Showing posts with label Comedy. Show all posts
Showing posts with label Comedy. Show all posts


Love, Sex and Missed Connections

a kate west review
directed by Eric Kissack; produced by Lisa Rudin
written by Kenny Stevenson
Official website: http://missedconnectionsmovie.com/

Real-life married couple, the ridiculously talented Kenny Stevenson and Dorien Davies, have worked together a lot, mostly in comedy. So it makes perfect sense that they would make a funny romantic movie together (yup,a rom-com). They play a misguided pair suffering from the pains of recent break-ups in the delightful script by Stevenson, "Love, Sex and Missed Connections." Garnering film festival awards* from all over the country, this charming film stars friends, colleagues and their dog Zoe. And it is obviously a labor of love, judging from the very real chemical sparks between the two stars (and the fun everyone else seems to be having).

Neal (Stevenson) tries hopelessly to bury the nightmare of walking in on his girlfriend having sex with another guy. On their couch. His friends Barry and George try to drag him back to the dating world and get him right back on the 'ol saddle. Since nothing else seems to be working, Neal attempts their plan of responding to missed connections ads, pretending to be the guy lonely girls are searching for in order to take advantage of their disappointment when the real guy doesn't show. It works like a charm and he gets laid - a lot. That is, until he runs into Jane (Davies), who places fake ads to turn the tables on the opposite sex (it's complicated - but so is love, right?)

Funny things happen. Actually, pretty hilarious stuff. Since the cast has a background in comedy, they all know their way around one-liners. Shane Elliot and Alex Enriquez are hilarious as goofballs Barry and George, Avi Rothman is hilarious as friend Allan who sleeps with the ex Christine (Julie Mitchell) and appears naked in Neal's dreams, Stephanie Escajeda and Scott Beehner are hilarious as well-meaning awkward relatives Jillian and Daren, all of the missed connections are hilarious and those one-liners are definitely hilarious. And look out for minor characters with hilariously big encounters. But more than that, the underlying message of overcoming the crippling effects of a broken heart is touching and relatable. The zingers are nice and fun, but as they are supported by a sincere and heartfelt story, everything works. You laugh at the silly and root for the broken.

Director Eric Kissack puts together some nicely edited shots (and he's got the background to back that up) and Kenny Stevenson puts together a nicely written film, eliciting instant sympathy for the characters and holding our attention for the duration (it's 77 minutes, in case you were wondering). Stevenson and Davies shine as the lovelorn soul mates and are lovely to watch and cheer. There is not one wrong note here and the entire cast and crew is to be commended for a job well done and a story well told. Catch it live at a film festival near you, or at least watch it here.

Seriously, look how cute they all are:



*The Awards ... so far:
2013 San Luis Obispo International Film Festival – Best Narrative Feature
2012 Naples International Film Festival – Indie Spirit Award
2012 New Hampshire Film Festival – Audience Award
2012 Hell’s Half Mile Film and Music Festival - Best Of Fest
2012 Big Bear Lakes International Film Festival – Audience Award – Best Feature Film
2012 Traverse City Film Festival – Special Jury Prize – First Time Director
2012 Woods Hole Film Festival – Audience Award Best Comedy Feature
2012 Boston International Film Festival – Indie Spirit Story Line Award
2012 Cleveland International Film Festival – American Independent Award
2012 Indie Spirit Film Festival – Screener’s Choice Award
2012 Cinetopia International Film Festival – Cinetopia Laurels Award
Read more!

The Book of Mormon

a kate west review
book, music, lyrics by Trey Parker, Robert Lopez and Matt Stone
directed by Casey Nicholaw (also choreographer) and Trey Parker
at the Pantages Theatre 6233 Hollywood Blvd, Los Angeles
contact  1-800-982.ARTS (2787) or click here
running through November 25, 2012



The infamous foul-mouthed children of South Park (the insanely animated brainchild of Trey Parker and Matt Stone) once had a run-in with some Mormons on the popular 2003 episode "All About Mormons". The enthusiastic religious fervor was catching at first, but soon became disillusioning as more of the back story was revealed to the characters. And because the show is based on merciless satire, the Mormons were not spared ridicule. In song (some of their best work too). So it's not surprising that several years later, the creators expanded their irreverence by combining their love of mockery with the commercialism of Broadway and thus "The Book of Mormon" was born.

Garnering coveted Tony Awards (including Best Musical 2011), "The Book of Mormon" is a (slightly) tamer version of the television episode. Primarily in order to attract audiences, the stronger sting of direct spoof is often replaced with moments of spotlighted wistful hopefulness (the kind you see in Disney musicals), although all that trademark "bad" language stayed in. In other words, it's an adult family show. And now it's in Los Angeles, right at Hollywood and Vine.

Elders Price and Cunningham (in this performance Gavin Creel and Jon Bass) are paired together by their superiors and sent to Uganda to make sure the Africans properly acknowledge the Savior. As it's not the most coveted destination (it ain't Orlando), the Mormon missionaries despair at making an impact on such a strikingly different culture. Eventually they get through (more or less anyway) to these terribly unenlightened people with song and dance and lots of swearing. Which seems to be the main appeal.

The creators play up the stereotypes, exaggerating that absurdity for effect, but that plays a little better in cartoons. On stage it becomes a more obvious joke, but the audience still eats it up. And the cruder the dialogue, the bigger the laugh. Fans of "South Park" will expect this sophomoric humor (and recognize a voiceover or two) and the rest will be drawn to the shock value. And students of pop culture will have a blast. Setting all that aside, you are left with a fairly standard coming-of-age-self-realization story. Typical Broadway fodder, but nothing life altering (and very similar to the silliness of Spamalot, another mainstreaming musical venture of a once innovative show: see Monty Python.)

The actors are all great, the musical numbers lots of fun and the pacing is briskly efficient. The opening and closing numbers where everyone rings doorbells and sings "Hello" as your friendly neighborhood evangelists are a delight. As pure entertainment, it is a professionally well done piece, but it won't change anyone's beliefs. In fact, the Mormon Church advertises in the program*, apparently giving credence to the "no such thing as bad publicity" mantra. In other words, there are no huge surprises and you pretty much know what to expect. It harkens back to "South Park" itself or the Team America movie (another Parker/Stone creation), where once the novelty wears off, we get it already.

Perhaps even more fitting, you might experience Angelino sensationalism when leaving the theater and run into the LAPD in SWAT-esque gear during a Skateboarder Riot (kid you not). That's when you really know you're in Hollywood.

*"You've seen the play, now read the book."
thebookofmormon.org (told you)
Book of Mormon Read more!

Stuffed and Unstrung - The Tour


by Henson Alternative
a kate west review
on tour now! http://www.stuffedandunstrung.com/ 
check here for local dates: http://www.stuffedandunstrung.com/tickets.php





The Jim Henson Company sprung into being from one of the most endearingly creative minds in entertainment and son Brian Henson beautifully carries on Jim Henson's talented legacy (for several years now) with "Stuffed and Unstrung", an improv show with puppets. Formerly "Puppet Up", this run of unscripted delight continues to impress fans, now embarking on a nationwide tour (check the website to see if it's coming to you). 

Like many improv shows, it is heavy on audience suggestion, so be prepared to shout out fun ideas for scenes. Host Patrick Bristow impeccably moderates and fields the most appealing leads. Just so you know, some of the very brave seated in the orchestra may get “volunteered”. But don’t worry, everyone is there to support and love you – the puppeteers are anyway (you can never be sure about puppets). If you don’t believe it, click the link below for one of the sweetest moments on stage.

This amazingly professional cast can improvise the heck out of any suggestion so part of the fun is watching their wild and crazy characters act out scenarios as if they happen every day. Like Brian himself says, “It can be a little disturbing to see unrequited love between a goat and a fish, but we find it delicious and surprising ….” And audiences cannot agree more. You don’t have to be a fan of  Henson’s beloved “The Muppet Show” or even “Sesame Street” to enjoy the antics, but it is awfully nice to see some vintage pieces incorporated into the show (you may recognize some early Jim Henson). The best part is finally being able to watch what the puppeteers have to do in order to create the magic. As in all live shows, not every night goes 100% smoothly, but that's the secret joy of improv. And the lovely nostalgia factor (along with the talent) is always there. Guaranteed.

In short, there are two shows – one you can watch on the monitors which show the actual puppets acting out a screen on video (like you are used to with Kermit and Miss Piggy) and the other is on stage, where you can watch the dark-clothed puppeteers maneuvering their puppet characters. If you don’t think puppeteering is hard, try holding your arm up for an entire scene and training your brain to move right in order to have a character move left on screen. Fascinating. You’ll also get to see a truly multimedia interactive scene from the patented Henson Digital Puppetry Studio with a robotic version of a puppet (needs to be seen to be understood).

Although Henson has added many new features since 2005 (previous reviews of the gentle silliness here  and here), the essential joy and puppet artistry is definitely still present and stuffed people and animals on sticks make for a remarkably real and touching evening. Squirrels might be foster children, hot dogs may need intervention and James Bond may even appear (anything goes with puppets!) And none of the puppetry magic would even be possible without the supremely fantastic cast (listed below). Rotating different casts for different tour dates works well for them since everyone goes through the same rigorous training process. If you weren’t in awe of this company before (and really, who isn’t?) you will be after they take your town by storm. Once you experience this uniquely delightful show, you’ll want to come back and bring a friend. Or two. Enjoy!

p.s. There is a reason the above is billed as “adult” so if you don’t appreciate strong language, stay home. But come on, you know you really want to see a puppet swear.

Like Father, like son ....



Catch them on YouTube here
(includes the best audience participation scene: http://youtu.be/S7c25whalgQ)


Previous reviews here:








Brian Henson (Creator, Producer, Performer) is Chairman of The Jim Henson Company and an award-winning director, producer, writer and performer. In recent years, Henson served as Executive Producer on the television projects It’s A Very Merry Muppet Christmas Movie, Muppet Wizard of Oz, Farscape: The Peacekeeper Wars (which he also directed) and Jim Henson’s Jack and the Beanstalk: The Real Story (which he also co-wrote and directed). Previous television projects that Henson produced include Farscape, Bear in the Big Blue House, Gulliver’s Travels, The Wubbulous World of Dr. Seuss, Muppets Tonight and Dinosaurs. Henson’s long list of film credits includes The Great Muppet Caper, Labyrinth,The Witches, Little Shop of Horrors, Teenage Mutant Ninja Turtles, The Muppet Christmas Carol and Muppet Treasure Island.
 Henson also oversees the groundbreaking work at Jim Henson’s Creature Shop, one of Hollywood’s pre-eminent character building, digital and physical visual effects facilities. Henson was part of the team that first created and utilized the Henson Performance Control System, a powerful custom-based interface for puppeteers, which won an Academy of Motion Picture Arts and Science Scientific and Engineering Award in 1992. Recently, he has been leading the Shop’s work with its revolutionary puppeteered animation system. He recently directed Battleground, an episode for TNT’s anthology series Nightmares & Dreamscapes: From the Stories of Stephen King.

Patrick Bristow (Co-Creator/ Director/ Host) is best known for his numerous television appearances most notably as Peter on the groundbreaking ABC series Ellen. Other television credits include, Curb Your Enthusiasm, Seinfeld, Friends, Mad About You, Whose Line Is It Anyway?, and others. Film credits include Twilight Of The Golds, The Longest Yard, as well as the first Austin Powers, So I Married An Ax Murderer, and the accidental comedy Showgirls.  Bristow is also an alum of The Groundlings Main Company where he has performed, taught, and directed. He won a Garland Award for his performance in The Break-Up Notebook and though nominated for an Ovation award for the same role, didn't manage to snag that one. 

Direction credits include 
Hot Dog TV for the Cartoon Network, IronSink.com 's Freakdom Of Speech, Improvatorium's current hit show, Zombience!  He has served as an improv consultant for The WB, Bravo's Significant Others, Disneyland, Fox TV, and others.
He lives in L.A. with his wonderful partner of 16 years, Andrew Nicastro.
He sincerely hopes you enjoy 
Stuffed And Unstrung.

Grant Baciocco is the producer and host of the Henson.com Podcast, the official podcast of The Jim Henson Company. He is also the creator of several other award winning, family friendly podcasts including The Radio Adventures of Dr. FloydDid This Happen? and Grant's Advent Calendar Video Podcast. His comedy music act, Throwing Toasters, has toured clubs and colleges across the country, played a sold out show at the Tokyo Dome in Japan, had several #1 hits on the Dr. Demento show and opened for "Weird Al" Yankovic. He is also an Associate Producer on Joel Hodgson's Cinematic Titanic. Find out more at www.MrGrant.com. "What I enjoy most is not what the puppets are saying or doing that makes the audience laugh; it’s if the audience knows what the puppets are thinking and they laugh…then I know it’s funny.”

Jennifer Barnhart is a performer with one foot in the human world and one in the puppet world; she enjoys when those worlds intersect, as in her recent appearance in Jim Henson's Emmet Otter up at Goodspeed. She is an original cast member (Outer Critics Circle Award) of the Tony Award-winning Broadway musical Avenue Q. Favorite stage roles includeThe Angel in Angels in America, Olivia in Twelfth Night, and Jack’s Mother in Into the Woods. She has appeared on Law & Order: SVU and As the World Turns; puppeteering credits include Sesame Street, Between the Lions, Lomax: the Hound of Music, Johnny and the Sprites, and Bear in the Big Blue House

Bill Barretta began his twenty-year relationship with The Jim Henson Company playing “Earl” on the hit series Dinosaurs.  In addition to creating Muppet characters such as Pepe the King Prawn, Bobo the Bear and Johnny Fiama, he has gratefully taken over Rowlf the Dog, The Swedish Chef and Dr. Teeth, characters originally created by the late great Jim Henson. Performer, writer, producer and consultant credits include Muppets Treasure Island, Muppets Tonight, Muppets From Space, It’s A Very Merry Muppet Christmas, Muppets Wizard of Oz, and Jack and the Beanstalk:  The Real Story (co-writer and “Thunderdell the giant”). 

Julianne Buescher is an actor, writer, Second City alum, and founding member of Stuffed & Unstrung. Stage credits include Velma Kelly in Chicago, Kate in Old Times, and Helen in Baby with the Bathwater. TV/Film credits include The Middle, Criminal Minds, Forgetting Sarah Marshall, 24, Supernatural, The Simpsons, Pirates of the Caribbean, Robot Chicken, Mr & Mrs Smith, Jimmy Kimmel Live, and E! (narrator/host). She also created and starred in the award-winning film Resculpting Venus: a Comedy about Breast Cancer, and created many of the puppets featured in Stuffed and Unstrung. “Nothing says 'Love' like a dog puppet humping your arm."

Tyler Bunch has been working as an actor/puppeteer in the NYC area for eighteen years. In addition to performing such characters as Parris in The Crucible, Bottom in Midsummer Night’s Dream and Pooh Bah in The Mikado, he may also be recognized by youngsters (or the young at heart) for his performances as Pop, Treelo and Doc Hogg (Bear in the Big Blue House), or Grampu, Dr. Nitwhite, Winslow or Baby Cookie Monster (OOBIBetween The LionsIt’s a Big, Big WorldSesame Beginnings). “I am surprised at how amazed the audience is to see how we do what we do. Working with puppets for a long time, I forget that the audience hasn’t had a lot of opportunities to see behind the magic. The fact that we’re throwing that all out there in this show is a really new thing.”

Leslie Carrara-Rudolph is an Emmy-nominated puppeteer and multi-faceted entertainer whose stage credits range from the Beggar Woman in Sweeny Todd to the numerous characters in Lilly Tomlin's Search For Signs Of Intelligent Life In The Universe. TV / film credits include Sesame Street, Johnny and the Sprites, Muppets Tonight, Forgetting Sarah Marshall, The Wubbulous World of Dr. Suess, The Simpsons, and Nickelodeon's Tough Puppy. She created The Wahoo Wagon, a stage show for Disney's El Capitan Theater and will be premiering her new musical “Wake up Your Weird” at the Lesher Center for the Arts in Walnut Creek this September. 

I find it comforting that in this show a cavewoman can go on a blind date with an alien that her beaver buddy set up with a mutual ferret friend who is married to a punk rock monkey with a fish fetish. I feel like I fit in."





Brian Clark co-produced, co-storied and starred in Sizzle (an improvised Borat-style comedy about global warming).  A member of the Groundlings, he later discovered puppetry, a helpful skill when he was cast in Puppet Up! and as a puppet panelist on  the Game Show Network’s Late Night Liars.   Writing credits include That Gay GhostIn the ClubYokies, Baydogs and The Children of Toromiro. Brian co-founded the sketch comedy group The Deviants and though he regularly fails at relationships, he currently employs himself by giving sex advice to women from the male perspective as a contributing writer for Betty Confidential.com. “Performing in Stuffed and Unstrung is like being possessed by multiple demons at the same time. Only these demons are made of felt and when they make you say something bad, technically it's still your fault.”

Stephanie DAbruzzo is a Tony and Drama Desk-nominated performer best known for originating her roles in Broadways Avenue Q (Theatre World Award, Outer Critics Circle Award). NYC stage includes Dont Say Another WordPlaisir DAmourAustentatiousKiss and MakeupI Love You Because, If You Give a Mouse A Cookie & Other Storybooks, and Gravid Water at Upright Citizens Brigade Theatre. Other cities have seen her in [title of show]The Guys, and Knuffle Bunny: A Cautionary Musical. TV includes Sesame Street (17 seasons), OobiThe Wonder Pets!Jacks Big Music ShowSheep in the Big CityThe Wubbulous World of Dr. SeussI Love the 70s Part II/80s 3D, and Scrubs. Go U Northwestern.

James Godwin Puppeteer credits include: Book of Pooh, Bear in the Big Blue House, Between the Lions, Oobi, Blue’s Room, Saturday Night Live, Chapelle’s Show, the Spike Lee-directed commercial for iam.com, and  It’s A Big, Big World for PBS where he plays the character BOBJames also co-founded the puppet company The ElementalsThe Elementals have performed at P.S. 122, Dance Theater Workshop, HERE, the Walker Art Center, and in the Henson International Festival of Puppetry.

Drew Massey is an actor, puppeteer, and voice-over artist whose film credits include Forgetting Sarah Marshall, The Hangover, Men In Black, Muppets From SpaceThe ProducersDoctor Dolittle, and Team America: World Police, among others.  Drew has also performed in TV shows such as: AngelGreg the BunnyWarren The ApeMalcolm in the MiddleMuppets Tonight, and Crank Yankers.  He is nice to the elderly, loves animals, and is convinced that dairy products are bad for him.  He also helped create some of the many puppets featured in Stuffed And Unstrung. 

Ted Michaels is an alum of the performing company at the Groundlings Theater in Los Angeles where he was featured in their main stage shows. He also performed with Eddie Izzard in Mr. Izzard's One Word Improv stage show in Los Angeles. Recently, he puppeteered characters for MTV's spinoff of Greg the Bunny, called Warren The Ape. In addition to many commercial appearances, his television credits include roles on The Comeback, Campus Ladies, According to Jim, Girlfriends and Mad TV“My favorite moments in the show are when we strike on an absurd idea and everyone goes nuts with it- piling on nonsense from every angle until that absurd idea somehow begins to make perfect sense.”

Michael Oosterom is an actor whose stage credits include the American Conservatory Theater, The California Shakespeare Festival, The San Francisco Mime Troupe and the national tour of Steve Martin's Picasso at the Lapin Agile. TV credits include Nickelodeon's The Amanda Show, The District, and Help Me Help You. Recent puppet credits include Where The Wild Things Are, Pushing Daisies, Forgetting Sarah Marshall and Dante's Inferno. He is an alumni of The Groundlings Sunday Company. “I love the warthog puppet. So ugly and yet so beautiful.”

Paul Rugg, a founding member of the ACME Comedy Group in Hollywood and an award winning writer for TV animation, has lent his vocal talent to shows such as AnimaniacsPinky and The BrainHisteriaBuzz Lightyear Of Star CommandDave The BarbarianToonsylvaniaAmerican Dragon, and Catscratch. Paul also wrote, produced and starred in Freakazoid as well as the Manny The Uncanny segments for ABC’s One Saturday Morning. Recently he also performed Ditch in the animated web series for PBS KIDS GO!, Wilson & Ditch: Digging America.

Colleen Smith is a Groundlings Sunday Company alum and currently teaches improv at the Groundlings school. She is a correspondent on The Showbiz Show with David Spade. Her other television credits include The Office, World Cup Comedy, The Singles Table, Carpoolers, and King of the Hill. She is the co-creator of an original series called Danger Force Five. She is also the co-creator of DateGarden.com, a fictional dating website, and of The Smith Brown Project, a two woman show which ran at The Comedy Central Stage and UCB. 

Allan Trautman began his performing career as an actor, noted for his portrayal of “Tarman” in the cult classics Return of the Living Dead: Parts One and Two. He has gone on to puppeteer in such features as Muppets From SpaceCats & DogsBabe, the Men in Black  films, and Dr. Dolittle (for which he was also performance coordinator). His television puppeteering credits include Greg the Bunny, Unhappily Ever After, Muppets Tonight and Dinosaurs, and he was nominated for two Emmys for his work on D.C. Follies. He is currently featured in the web series, Lost Untangled, which can be seen at abc.com. “With television, you only get to see half the fun we have. Now you can see what happens when the cameras stop rolling."

Victor Yerrid is an actor and puppeteer who likes calling people “Hank” regardless of their name. His credits include The HangoverForgetting Sarah MarshallTeam AmericaMen In Black IIRobot ChickenThe Sarah Silverman ProgramWarren The ApeCrank YankersAngel, Greg The BunnySid The Science Kid, and Sesame Street. Victor enjoys most berry-based smoothies and adores his wife Janet. The best part of my night is when somebody comes up to me after the show and says ‘Wow, you were fantastic! How do you come up with all of that ridiculous stuff?’ Then they usually say ‘Wait…you’re not Ted Michaels."

Jen Schriever – Lighting Designer
Recent Designs:  Hairspray (Oasis of the Seas), An Evening Without Monty Python (L.A. & Town Hall), A Streetcar Named Desire, The Winter's Tale (Berlind Theatre), Kaboom (Cherry Lane), The Epic of Sunjata (Loft), Lend me a Tenor, Other People's Money (Engeman), As Far As We Know (Flamboyan). Upcoming Design: Pearl Fishers (ENO), Premiers: Inner Voices Solo Musicals (59E59). Recent Associate Design - Broadway: Fences, A Behanding in Spokane, Joe Turner’s Come and Gone, You’re Welcome America, American Buffalo, 13 - A New Musical, A Catered Affair, Cymbeline, The Vertical Hour, The Color Purple, The Threepenny Opera.  First foray into puppets: Emmet Otter’s Jugband Christmas (Goodspeed).  BFA: Purchase College.

Kerry McDonald – Sound Designer
Kerry has produced live and recorded sound across the globe for the past 8 years. He has made sonorous contributions to listeners’ ears as a record producer at his studio Viva La Fuzz! and as a live sound Audio Engineer for Eddie Izzard, Camera Obscura, Passion Pit, The Vaselines, Isobel Campbell, Frightened Rabbit, Rogue Wave, Matt Nathanson, and Pinback. He has designed, repaired, and teched systems for The Eddie Izzard Stripped tour, The NYC Fringe festival, Memphis band shell, and NASCAR. He currently resides in NYC and is the Audio Production Manager for Bentley Meeker lighting and staging. He is also an advocate of the theory that Mexican food improves ones hearing.
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Wake Up Your Weird!


a kate west review
at The Cavern Club/Casita del Campo
1920 Hyperion Avenue, Silverlake, Ca 90027
www.lesliecarrara-rudolph.com
brownpapertickets.com/event/196926
September 17 @2pm/5pm
touring shows: http://www.wakeupyourweird.com/

Leslie Carrara-Rudolph is weird. So weird in fact, that she made a whole show about it; she's actually super proud of her weirdness, so she started a whole movement here. You can see part of that weirdness in her puppet show, "Wake Up Your Weird!" starring Leslie's (sort of) alter-ego, Lolly Lardpop, a feisty, red-haired (yarned?) sock puppet.

Lolly just wants to fit in (don't we all?) so she tries to befriends some other girly puppets but they won't accept her. So she needs to find a way to accept herself and teach the children in the audience how to do that for themselves too. Leslie achieves this magical feat beautifully, through adventurous storytelling with some fantastically memorable characters. Oh, and songs. And projections. There's a bit of everything in this show and it's funny enough to entertain the adults too.

Cleverness abounds so pay close attention to little quirky details here and there. And also watch for a sheepish fairy godmother, a lovable wise old grandma and maybe a few monsters. There's even a whole number about a brain. Tiny children may be a bit frightened, but school children will love it and even get to participate. Parents, if you're good, you can too. It's in two acts: the first act is Lolly and Leslie's story of self-esteem and discovery. Being weird is O.K., if that's truly who you are. The second act is mostly playing with the kids in the audience so it may seem a bit like two different shows. Some adults popped off for drinks by then (this particular day the show set up in a bar/restaurant), but if you stick around you can hoot and holler and let off some of that corporate steam from your work week.

Whichever act you prefer, the best magic is Leslie herself. She's a true performer in that triple threat kind of way (and no wonder, with "Sesame Street" and Henson credits). She sings, dances, yells, yelps, growls and voices innumerable characters in seemingly tireless and effortless fashion. She is joy personified on stage and you can't help but get a little infected by her Lolly light. She and the adorably irrepressible Lolly will meet you after the show, if you want to thank them personally for that spark of happiness. Whatever technical glitches occur in the early versions of this show are more than compensated by Leslie's genuine enthusiasm and contagious love of creativity.

So if you want to teach your child to open his or her mind and heart, or need a reminder for yourself, this is the show to see. "Never underestimate the power of JOY!" Read more!

Fantabulous Drew Droege as Chloë Sevigny

















a kate west recommendation

No one does it better. Find out why.














Chloë on YouTube:
http://www.youtube.com/user/combine13

Advocate Article:

Q&A:
http://laslush.com/2011/09/22/drew-droege-aka-chloe-sevigny-talks-la-faves/


Have to see to believe? Start watching those YouTube videos. Then when you've got them memorized (and there's a whole Drew-Chloë cult that does), come see the magic happen for yourself - up close and personal, here. Drew does a fabulous one-person show explaining all about him and his indie art muse, answering all the questions you were afraid to ask.

For instance:

Has Drew Droege actually met Chloë Sevigny? Yes.
Does Drew Droege attend the same parties as Chloë Sevigny? Yes.
Do Drew's Chloë videos show what Chloë Sevigny is really like? Yes and No.
Is Drew a drag queen? No.
How did the Chloë Sevigny character get started? You've got to come hear Drew tell that himself.

What do you get in this show? Drew will tell you all about the origins of the Chloë character and about his years of misgivings, ponderings, triumphs and failures, all leading to the sensational present day phenomenon that is Chloë Sevigny in all her glory telling us, "Good Evening, America". You'll hear how Jim Hansen (video director) finally convinced Drew to put this hipster fashionista on film and show America what Los Angeles already glimpsed: comedic genius so much cooler than the rest of us can hope to be.

And Drew could not be more endearing, humbly relating each Hollywood experience and seeming genuinely surprised at all the hoopla lately. We see some of the choicer Chloë videos, interspersed with the real Drew explaining what goes on behind the scenes. He is hilarious and sincere and the show is over way too quickly. But don't worry, there are more trendy glam videos to come. And thank God too, because no one else can carry off that combination of super cool indifference and importance. Dropping designer and celeb names, Drew's effortless Chloë Sevigny keeps us riveted to the pulse of the true Hollywood underground, of those in the know, too cool to bother hiding. Delicious, delightful, sexy and fierce, Chloë never disappoints. And what does the real Chloë Sevigny herself think about all this? Well, click on the video below and see. Air kisses, darlings. Mwah!

SEPTEMBER 23 & 24
FRIDAY & SATURDAY at 9:00pm


$15 PRESALE   $20 at the Door 
Box Office Opens
1 HOUR PRIOR TO SHOWTIME
Standby Seats Released
15 MINUTES PRIOR TO SHOWTIME
CAVERN CLUB CELEBRITY THEATER
at CASITA DEL CAMPO RESTAURANT
1920 HYPERION AVE.
SILVERLAKE, CA 90027
RESTAURANT PHONE - 323-662-4255

Get on the mailing list to find out more:

Now watch Chloë do Drew!
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RADAR L.A.

a kate west review
an International Festival of Contemporary Theater
produced by REDCAT (The Roy and Edna Disney/CalArts Theater)
with Center Theatre Group and the Public Theater's Under the Radar Festival
www.radarla.org


Influential theater ensembles from Chile, Mexico, Japan and Australia are among the companies to be featured alongside Los Angeles artist when REDCAT launches the international RADAR L.A. Festival. REDCAT serves as one of several venues for the groundbreaking festival, which features 15 productions that are fueling the dialogue about the evolution of contemporary theater.

As a venue for bringing cultural diversity to Los Angeles theater, the above festival is great. Keep in mind however, that just because a piece was written in a language you are unfamiliar with, doesn't automatically mean that it is brilliant. It would be a disservice to these hard-working artists to give them points for being "exotic" (i.e. the tiresome Angelino habit of giving a standing ovation to every play you are even mildly impressed by). So on artistic merit alone, here are three festival samples reviewed:


Amarillo
by Teatro Linea de Sombra
directed by Jorge A. Vargas
written by Gabriel Contreras
at REDCAT
631 W. 2nd Street, Los Angeles 90012
running June 16 - 19






















The renowned Mexican visual theatrical troupe Teatro Linea de Sombra (roughly, Shadow Line Theater) brings us "Amarillo", the story of one man's attempt to cross the U.S. border. Destined for Amarillo, Texas, speculation arises as to what happened to him on the way and why he never arrived.

Raúl Mendoza is this everyman, the typical migrant trying to find a better life in another country. In fact, he says as much in his monologues, calling himself by several names, as he could be any number of those desperate souls south of the border. At one point he layers up with different clothing, which could represent all he owns in the world, as well as a piece of each person passing through on the way to the American Dream. We follow him up to the point he disappears, his relatives never to know his fate.

The rest of the cast is made up of women (Alicia Laguna, María Luna, Vianey Salinas, Antígona González) who portray lovers, muses, dancers and chorus. Jesus Cuevas is the main voice of this chorus, chanting in an almost Tibetan baritone and singing to the main character throughout his journey. Through them we get glimpses of life and love, the people hoping back home, snippets of human longing.

But don't expect a linear story. The company specializes in visual art, shown to full multimedia proportions with a huge screen projected on the back wall, several cameras following the action on stage in black and white and footage of various scenes depicting images of illegal alien life, such as passing trains and haunted faces. When Mendoza's character gets stuck in the desert, the women bring out jugs of water and bags of sand are flown in from the rafters. Cutting them open with a knife demonstrates time (and life) running out for our wrung out protagonist. One of them is even shaped like a heart and is lifted skywards, fatally wounded.

Director Jorge A. Vargas gives us a technically interesting show, filled with props, cameras and screens but also a stage essentially bare of any set, so it is not visual stunning in any traditional sense, and at times even desolate. Also, the story is an old one, covered many times, and while the company is to be commended for innovation, it is difficult to separate the sledgehammer message of obvious truth from the minimalist deprivation of the senses. Still, the poetic nature of the piece is worth a listen (some of it in Spanish).


Hot Pepper, Air Conditioner, and the Farewell Speech
by Chelfitsch
directed & written by Toshiki Okada
at Los Angeles Theatre Center (LATC)
514. S. Spring Street, Los Angeles 90013
running June 17 - 19












The Asian company Chelfitsch (roughly, selfish), combines simple stories with stylized movements (often as formal as in Kabuki theater). In "Hot Pepper, Air Conditioner, And The Farewell Speech," office workers contemplate an upcoming farewell party and some daily minutia of typical office life.

While three temporary employees are having lunch, they come up with ideas for a farewell to one of their own. Each of them stands and monologues his/her thoughts, while making deliberate movements to accent their ideas, which they also repeat endlessly. It is definitely amusing to watch them take so formal an approach to picking a take-out menu from Hot Pepper Magazine and the audience revels in this originality. Then two permanent workers discuss air conditioning in the office, repeating the dialogue and movements several times, with only slight variations. Finally, the co-worker being let go gives a rambling speech to her awkward colleagues.

The choreographed movements and repetitive dialogue are quite fascinating and Director/Writer Toshiki Okada shows this technique well, for the most part. By the end though, the final speech goes on a bit too long (and might be hard to follow, given that is in Japanese, with subtitled English, as in the rest of the piece). Actors Taichi Yamagata, Riki Takeda, Mari Ando, Saho Ito, Kei Namba and Fumie Yokoo do a good job of maintaining this highly disciplined blocking, however. It is a funny piece altogether and while some of the movements are inexplicable (touching toes while talking to a co-worker), others are delightfully quirky, like rapidly fanning a magazine. A fun show to take in, contemplate and discuss.


Neva
by Teatro en el Blanco
written & directed by Guillermo Calderón
at REDCAT
631 W. 2nd Street, Los Angeles 90012
running June 14 - 18














Teatro En El Blanco (roughly, Theater In The White) has been wowing Latin American audiences for years and now brings its latest production "Neva" to the festival. Olga Knipper (Trinidad González) is Anton Chekhov's widow and is found at a St. Petersburg rehearsal space during the Russian Revolution. Her fellow actors (Jorge Becker and Mariana Muñoz) take turns placating her diva tendencies, while worshipping her artistry.

Director and Writer Guillermo Calderón depicts a delightful peek into the absurd drama of the actors world, while real chaos and drama drum outside the windows. Olga is haunted by the death of her beloved and plays her heightened misery to the hilt (wonderfully played by González). Jorge Becker and Mariana Muñoz equal her in their schizophrenic back and forth rants, merging lines of a play with their own realities until no one is sure which world is real. The exaggerations are hilarious (even in subtitled English in a Spanish play) until the final speech by Mariana Muñoz takes your breath away.

The passion in this piece is riveting and very (literally) focused as the stage is a raised platform spotlighting the three actors in intimate detail. A definite must-see.
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