two Cities" is one of my favorite novels. I know it's a soap opera, with one ridiculous coincidence after another, but it speaks to me. Sydney Carton's heroic sacrifice gets me every time. The background of the French Revolution's Reign of Terror helps this story considerably, along with such rich characters like the brooding Madame Defarge, who keeps knitting aristocratic destruction while the streets run red with blood. Great stuff.

More realistic are the novels by Jack London and John Steinbeck, taken from both authors' real life experiences of Alaskan sled dogging in London's case and from the migrant workers Steinbeck grew up around in California. These novels are considered romantic because they depict small lives on a grand scale. The common man made poetic. London painted a vivid picture of man surviving in nature by befriending loyal dogs and understanding wolves. Men in such harsh winter climates needed to make these alliances; the resulting relationships satisfied both. Steinbeck made more of a social statement by showing us the inner lives of men who worked with their hands. He even wrote about his own journey traveling across America with his ferocious poodle Charley. Everyone reads these novels in school, but re-reading them as an adult causes you to appreciate their nuances even more. At least I think that's why I continue to be drawn to them.

The point is, literature (and film and art) is subjective. We like what we like. And we find romance where we can, since real life won't always give us what we want. And sometimes, even real life in fiction, even tragedy in books, seems more appealing than what we see at home. Or is it that these authors give us a clearer sense of life around us, which is really the most romantic thing of all.


Fun Reads:
Travels with Charley in Search of America: (Centennial Edition)

The Call of the Wild (Aladdin Classics)

Jane Eyre (Dover Thrift Editions)

A Tale of Two Cities (Penguin Classics) Read more!

Dexter

Dexter
a kate west favorite
Warning - Spoiler Alert!





Michael C. Hall has migrated from HBO to Showtime for a show wildly different from the family angst driven "Six Feet Under". In it's second season, the hit show "Dexter" still captivates audiences with it's intriguing glimpse into the mind of a serial killer. With such an innocuous name like Dexter, who would have thought that behind that angelic smile lurks the heart of a mad man.

Hall plays the unlikely anti-hero, who only murders murderers. Raised by foster parents after watching his mother torn apart by a chain saw, Dexter realized early on that he was very different from other little boys. His foster father tells him to direct his dark leanings toward bad men and to always say the opposite of what he actually wants to say, in order to pass undetected through society's radar. This works well, until the second season when the police find the remains of Dexter's victims dumped in the bay.

The fun part of the show is that Dexter works with his foster sister Debra (Jennifer Carpenter) for the Miami Police Department. He's the blood specialist, a medium in which he obviously excels. Erik King plays Sergeant Doakes, the suspicious police officer who swears there is something off about Dexter. All outward appearances are normal, however, even to the extent of Dexter having a girlfriend Rita (Julie Benz). Secretly though, he does things like kill off the elusive Ice Truck Killer, who just happens to be his real brother Rudy (Christian Camargo). Life's a bitch, sometimes.

It's a testament to Hall that although his character is a cold-blooded killer, we still have sympathy for him and don't want him to get caught. During "Six Feet Under" we never thought of him other than the sweet, gay funeral director son who just wants everyone to get along. Now he fully owns the character of the ultimate outsider, alienated from human feeling. The writing is strong, much of the dark story taken from the Jeff Lindsay novel (see below). Great stuff. But it's mostly Hall we keep tuning in to watch. Will Dexter be found out? Stay tuned.


Created by James Manos, Jr.


Starring
Michael C. Hall
Julie Benz
Jennifer Carpenter
Erik King
Jaime Murray
Lauren Vélez
David Zayas
James Remar
C.S. Lee
Devon Graye
Dominic Janes
Christian Camargo


The Series:
Dexter - The First Season

Where We Know Michael From:
Six Feet Under - The Complete First Two Seasons (2-Pack)

The Book:
Darkly Dreaming Dexter Read more!

Rescue Me

Rescue Me - FX channel
a kate west favorite









In it's fourth season, "Rescue Me" is still as hot as ever. Hot firefighters, hot action and hot dialogue.

Executive Producer, writer and star Denis Leary (pictured above) has created an intriguing look at tough men who live and play hard. His character, Tommy Gavin, is multi-dimensional, talks to dead people and tries to rise above his nature. As do they all. Facing death every other day, these volatile firefighters are in turn crude, offensive, charming, vulnerable and very real. The relationships are basic and everyone is deeply flawed. That's what makes it so fun to watch. Stereotypes are encouraged and often turned inside out until you come to understand the desensitization these guys are subject to. Fire purifies, annihilates, destroys and renews and no one understands that better than these brave men. Noble in battle, they are infuriatingly impossible in daily life. A great contrast. (The intervention scenes are fun family fodder.)

Kudos to Leary for daring to be edgy and for taking such a personal and active creative role. And this season's finale is a killer too, complete with a divine baseball scene. Ah!


Series Directed by
Jace Alexander (17 episodes, 2004-2007)
John Fortenberry (11 episodes, 2004-2006)
Peter Tolan (10 episodes, 2004-2007)
Ken Girotti (4 episodes, 2006-2007)
Adam Bernstein (2 episodes, 2004)
Jefery Levy (2 episodes, 2005)
Don Scardino (2 episodes, 2007)

Series Writing credits
Denis Leary (48 episodes, 2004-2007)
Peter Tolan (48 episodes, 2004-2007)
Evan T. Reilly (11 episodes, 2005-2007)
John Scurti (3 episodes, 2004-2006)
Salvatore Stabile (2 episodes, 2004)
Mike Martineau (2 episodes, 2005-2007)

Series Cast

Denis Leary ... Tommy Gavin (48 episodes, 2004-2007)
Mike Lombardi ... Mike Silletti (48 episodes, 2004-2007)
Steven Pasqual ... Sean Garrity (48 episodes, 2004-2007)
Andrea Roth ... Janet Gavin (48 episodes, 2004-2007)
Daniel Sunjata ... Franco Rivera (48 episodes, 2004-2007)
John Scurti ... Kenny Shea (48 episodes, 2004-2007)
Callie Thorne ... Sheila Keefe (45 episodes, 2004-2007)
Jack McGee ... Chief Jerry Reilly (44 episodes, 2004-2007)
James McCaffrey ... Jimmy Keefe (40 episodes, 2004-2007)
Natalie Distler ... Colleen Gavin (29 episodes, 2004-2007)
Tatum O'Neal ... Maggie (24 episodes, 2005-2007)
Dean Winters ... Johnny Gavin (23 episodes, 2004-2007)
Charles Durning ... Tommy's Dad (21 episodes, 2004-2006)
Trevor Heins ... Connor Gavin (21 episodes, 2004-2006)
Lenny Clarke ... Uncle Teddy (20 episodes, 2004-2007)
Olivia Crocicchia ... Katy Gavin (20 episodes, 2004-2007)
Diane Farr ... Laura Miles (19 episodes, 2004-2005)
Robert John Burke ... Father Mickey Gavin (19 episodes, 2004-2007)
Peggy Scott ... Jeannie / ... (14 episodes, 2004-2006)
Michael Zegen ... Damien / ... (13 episodes, 2004-2006)
Michael Mulheren ... Chief Perolli (13 episodes, 2004-2006)
Ed Sullivan ... Billy Warren / ... (11 episodes, 2004-2006)
Cailin Stollar ... Keela (11 episodes, 2004-2006)
Sherri Saum ... Natalie (11 episodes, 2006-2007)
Milena Govich ... Candy (8 episodes, 2005-2006)
Anthony Mangano ... Bobby Vincent / ... (8 episodes, 2004-2007)
Bernardo De Paula ... Jesus / ... (8 episodes, 2005)


Rescue Me - The Complete First Season Read more!

Wolves

Wolves
a kate west reflection









Wolves never had it easy. Although Wolves are considered endangered and protected in most of America (at least in 48 states anyway), Gray Wolves (sometimes called Timber Wolves and the largest member of the Canine Family) are still hunted down in places like Alaska. There is some light at the end of the tunnel however, due to reintroduction strategies like bringing wolves back to Yellowstone Park.

The bad rap comes mostly from the rich folklore and mythology throughout the ages. Usually cast as the villain, the insatiably bloodthirsty wolf menaces little girls and defenceless women. In reality, however, wolves very rarely attack humans and in fact have a complex and strict social order to keep them in check. They are strongly loyal family members and are quite intelligent. True, they hunt in packs, which can seem fearfully intimidating, but it is this discipline which helps them survive and maintain order.

So instead of reviling them, we should show more respect and honor to these noble beasts. Any wild animal is dangerous, of course, so admire them from a distance please.

Visit Wolves:
www.wolfmountain.com


Read More About It
In Barry Lopez's:

Of Wolves and Men Read more!

Planet Unicorn












a kate west favorite

"In the year 2117, an 8 year old gay boy named Shannon found a magic lamp. He was granted three wishes. The first, a fur jacket. The second, a flying car. The third, a planet full of unicorns. This is the story of that planet." [spoken] "A gay boy wished for a planet full of unicorns, planet unicorn, unicorn planet. Give it up for Feathers, oooh Cadillac, and Tom Cruise. Ohhh, planet unicorn, heyyy!" [sung]

So begins the hottest new video site online, featured on both NPR and in August's issue of TIME OUT, "Planet Unicorn". As the song above says, it's all about a planet full of unicorns (dig those crazy names too), wished into existence by an 8-year-old gay boy named Shannon. The fact that it appeals to children and adult alike is testament to the cleverness of its creators Mike Rose and Tyler Spiers, talented young comedic actors in Los Angeles. Now internationally known, the website has well over a million hits and has become a pop culture phenomenon. Thank you, You Tube!

It's pink, quirky, harmless fun, with childlike animation and simple dialogue. And it all works really well. Check it out now, and you too can be cooler than My Space.


Creators: Mike Rose and Tyler Spiers

Shannon: Mike Rose
Feathers: Drew Droege
Cadillac: Mike Rose
Tom Cruise: Tyler Spiers

Animation: Craig Morris and Robert Potter

Theme Song/Vocals: Mike Rose

Original Music: Ryan Elder


Shannon

Shannon is an 8-year-old gay boy. He found a magic lamp and wished for a planet full of unicorns.
He has a vivid imagination and likes to have fun.

Feathers

Feathers has a southern accent and a cowboy hat.
He's sassy and no-nonsense. He likes to have fun.

Cadillac

Cadillac is Hispanic and wears his mane in a pompadour.
He likes having the last word and he likes to have fun.

Tom Cruise

Tom Cruise likes to travel and is always up for a new adventure.
He likes to have fun.


http://www.planetunicorn.tv

Congratulations on your NewNowNext Award!!!
http://www.newnownext.com/2007/04/planet_unicorn_.html
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