Life Inside Out

Update: Recently re-watched Life Inside Out and am once again struck by its sincerity and how the on-screen mom is so like the off-screen mom (Billie & Finneas' mom!) in nurturing her children's creativity and supporting their individuality. Truly remarkable parenting all around. Kudos to everyone involved. What am amazing and lovely family.

The independent film Life Inside Out is a wonderfully subtle portrait of motherhood. It is a lovely and simple love letter from mother to son, depicting the purest kind of gentle love. A hit at many film festivals, you can now find this movie (and cool soundtrack) online.

Maggie Baird stars as Laura, who longs to go back to her musical roots and maybe find more meaning than her full time mom duties. We can all use a little extra creativity in our lives, after all. During her introspective journey to get there, she draws out her reclusive son Shane (Baird's real life son Finneas O'Connell - yes, of Glee fame). Her eventual sacrifice for her son proves that a mother's love is the truest bond, especially if she is true to herself first. It is so nice to see a female lead showing compassion and generosity for others, without losing her identity. In finding her own heart, Laura is able to share it with her friends and family all the more readily.

This is a sweetly delicate story, with relatively little of the modern indie angst so prevalent in many tediously drawn-out "hip" films (looking at you Cake). Also fun is watching a genuinely talented musical family work together to create a heartfelt movie that resonates with anyone who has ever wanted to perform. Or help someone else discover their true talent and calling. Must have been awfully nice to grow up around that well-loved living room piano.

The movie has a wide appeal and the entire cast is interesting and watchable. The atmosphere is cozy and the music is soothing, yet vibrant (check out The Slightlys - you may even recognize the lead actor). Director Jill D'Agnenica did a great job. It is definitely worth giving it a go.

See a clip here.

You can get the music here.

Facebook page here.  Read more!

Love, Sex and Missed Connections
a kate west review
directed by Eric Kissack; produced by Lisa Rudin
written by Kenny Stevenson
Official website: http://missedconnectionsmovie.com/

Real-life married couple, the ridiculously talented Kenny Stevenson and Dorien Davies, have worked together a lot, mostly in comedy. So it makes perfect sense that they would make a funny romantic movie together (yup,a rom-com). They play a misguided pair suffering from the pains of recent break-ups in the delightful script by Stevenson, "Love, Sex and Missed Connections." Garnering film festival awards* from all over the country, this charming film stars friends, colleagues and their dog Zoe. And it is obviously a labor of love, judging from the very real chemical sparks between the two stars (and the fun everyone else seems to be having).

Neal (Stevenson) tries hopelessly to bury the nightmare of walking in on his girlfriend having sex with another guy. On their couch. His friends Barry and George try to drag him back to the dating world and get him right back on the 'ol saddle. Since nothing else seems to be working, Neal attempts their plan of responding to missed connections ads, pretending to be the guy lonely girls are searching for in order to take advantage of their disappointment when the real guy doesn't show. It works like a charm and he gets laid - a lot. That is, until he runs into Jane (Davies), who places fake ads to turn the tables on the opposite sex (it's complicated - but so is love, right?)

Funny things happen. Actually, pretty hilarious stuff. Since the cast has a background in comedy, they all know their way around one-liners. Shane Elliot and Alex Enriquez are hilarious as goofballs Barry and George, Avi Rothman is hilarious as friend Allan who sleeps with the ex Christine (Julie Mitchell) and appears naked in Neal's dreams, Stephanie Escajeda and Scott Beehner are hilarious as well-meaning awkward relatives Jillian and Daren, all of the missed connections are hilarious and those one-liners are definitely hilarious. And look out for minor characters with hilariously big encounters. But more than that, the underlying message of overcoming the crippling effects of a broken heart is touching and relatable. The zingers are nice and fun, but as they are supported by a sincere and heartfelt story, everything works. You laugh at the silly and root for the broken.

Director Eric Kissack puts together some nicely edited shots (and he's got the background to back that up) and Kenny Stevenson puts together a nicely written film, eliciting instant sympathy for the characters and holding our attention for the duration (it's 77 minutes, in case you were wondering). Stevenson and Davies shine as the lovelorn soul mates and are lovely to watch and cheer. There is not one wrong note here and the entire cast and crew is to be commended for a job well done and a story well told. Catch it live at a film festival near you, or at least watch it here.

Seriously, look how cute they all are:

*The Awards ... so far:
2013 San Luis Obispo International Film Festival – Best Narrative Feature
2012 Naples International Film Festival – Indie Spirit Award
2012 New Hampshire Film Festival – Audience Award
2012 Hell’s Half Mile Film and Music Festival - Best Of Fest
2012 Big Bear Lakes International Film Festival – Audience Award – Best Feature Film
2012 Traverse City Film Festival – Special Jury Prize – First Time Director
2012 Woods Hole Film Festival – Audience Award Best Comedy Feature
2012 Boston International Film Festival – Indie Spirit Story Line Award
2012 Cleveland International Film Festival – American Independent Award
2012 Indie Spirit Film Festival – Screener’s Choice Award
2012 Cinetopia International Film Festival – Cinetopia Laurels Award Read more!

One Night With Janis Joplin

a kate west review
created, written, directed  by Randy Johnson
starring Mary Bridget Davies
at the Pasadena Playhouse
39 S. El Molino Avenue, Pasadena 91101
call (626) 356-PLAY (7529) or click here (www.pasadenaplayhouse.org)
running March 15 – April 21, 2013

Janis Joplin. Queen of Rock and Roll. Legend. Icon. Tragic figure. The young lady with the smokey bluesy voice. Once you heard it, you never, ever forgot it. She was big, as in larger than life, consuming and sharing music with a vibrant passion. It is hard to define a soulful voice of pain. But Joplin had it. As did Billie Holiday. These were voices that spoke to the deep ache within and moved you out of your head and into a world of feeling. Joplin learned from the best voices: Bessie Smith, Etta James, Nina Simone, Aretha Franklin, just to name a few. She destroyed any preconceived notions of female performers and unapologetically put herself smack in the middle of rock and roll history forever. If you never had the luck to hear her in concert, now's your chance.

The Pasadena Playhouse presents "One Night With Janis Joplin", starring Mary Bridget Davies as the volatile and utterly relatable Janis. Accompanied by fine rock and jazz musicians and back-up singers, Davies plays the "live" version of Joplin, up close and personal. Her iconic influences (Smith, James, Simone, Franklin) join her from time to time in the form of Sabrina Elayne Carten, who charges up the stage with dynamic intensity. Talk about playing to the crowd. She'll have you dancing in the aisles.

And then there's Mary Bridget Davies. Don't look for a one-woman show or a straight biography. This is a real and raw version of Janis, giving us a real honest-to-God rock concert, just like in the old days. Davies resurrects the unforgettable Janis, matching her singularly raspy voice  (and clothing) with enormous enthusiasm and tremendous skill. In between (and during) sets, she talks to us, like Janis would, with that iconic growly laugh, telling us that nothing made her feel more alive than being with us, on stage, hearing that spirit-lifting applause. Davies is able to channel the rock star so acutely that for a moment you are transported back to a time where sex, drugs and rock and roll began, way, way back all the way. To the 1960's. Hers is a definitive performance that must not be missed. Not too many shows in Los Angeles need standing ovations (seriously we must stop standing for every single show already) but this one truly does. It demands acknowledgement for the blood, sweat and tears so obviously wrung out (from the past to the present) and given live, just for us. Lucky, lucky us. Randy Johnson is to be commended for his excellent idea of this show, come to life in such big style. You can feel Janis still with us, her presence felt so strongly as Davies sings to the rafters.

No one sang like Janis. She did amazing original music as well as amazing revamping of old music. No one had her kind of broad style either. We all know that Joplin died too young. This performance doesn't speak to that, except to say that Joplin was happiest on stage, singing her heart out, and who can really sustain that depth of need?

"I think I sound like a white chick singing the 'blues'. There was just something about that ache I heard that got me bad. After all, the blues is just a bad woman feeling good." - Janis Joplin (1943-1970)

A sampling of just some of the great classic Joplin songs you will hear:

Bye Bye Baby
Ball and Chain
Piece of My Heart
Me and Bobby McGee
Summertime
Mercedes Benz

Visit here:
www.officialjanis.com

Mary Bridget Davies and Sabrina Elayne Carten in a scene from “One Night With Janis Joplin.” Photo by Janet Macoska. 

Mary Bridget Davies as Janis Joplin. Photo by Jim Cox.

Mary Bridget Davies as Janis Joplin. Photo by Jim Cox. Read more!

Jonathan Shue - Little City

 a kate west review

Bay Area/Seattle musician Jonathan Shue brings us another low-key folksy lyrical album, perfect for a casual beer night or to ease your traffic-congested commute. Like his previous albums, "In the Valley of Heart's Delight" (EP) / "Chasing Hurricanes" (a kate west review here), "Little City" also features that gentle guitar/harmonica combo. Sure it seeps into country, but only in that modern cool way so popular with the kids these days.

Some of the lyrics might be a bit simpler this time around: "it must feel like a crumbling ceiling, or paint that won't stop peeling, or as lonesome as a loaded gun" (The Story of Your Son) but profundity shows up too: "there's no home at the end of your road" (There's No Home) or "you're my new favorite read ... if you aren't yet through the complete works of you" (The Complete Works of You). Then there's the wistfulness of the traveler in Traveling Song, as if Shue himself were remembering his journey from San Francisco to Seattle. The title track (Little City) also has a few triumphant notes: "I'm just a man once again and you're just a town". 

And like his previous works, this is not a one-time listen. You'll want to play it a few times, easing into the nuances just a little differently each time. By the way, each song and each album shows a stronger and stronger voice. This guy is one to watch (and listen to).

Catch him on iTunes, CDBaby and Amazon.com.

Track Listing: 1) Valley of Heart’s Delight; 2) The Story of Your Son; 3) Traveling Song; 4) If Not Today; 5) Little City; 6) You Tell Me; 7) The Complete Works of You; 8) William, Old Man; 9) Grandpa Was A Mystery Man; 10) Super Moon; 11) Thick of It All; 12) There’s No Home; 13) First Night In San Francisco; 14) The Outlook (instrumental).

http://jonathanshue.com/ Read more!

Jonathan Shue - In The Valley of Heart's Delight

a kate west review

Local San Francisco artist Jonathan Shue knows his way around a guitar. And some compelling lyrics. With the album "In The Valley of Heart's Delight", he serenades us on relationship woes (to name one recurring theme), spun to lovely strumming on his guitar (and the occasional harmonica).

The songs here are definitely universally relatable and pretty enough to keep you listening. "Honesty Gets Me In Trouble" in particular, captures an amusing take on why some guys can't help saying the wrong thing at the wrong time. "Ballad of Rene Vallaincourt" adds some western mystique, with a tang of tolerable country. Echoes of folk music drift in and out of some of his work too, in the nicest way possible.

The best piece, however, is the softly subtle "Bartholomew", about the musings of a dreamer. Because it is so brimming with visual possibilities, Shue commissioned a local production company Two Plush Two (who also know their way around a good story), to showcase one of their adorably popular videos featuring "Bartholomew" (separate review here). The resulting collaboration is sweetly wistful and perfectly executed. Catch the magic below. And remember to pass on the good feelings!

SONGS
1. Honesty Gets Me In Trouble
2. Chasing Hurricanes
3. Cryin For That Kiss
4. Bartholomew
5. Orangecoat
6. Ballad of Rene Vallaincourt
http://jonathanshue.com/

To see true artistry at it's synergetic best, watch the new video by Two Plush Two Productions below:


VIDEO

Bartholomew.mov

This one is for the dreamers:

http://www.youtube.com/watch?v=Brrrfw3baFc&feature=related 

All songs written by Jonathan Shue, Mike Schadell - drums, Jonathan Shue - vocals, rhythm & lead guitar, bass.

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Edsel and the Time Machine

a kate west review

SGC Entertainment Group & Asian Journal Publications

Directors Fenny G. Pangan & Alvin H. Reyes

Musical Director Sonny Fernando

USC campus, Bovard Auditorium

3551 Trousdale Parkway, Los Angeles, CA 90089

(213) 740-4211 or http://edselandthetimemachine.com/

performing July 16, 2011 @7 pm only

"The Golden Boy with the Golden Voice"

Edsel Sotiangco is touted as a gifted young musical prodigy from the Philippines, known as "The Golden Boy with the Golden Voice". He recently deemed to grace USC with his variety show "Edsel and the Time Machine" and some of us will never get those two hours back. A real family affair (Dad's a producer), Edsel tours with friends and relatives, taking the audience back through time with a song from every major decade from the 1930's to the present. This would be the fifth time the show has been mounted. A former child star, Edsel showed amazing potential to be a bonafide pop star and now in his teen years, he's still at it.

The essential "story" is framed around Edsel attempting to find a little meaning in a show he's done countless times before. The mysterious Shadow Man helps Edsel get through a tedious rehearsal by pointing out the origins of musical inspiration. This means we get to see cast members trying out different songs following video clips of unrelated songs from the same eras. That's pretty much it. The talent is uneven, ranging from terrible to good. Some singers (and some musicians) are even occasionally off-key. You'll see a Beatles impersonation and some interesting violin playing mixed in there. All this seems par for the course for the rabid fans who scream with delight each time Edsel appears or hear a song we all recognize (and that would be almost all of them).

Edsel himself spends his time going through the motions of the bare minimum plot. Yes, he has a good voice, but tonight's passion wasn't in it. Some singers got really into it, however. Allyson Cantimbuhan has a nice belty voice singing "I Will Survive". Not the best choice for someone so young and unjaded, but her stage presence makes up for that a bit. Other non-terrible acts include the de Jesus sisters (Toots, Nini, Toni and Zandi) tackling some Broadway tunes ("Aquarius" from HAIR and "One Night Only" from DREAM GIRLS) and Lianna Gutierrez. The back-up dancers do a fine job as well.

Overall, the show is a crowd-pleaser, albeit with a built-in fan base. The tunes are mostly familiar and some come across much better than others. The video tracks aren't all that well organized, lightly touching on the particular eras, but not really introducing the songs performed. If you're not part of the in crowd, you might get bored (again, it's a two hour show) so unless you revel in kitsch and cheese (and some people do and more power to you) you can save that fifty dollars (you heard that right, and some people didn't even get a program once they ran out).

CAST

Junn Aquino, Lianna Gutierrez, Erika Delos Santos, Allyson Cantimbuhan, Henry Pagkalinawan, Jr., Andy Tecson, Glynis Sotiangco, Toots De Jesus, Nini De Jesus, Toni De Jesus, Zandi De Jesus, Fenny Pangan, Al Rapisura

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Loyal To The End

a kate west reflection

(see link above)

Kate West creed below

(from Pixar's "Ratatouile")

[Anton Ego’s Review of Gusteau's.] "In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face, is that in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so. But there are times when a critic truly risks something, and that is in the discovery and defense of the new. The world is often unkind to new talents, new creations. The new needs friends. Last night, I experienced something new; an extraordinary meal from a singularly unexpected source. To say that both the meal and its maker have challenged my preconceptions about fine cooking, is a gross understatement. They have rocked me to my core. In the past, I have made no secret of my disdain for Chef Gusteau's famous motto, "Anyone can cook". But I realize - only now do I truly understand what he meant. Not everyone can become a great artist, but a great artist can come from anywhere. It is difficult to imagine more humble origins than those of the genius now cooking at Gusteau's, who is, in this critic's opinion, nothing less than the finest chef in France. I will be returning to Gusteau's soon, hungry for more."

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Paper Heart

a kate west review
directed by Nicholas Jasenovec
written by Charlyne Yi and Nicholas Jasenovec

Winner of the 2009 Sundance Film Festival Waldo Salt Screenwriting Award, "Paper Heart" is a documentary (of sorts) about love. Charlyne Yi (experienced stand up comedian) does not believe in such fantasies. Or so she claims. But she wants to find out more, so she journeys across America, interviewing folks about their different definitions of l'amour. And naturally everyone has a different answer for her.

The movie blends reality and fantasy (such as actor Jake Johnson playing Director Nicholas Jasenovec, who actually exists and is actually the director) and while this may be confusing to some, it does give the film a definite sweet charm and appeal. Yi is the wide-eyed non-believer, quizzing everyone from children in a playground to hard core Harley Davidson bikers. The interviews are candid and touching and while they don't necessarily offer real insight into true love, they are hopeful stories of that amazing thing that happens when you finally meet just the right person in just the right way. And even more delightful, much of the lovers' stories are acted out by paper puppets, with half-finished backgrounds, adding to the theme of childlike wonder.

In the course of the film, Yi eventually meets Michael Cera ("Arrested Development", "Juno", "Superbad") and in spite of her many protests, ends up liking him after all. Their courtship is played out under the camera's scrutiny, part scripted, part real, as the two really fall for each other. There are a lot of cute moments as the couple attempts to elude the cameras and later try to make their love work in spite of the intrusion. Cera is his usual subtle, quirky self, delivering lines in that uniquely funny style of his and his youthfulness is the perfect match for Yi's immaturity. It's a simple story about a personal quest for love and who among us can't relate to that? It's the perfect length too. Any longer and one might become impatient with Yi's childishness. But in the end, her naivety leads her to a pure love.

"Paper Heart" is a sweet movie, which fulfills our childhood fantasies of romance, acts it out with paper puppets and tries to figure it all out for us. Exactly what is the difference between what looks good on paper and the reality of love? You might not find the answer to that, but you will enjoy looking. The moral of the story then has to be that one should always be open to love, because you will inevitably find it in a place you least expect. So stay positive, friends.

Watch the Trailer Here:
http://www.youtube.com/watch?v=rmVQLmaA0fQ Read more!

Twilight

Twilight
by Stephenie Meyer
a kate west boo













One of the most popular teen novels currently is the Vampire novel "Twilight", the first of four books in the saga of the Cullen clan, a Vampire family. Yes, you read that right. It's also a popular teen film about a Vampire family. Now to figure out which version is worse. It's all been discussed in countless chat rooms, sure, but as a sci-fi/fantasy nerd girl (with a delightful dark side, if I do say so myself), I have to weigh in on all things Vampire. I knew it would pain me to delve into this phenomenon, but for the sake of integrity (much as I was tempted), I cannot criticize something I haven't seen or read. Thus the sacrifice was made and I'm all up to date, kids. So let's start with the novel.

For the record, Stephenie Meyer writes for teenagers knee-deep in hormonal hell but that doesn't mean they aren't literate and can't follow a coherent story. But I digress. Edward Cullen is a mysterious high schooler attracted to newcomer Bella Swan. She can't figure out his initial aversion to her until he gradually reveals (while she figures it out herself) that he is a vampire and her blood is so intoxicatingly scented, he could lose his mind. She, in turn, is drawn to his beauty and the two of them are swept up in adolescent infatuation, much to the disapproval of some townspeople and even family members (on both sides).

Some of the Vampire lore is well-known: they are immortal (he stopped being 17 in 1918), they drink blood, have supernatural strength and heightened senses. What we didn't know is that they are comfortable in the sunlight, but prefer to stay in darkness, since the sun brings out this glowing golden sheen, a dead giveaway (get it?), for sure. Oh and these fangless beings can choose not to feed on humans and go after Bambi instead. AND they play baseball. And Ed's a mind reader too. Maybe Meyer found some kind of reference to these various twists in some dusty old book somewhere, but I doubt it and I'm certainly not taking up valuable research time to find out (I'd miss too many "Lost" episodes). So I conclude she made that part up. And it is absurd. Why keep part of the lore and then add a few enhancements just to be interesting? Vampires are monsters and the one thing we all know is that they crave human blood, so they can't just decide not to go after it. Even Joss Whedon's "Angel" had to regain his soul in order to accomplish that. You can be creative certainly, but please stay true to the universe you create. Call them something else and then you can have them behave however you choose.

And even worse, the dialogue is flat and the characters maudlin and it just isn't a very sophisticated rendering of dark creatures. The Cullens have a family and they just accept Bella as Edward's intended? His scowling sister Rosalie isn't taken very seriously and they all bond together when outsiders swing into town, looking for trouble. If you want to know how it ends, skim the book or see the movie. Or go to the Bahamas and take all four novels for some beach reading. If you need mindlessness - and who doesn't these days?

As for the movie, Edward's great speed looks ridiculous on screen and it is hard not to chuckle at some of these overly dramatic lines such as Edward referring to the new love as between a "lion and a lamb". The acting is pretty wooden and Catherine Hardwicke's first action-type film is fairly standard. Eye candy abounds on both sides, especially yummy Robert Pattinson as the delectable Edward. But outside of being enchanted by his pretty face, I couldn't pay much attention. Bella is in danger and you know Edward will save her. There's a formal dance and lots of classroom scenes and family drama and it's "My So-Called Life" for Vampires. The dialogue is lifted out of the book, unfortunately and plays even worse on screen. If you roll your eyes reading it, imagine having to hear it.

You're welcome - I do what I can for America. But it's a hit and teen girls are dreaming of having their own Edward Cullen someday. Over Mr. Darcy? Shudder. But if you must love a creature of the night, there are so many more good Vamps out there. Try Stephen King or Richard Matheson. Then follow up with a romance novel (or even an Anne Rice, if you really must). Or just watch "Buffy the Vampire Slayer".

Boo.

Better still, experience the real life Twilight Wolves, just outside LA:

http://www.wolfmountain.com

Directed by	Catherine Hardwicke
Produced by	Mark Morgan Greg Mooradian Wyck Godfrey
Written by	Novel: Stephenie Meyer Screenplay: Melissa Rosenberg
Starring

• Kristen Stewart as Bella Swan
• Robert Pattinson as Edward Cullen

The Cullens: (from left) Kellan Lutz , Nikki Reed, Elizabeth Reaser, Robert Pattinson, Peter Facinelli, Ashley Greene, and Jackson Rathbone

• Peter Facinelli as Carlisle Cullen
• Elizabeth Reaser as Esme Cullen
• Ashley Greene as Alice Cullen
• Jackson Rathbone as Jasper Hale
• Nikki Reed as Rosalie Hale
• Kellan Lutz as Emmett Cullen
• Billy Burke as Charlie Swan

It's out now!
Twilight (Two-Disc Special Edition)

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WATCHMEN

novel by Alan Moore

artwork by Dave Gibbons
a kate west review

The long awaited newest superhero movie "Watchmen" finally arrives to Los Angeles after several false starts. Not only is there a controversial change in the ending, but also creator Alan Moore remains bitter about his work being Hollywoodized. The original 1980's D.C. comic series debuted to some skepticism itself, due to its dark nature and deeply flawed heroes. But it ultimately achieved cult status, becoming one of the most famous modern graphic novels.

Purists will of course take issue with the change of ending (you've been warned), and pure thrill-seekers will be baffled by the despairing bleakness of the film. Director Zack Snyder (actually a fan of Moore, in spite of the creator's animosity), creates a faithful adaptation, up until the finale and the casting is spot on. Those familiar with the series will appreciate the small character moments and personalities that make up the detailed universe of "Watchmen". It may help you to read the novel before seeing the film, although it is not vital to understanding the plot. The movie is quite thorough.

A group of 1940's superheroes (shown in flashbacks) help rid the world of crime while trying to tend to their own lives. Some of them make it, some don't. They are the Minutemen. A new generation comes along in the 80's, only to be forced into early retirement by a society hell bent against vigilantism. They are the Watchmen. One of the originals is murdered, however, prompting the new crew to get back into the fight.

Nite Owl, The Comedian, Ozymandias, Dr. Manhattan, Silk Spectre and Rorschach are some of the vibrantly different heroes and villains of the story. Aside from plenty of action, the movie is chock full of betrayal, sordid pasts, madness and fear. In this version of history, Richard Nixon takes on a third term and every man, woman and child hopes the Russians won't send nuclear warheads raining down on America. The Watchmen are rejected, yet the world still ends up needing them to save the planet. Isn't that always the way? No respect for hardworking masked saviors.

Jeffrey Dean Morgan is fantastic as the devilish Comedian and Jackie Earle Haley conveys the tortured Rorschach to perfection. So many of the scenes are exact storyboards lifted right out of the comic pages. Rorschach's expressions and violence match the novel panel for panel, as do Nite Owl's (Stephen McHattie) awkwardness at developing into a true hero. Billy Crudup is not outshone by the flawless special effects look of his character, but rather makes it his own, turning from mortal into god. And Matthew Goode's arrogant Ozymandias works quite well. To say more would deprive one of the gradual unfolding of each revelation. Suffice it to say, it is a well-executed rendition of a cult classic, despite Moore's petulance. One main complaint however - the soundtrack. Some of the songs choices are tired and often random. Sometimes they are too obvious a choice and sometimes don't fit the era. In a perfect world, the DVD would be released with a brand new musical score. Here's hoping.

Granted, 'tis a black world indeed, and one that asks for insight into our modern world and our own penchant for harming each other. The uncompromising Rorschach is even driven mad by it. So don't expect Superman or even Batman fare - this story is quite somber and kudos to Snyder for his meticulous adaptation. That was a brave undertaking.

Directed by:

Zack Snyder

Starring:
Malin Akerman...Laurie Jupiter / Silk Spectre II

Billy Crudup...Dr. Manhattan / Jon Osterman

Matthew Goode...Adrian Veidt / Ozymandias

Jackie Earle Haley...Walter Kovacs / Rorschach

Jeffrey Dean Morgan...Edward Blake / The Comedian

Patrick Wilson...Dan Dreiberg / Nite Owl II

Carla Gugino...Sally Jupiter / Silk Spectre

Matt Frewer...Edgar Jacobi / Moloch the Mystic

Stephen McHattie...Hollis Mason / Nite Owl

Laura Mennell...Janey Slater

Graphic Novel:
Watchmen

Blu Ray:
Watchmen [Blu-ray]


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Sizzle

Sizzle -
a global warming comedy
a kate west review
directed by Randy Olson
written by Randy Olson & Ifeanyi Njoku
World Premiere - Los Angeles Outfest
at Fairfax Theater
7907 Beverly Blvd. L.A.
www.sizzlethemovie.com

The movie "Sizzle" is a cinematic hodgepodge of styles: comedy, documentary and science, all in an attempt to illuminate global warming. Director/writer Randy Olson is a bonafide scientist (Marine Biologist) who chose to leave science for film school at USC. His previous films include "Rediagnosing the Oceans" and "Flock of Dodos" (about evolution). In "Sizzle" he counters Al Gore's "An Inconvenient Truth" with a mix of fantasy and a dose of skepticism.

The premise is that he, Olson as a scientist, wants to make a different type of movie about global warming and recruits (pretend) producers Mitch Silpa and Brian Clark who bring him argumentative crew members (Alex Thomas and Ifeanyi Njoku). Using real scientists and fake actors, his mix of fantasy and fact-driven reality can be confusing. For instance, Clark, Silpa and Thomas are the actors playing actors and film crew. Some of them use their real names and some do not. Real creators Olson and Njoku play themselves (Olson) and fake crew members (Njoku). He even enlists his own mother, Muffy Moose, to play his mother. Make sense yet?

The scientists are real, covering the spectrum of both the pro and the con regarding the severity of environmental impact. The alarmists include Dr. Jerry Meehl, Dr. Richard Somerville, Dr. Megan Owen, Julia Bovey and Dr. Naomi Oreskes (who was featured in Al Gore's documentary) and the skeptics include Dr. Pat Michaels, Dr. Steve Hayward, Dr. Fred Singer, Dr. Bill Gray, Dr. Marc Morano and Dr. George Chillingarian. The latter skeptic, Dr. Chilli let's call him, is such a character himself that it further blurs the fantasy/reality line. With a flamboyant mustache and attitude, his outrageousness rivals that of the fake producers.

In addition, Olson has an editing problem. So many scenes are needlessly repetitive. For instance, he interviews a scientist and his pretend cameraman (Thomas) disputes the facts; Olson shows frustration and follows up with several interviews in the exact same manner. Then about two-thirds into the film, Olson presumably finally listens to his sound man (Njoku) who tells him to put a human face on global warming, inspiring them to visit New Orleans and show the still-visible carnage of Hurricane Katrina. While obviously moving, this happens a little too far into the movie and again, goes on a little too long.

The scenes with Brian Clark and Mitch Silpa as flaky novice Hollywood producers are hilarious as the real Silpa and Clark are professional improvisers (www.groundlings.com) and darn good at it too. However, Olson is unfortunately not as talented, and thus is not a strong enough presence to keep viewer interest for an entire feature. His science is interesting, but even after a stint at USC, he is not the consummate filmmaker, having produced a film riddled with editing and believability problems. As a general audience, we appreciate the attempt at fun, but Olson does not quite understand how to maintain a coherent story line, choosing instead to throw everything in but the kitchen sink.

The overall impression is one of chaos, with Olson constantly seeming to wrestle with how to convey his confusion (he does present both pro and con, after all). One ill-directed dream sequence of a literal wrestle (with a polar bear) adds little to the film. His dramatic arguments are written to be funny and are amusing, but the reality/fantasy transitions are just not sharp enough to make a well polished film. In the editing room scene, where Olson is getting advice on focus, one wishes this had really happened behind the scenes in order to be translated into a gratifying whole.

In spite of some spots of entertainment and thought-provoking facts, the film plays as a work-in-progress. It just isn't there. Kudos for the attempt at enlightenment, and if it shifts someones global perspective, that would be great. But sadly, it is just not cinematically logical. And why it premiered at theme-structured Los Angeles Outfest is yet another mysterious facet of the experience. Read more!

Sex and the City - the Movie

Sex and the City
a kate west review











The much-anticipated film "Sex and the City" delivers luscious fashion images to its multitude of eager fans. Designer dresses and shoes galore abound as does, of course, the gorgeous background of a hip Manhattan, New York. All served up in a yummy visual feast that you won't be able to take your eyes off of.

Carrie, Miranda, Charlotte and Samantha are back, a little older, but maybe not so much wiser. As in the show, they keep making the same mistakes, falling back on friendship for support and these life experiences force them to grow up just the tiniest bit. This is the main complaint of naysayers, that that film is merely an expanded episode, but any transition from television to film will inevitably go that route, since the two mediums are so different. However, rabid fans will be satiated by the gorgeous accessories and the familiar patterns of characters. Just keep in mind that there is only so much you can fit into a feature length film, versus six years of a series run. If you allow yourself to enjoy the ride, you'll find that the movie ties in nicely with the series and that even though the series finale seemed to give us a final note, there is always more urban angst to squeeze out of truly neurotic New Yorkers. And isn't that part of the fun?

It's not Shakespeare people, so let yourself go - drink that cosmopolitan, rent that Prada handbag and bring your best gal pals. And toast fabulous women in their 40's and 50's who are still viable, beautiful and more than relevant, with or without men (plus, nice addition of sweet Jennifer Hudson, guys!)


Past review of the show here:
http://www.katewestreviews.com/2004/12/sex-and-city.html

Directed by	Michael Patrick King
Produced by	Michael Patrick King Sarah Jessica Parker
Written by	Michael Patrick King

• Starring
  
• Sarah Jessica Parker as Carrie Bradshaw
• Kim Cattrall as Samantha Jones
• Kristin Davis as Charlotte Goldenblatt
• Cynthia Nixon as Miranda Hobbes
• Chris Noth as Mr. Big (John James Preston)
• David Eigenberg as Steve Brady
• Evan Handler as Harry Goldenblatt
• Jennifer Hudson as Louise, Carrie's assistant
• Jason Lewis as Smith Jerrod
• Willie Garson as Stanford Blatch
• Mario Cantone as Anthony Marantino
• Lynn Cohen as Magda
• Candice Bergen as Enid Frick
• Joseph Pupo as Brady Hobbes
• Vaughan Sidebottom as Restaurant Patron
• Andre Leon Talley as himself
• Gilles Marini as Dante

The Complete Series:
Sex and the City - The Complete Series (Collector's Giftset)

Featured Website:
www.BagBorroworSteal.com
(best viewed when watching the show or playing the theme song by Douglas J. Cuomo ...)

Update: SATC2?

Meh.

Read more!

A Tuna Christmas

A Tuna Christmas
a kate west review
written by Jaston Williams,
Joe Sears & Ed Howard
directed by Stan Zimmerman
at Theatre Asylum
6320 Santa Monica Blvd.,
Hollywood 90038 (west of Vine)
contact (323) 960-7753 OR www.plays411.com/tunachristmas

running December 6, 2007 - January 6, 2008; tix $25-$50

Twenty-two Texans celebrate Christmas. Sounds like the punch line of a joke. But it's actually part of the well-known Greater Tuna trilogy of characters centered around Tuna, Texas, created by Jaston Williams, Joe Sears and Ed Howard. Currently playing in Hollywood, "A Tuna Christmas" is the most suitable Tuna incarnation this holiday season.

Former Groundlings company members Patrick Bristow (from "Showgirls" and "Ellen") and Mindy Sterling (from "Austin Powers") are the sole two cast members, playing all roles (check out the world renowned comedy sketch/improv troupe on www.groundlings.com). Their obvious background in character work serves them well in this multi-character show. Patrick Bristow especially has many real and poignant moments embodying what might have been routine southern characters in less capable hands. He doesn't just "do" characters, he actually becomes the person he portrays and does an amazing turn reflecting an entire history in just a few lines. And he manages to make them unique and interesting each time. He is truly a joy to watch.

The creators Jaston Williams, Joe Sears and Ed Howard have built practically a whole franchise around these quirky Texans and while the writing is good, Director Stan Zimmerman can stand to cut some scenes down, as they tend to run a bit long. The story centers around an annual yard display contest, with each townsperson vying for the perfect holiday light set up. A mysterious Christmas Phantom gums up the work, causing mischief and consternation among the populace. The show begins with two Disc Jockeys, Arles (Sterling) and Thurston (Bristow), introducing some tidbits about the town and bringing in the odd and end villager, such as Didi (Sterling) who sells used guns for a living. Sterling also showcases Petey, an earnest humanitarian, weary of taking in every Yuletide pet castoff.

Bristow's best character is Bertha, mother to three unruly children, including delinquent Stanley (Sterling). She tries to make a nice holiday for her family while keeping peace with her crazy neighbors, not an easy feat with the rich eccentric Vera (Sterling) taking pot shots at her and loveable wily Aunt Pearl (also Bristow) defying local law. Bertha is heartbreakingly and endearingly deserving of a nice man to take care of her after her lowlife husband disappoints her time and again. Bristow's swaggering Sheriff Givens is quite amusing as well, as are the slightly trashy but fun waitresses Helen and Inita (Sterling and Bristow) forced to work the holidays at the local diner.

Bristow and Sterling clearly find joy in recreating slices of Texan life and in working so intimately together. Their countless costume changes, characters and accents are impressive to watch, as are the many gender-bending forays. It's an entertaining show, but again, runs a bit long. It is definitely a different kind of holiday show though, and worth a look to see these consummate professionals at work. So come back soon y'all, ya hear? Read more!

Mad Men

a kate west review

AMC's hit new show "Mad Men" dazzles audiences with its vibrantly realistic depiction of 1960's cutthroat advertising world on Madison Avenue. The company in question, Sterling-Cooper, takes heavyweight clients, like airlines, to new heights, so to speak, with clever ad campaigns. Gorgeously fun retro sets and costumes balance out the darker sexist/racist world of male salesmanship. Everyone smokes and drinks heavily and nothing is ever politically correct. Pure delight. After a few episodes of the new sensation, however, things get a bit repetitive.

Jon Hamm is Don Drake, the main character, cheating on his wife and trying to work his way up the corporate ladder. The rest of the staff are more or less of the same moral fiber - most of them are materialistic, concerned only with appearances and everyone wants to be the big wig. The danger in portraying unsympathetic characters is that after a while, you stop caring about what happens to them, even watching their just downfalls.

Still, the actors are quite strong, and the peek into an era gone by quite fascinating. So it’s good for a least one season. Give it a try and if you grew up then, you'll find the no-holds-barred nostalgic reminiscing oddly comforting. That's the way it was, folks.

Created by
Matthew Weiner

Starring
Jon Hamm
Elisabeth Moss
Vincent Kartheiser
January Jones
Christina Hendricks
Bryan Batt
Michael Gladis
Aaron Staton
Rich Sommer
John Slattery
Mark Moses


Get it on DVD:
Mad Men - Season One Read more!

Rescue Me

Rescue Me - FX channel
a kate west favorite









In it's fourth season, "Rescue Me" is still as hot as ever. Hot firefighters, hot action and hot dialogue.

Executive Producer, writer and star Denis Leary (pictured above) has created an intriguing look at tough men who live and play hard. His character, Tommy Gavin, is multi-dimensional, talks to dead people and tries to rise above his nature. As do they all. Facing death every other day, these volatile firefighters are in turn crude, offensive, charming, vulnerable and very real. The relationships are basic and everyone is deeply flawed. That's what makes it so fun to watch. Stereotypes are encouraged and often turned inside out until you come to understand the desensitization these guys are subject to. Fire purifies, annihilates, destroys and renews and no one understands that better than these brave men. Noble in battle, they are infuriatingly impossible in daily life. A great contrast. (The intervention scenes are fun family fodder.)

Kudos to Leary for daring to be edgy and for taking such a personal and active creative role. And this season's finale is a killer too, complete with a divine baseball scene. Ah!


Series Directed by
Jace Alexander (17 episodes, 2004-2007)
John Fortenberry (11 episodes, 2004-2006)
Peter Tolan (10 episodes, 2004-2007)
Ken Girotti (4 episodes, 2006-2007)
Adam Bernstein (2 episodes, 2004)
Jefery Levy (2 episodes, 2005)
Don Scardino (2 episodes, 2007)

Series Writing credits
Denis Leary (48 episodes, 2004-2007)
Peter Tolan (48 episodes, 2004-2007)
Evan T. Reilly (11 episodes, 2005-2007)
John Scurti (3 episodes, 2004-2006)
Salvatore Stabile (2 episodes, 2004)
Mike Martineau (2 episodes, 2005-2007)

Series Cast

Denis Leary ... Tommy Gavin (48 episodes, 2004-2007)
Mike Lombardi ... Mike Silletti (48 episodes, 2004-2007)
Steven Pasqual ... Sean Garrity (48 episodes, 2004-2007)
Andrea Roth ... Janet Gavin (48 episodes, 2004-2007)
Daniel Sunjata ... Franco Rivera (48 episodes, 2004-2007)
John Scurti ... Kenny Shea (48 episodes, 2004-2007)
Callie Thorne ... Sheila Keefe (45 episodes, 2004-2007)
Jack McGee ... Chief Jerry Reilly (44 episodes, 2004-2007)
James McCaffrey ... Jimmy Keefe (40 episodes, 2004-2007)
Natalie Distler ... Colleen Gavin (29 episodes, 2004-2007)
Tatum O'Neal ... Maggie (24 episodes, 2005-2007)
Dean Winters ... Johnny Gavin (23 episodes, 2004-2007)
Charles Durning ... Tommy's Dad (21 episodes, 2004-2006)
Trevor Heins ... Connor Gavin (21 episodes, 2004-2006)
Lenny Clarke ... Uncle Teddy (20 episodes, 2004-2007)
Olivia Crocicchia ... Katy Gavin (20 episodes, 2004-2007)
Diane Farr ... Laura Miles (19 episodes, 2004-2005)
Robert John Burke ... Father Mickey Gavin (19 episodes, 2004-2007)
Peggy Scott ... Jeannie / ... (14 episodes, 2004-2006)
Michael Zegen ... Damien / ... (13 episodes, 2004-2006)
Michael Mulheren ... Chief Perolli (13 episodes, 2004-2006)
Ed Sullivan ... Billy Warren / ... (11 episodes, 2004-2006)
Cailin Stollar ... Keela (11 episodes, 2004-2006)
Sherri Saum ... Natalie (11 episodes, 2006-2007)
Milena Govich ... Candy (8 episodes, 2005-2006)
Anthony Mangano ... Bobby Vincent / ... (8 episodes, 2004-2007)
Bernardo De Paula ... Jesus / ... (8 episodes, 2005)


Rescue Me - The Complete First Season Read more!

House, M.D.

House - FOX
a kate west favorite




Four seasons into it, Dr. Gregory House is still a curmudgeonly misanthrope. Making his way through life with biting sarcasm, he successfully holds everyone at bay and no one can get in. Surprisingly un-nurturing for a an instructor in a teaching hospital, he has three minds to mold: surly Dr. Foreman (Omar Epps), sexy Aussie Dr. Chase (Jesse Spencer) and Barbie doll Dr. Cameron (Jennifer Morrison). Trying vainly to guide him and make him behave are his best friend Dr. Wilson (sweet Robert Sean Leonard) and his saucy nemesis Dr. Cuddy (Lisa Edelstein). Hugh Laurie is really good in this role, and he's not even American in real life (he's British), go figure.

Every week it's the same plot: someone comes in with an inexplicable illness, they make it better, then the patient gets worse again until they figure out it's something else entirely. Then Dr. House steps in to save the day. He is always right and always brilliant and we never get tired of it. Wonder how long he'll be able to get away with the tortured genius routine.


House Cast and Crew:
Hugh Laurie - (Dr. Gregory House)
Lisa Edelstein - (Dr. Lisa Cuddy)
Omar Epps - (Dr. Taylor Foreman)
Robert Sean Leonard - (Dr. James Wilson)
Jennifer Morrison - (Dr. Allison Cameron)
Jesse Spencer - (Dr. Robert Chase)

Production Credits:
Amy Lippens (Casting)
Newton Thomas Sigel (Cinematographer)
Todd London (Co-producer)
Christopher Hoag (Composer Music Score)
David Shore (Director)
Elliot Graham (Editor)
Ray Daniels (Editor)
Daria Ellerman (Editor)
Katie Jacobs (Executive Producer)
Bryan Singer (Executive Producer)
David Shore (Executive Producer)
Paul Attanasio (Executive Producer)
Gerrit Van Der Meer (Producer)
Mark Hutman (Production Designer)
David Shore (Screenwriter)
David Shore (Singer)
Jim Lima (Visual Effects Supervisor)

First Season:
House, M.D. - Season One Read more!

The Sopranos

The Sopranos - HBO
a kate west recommendation







In six seasons, Tony Soprano captured the imaginations and even the hearts of HBO (Home Box Office Cable television) viewers. He's a villain, an unscrupulous mafia boss, who orders the execution of anyone getting in the way of his business, including extended family members. It is a credit to the writers that he is made sympathetic and that we all root for him, in spite of that unseemly dark side. Francis Ford Coppola's "Godfather" saga revolutionized the depiction of La Cosa Nostra* in film and, in a much less grand scale, "The Sopranos" does it in television, bringing everyday modern mob life right to your living room.

The Sopranos are a normal suburban well-off American family to all outward appearances. They just happen to have their basement bugged by the F.B.I. and most of their photos posted up in police headquarters. Tony (James Gandolfini), his wife Carmela (Edie Falco) and their two kids, Meadow (Jamie-Lynn Sigler) and Anthony Jr. (Robert Iler) live, love, shop and eat all in the utopia of New Jersey. Right from the now well-known opening credits of Tony driving in from Manhattan with his big fat cigar to the tune of A3's "Woke Up This Morning", we get to know each of them intimately, especially Tony. For one thing, he's in therapy with Dr. Melfi (Lorraine Bracco) working through his emotions until she finally catches on that a sociopath will never live a real human life. Then there's his dealings with his family, from constantly cheating on his wife to trying to understand his troubled son. Not to mention his whole motely crew, doing his bidding, while sometimes covertly plotting against him. Is there honor among thieves?

The full experience can only come from watching the entire series. And in that amount of time, anyone you encounter may be capable of the most heinous acts - mothers, uncles, friends and fiances, alike. Please note - great characters abound, but don't get too attached, as they might not have the longest shelf life. Also, fans complained loudly about the series finale, but creator David Chase likes to keep it real, so, in ambiguity, he allows his characters a little life beyond. Theirs is not a tidy world.

Series Directed by
Timothy Van Patten		(20 episodes, 1999-2007)
John Patterson		(13 episodes, 1999-2004)
Allen Coulter		(12 episodes, 1999-2004)
Alan Taylor		(9 episodes, 1999-2007)
Henry Bronchtein		(4 episodes, 1999-2002)
Jack Bender		(4 episodes, 2001-2006)
Steve Buscemi		(4 episodes, 2001-2006)
Daniel Attias		(3 episodes, 1999-2002)
David Chase		(2 episodes, 1999-2007)

Series Writing credits
David Chase		(86 episodes, 1999-2007)
Terence Winter		(25 episodes, 2000-2007)
Mitchell Burgess		(22 episodes, 1999-2006)
Robin Green		(22 episodes, 1999-2006)
Matthew Weiner		(12 episodes, 2004-2007)
Frank Renzulli		(9 episodes, 1999-2001)
Michael Imperioli		(5 episodes, 2000-2004)
Todd A. Kessler		(4 episodes, 2000-2001)
Diane Frolov		(4 episodes, 2006-2007)
Andrew Schneider		(4 episodes, 2006-2007)
Jason Cahill		(3 episodes, 1999-2000)
Lawrence Konner		(3 episodes, 2001-2002)

Cast:
James Gandolfini: Anthony Soprano
Lorraine Bracco: Dr. Jennifer Melfi
Edie Falco: Carmela Soprano
Michael Imperioli: Christopher Moltisanti
Nancy Marchand: Livia Soprano
Jamie-Lynn Sigler: Meadow Soprano
Dominic Chianese: Corrado `Uncle Junior' Soprano
Robert Iler: Anthony Soprano Jr.
Steven Van Zandt: Silvio Dante
Tony Sirico: Paulie `Walnuts' Gualtieri
John Ventimiglia: Artie Bucco
Vincent Curatola: Johnny `Johnny Sack' Sacramoni
Vincent Pastore: Salvatore `Big Pussy' Bonpensiero
Drea de Matteo: Adriana La Cerva
Joseph Badalucco Jr.: Jimmy Altieri
Aida Turturro: Janice Soprano
David Proval: Richie Aprile
Steven R. Schirripa: Bobby `Bacala' Baccalieri
Robert Patrick: David Scatino
Federico Castelluccio: Furio Giunta
Joe Pantoliano: Ralph Cifaretto
Steve Buscemi: Tony Blundetto
Robert Loggia: Michele `Feech' La Manna
Joe Gannascoli: Vito Spatafore
Jerry Adler: Herman `Hesh' Rabkin
Frank Vincent: Phil Leotardo
Julianna Margulies: Julianna Skiff
Sharon Angela: Rosalie Aprile
Kathrine Narducci: Charmaine Bucco
Maureen Van Zandt: Gabriella Dante
Max Casella: Benny Fazio
Tony Lip: Carmine Lupertazzi
Ray Abruzzo: Little Carmine Lupertazzi
Dan Grimaldi: Patsy Parisi
Peter Bogdanovich: Dr. Elliot Kupferberg



*The Mafia (also known as Cosa Nostra) is a notorious Italian criminal secret society which first developed in the mid-19th century in Sicily. In North America, the Mafia often refers to Italian organized crime in general, rather than just traditional Sicilian organized crime.

The Original Classic Influence (and a Kate West Favorite):
The Godfather DVD Collection (The Godfather/ The Godfather - Part II/ The Godfather - Part III)


Sopranos First Season:

The Sopranos: The Complete First Season Read more!