Loyal To The End

a kate west reflection

(see link above)

Kate West creed below
(from Pixar's "Ratatouile")

[Anton Ego’s Review of Gusteau's.] "In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face, is that in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so. But there are times when a critic truly risks something, and that is in the discovery and defense of the new. The world is often unkind to new talents, new creations. The new needs friends. Last night, I experienced something new; an extraordinary meal from a singularly unexpected source. To say that both the meal and its maker have challenged my preconceptions about fine cooking, is a gross understatement. They have rocked me to my core. In the past, I have made no secret of my disdain for Chef Gusteau's famous motto, "Anyone can cook". But I realize - only now do I truly understand what he meant. Not everyone can become a great artist, but a great artist can come from anywhere. It is difficult to imagine more humble origins than those of the genius now cooking at Gusteau's, who is, in this critic's opinion, nothing less than the finest chef in France. I will be returning to Gusteau's soon, hungry for more."



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Ode to Anne Frank

Woman who hid Anne Frank dies at 100

Miep Gies, the office secretary who defied the Nazi occupiers to hide Anne Frank and her family for two years and saved the teenager's diary, has died, the Anne FrankMuseum said Tuesday. She was 100.

In this 1998 photo, Miep Gies...

In this 1998 photo, Miep Gies displays a copy of her book "Anne Frank Remembered" at her apartment inAmsterdam.
Photo: AP

Gies' Web site reported that she died Monday after a brief illness. The report was confirmed by museum spokeswoman Maatje Mostar, but she gave no details. The British Broadcasting Corp. said she died in a nursing home after suffering a fall last month.

Gies was the last of the few non-Jews who supplied food, books and good cheer to the secret annex behind the canal warehouse where Anne, her parents, sister and four other Jews hid for 25 months during World War II.

After the apartment was raided by the German police, Gies gathered up Anne's scattered notebooks and papers and locked them in a drawer for her return after the war. The diary, which Anne Frank was given on her 13th birthday, chronicles her life in hiding from June 12, 1942 until August 1, 1944.

Gies refused to read the papers, saying even a teenager's privacy was sacred. Later, she said if she had read them she would have had to burn them because they incriminated the "helpers."

Anne Frank died of typhus at age 15 in the Bergen-Belsen concentration camp in March 1945, just two weeks before the camp was liberated. Gies gave the diary to Anne's father Otto, the only survivor, who published it in 1947.

After the diary was published, Gies tirelessly promoted causes of tolerance. She brushed aside the accolades for helping hide the Frank family as more than she deserved - as if, she said, she had tried to save all the Jews of occupied Holland.

"This is very unfair. So many others have done the same or even far more dangerous work," she wrote in an e-mail to The Associated Press days before her 100th birthday last February.

"The Diary of Anne Frank" was the first popular book about the Holocaust, and has been read by millions of children and adults around the world in some 65 languages.

For her courage, Gies was bestowed with the "Righteous Gentile" title by the Yad Vashem. She has also been honored by the German Government, Dutch monarchy and educational institutions.

Nevertheless, Gies resisted being made a character study of heroism for the young.

"I don't want to be considered a hero," she said in a 1997 online chat with schoolchildren.

"Imagine young people would grow up with the feeling that you have to be a hero to do your human duty. I am afraid nobody would ever help other people, because who is a hero? I was not. I was just an ordinary housewife and secretary."

Born Hermine Santrouschitz on Feb. 15, 1909 in Vienna, Gies moved to Amsterdam in 1922 to escape food shortages in Austria. She lived with a host family who gave her the nickname Miep.

In 1933, Gies took a job as an office assistant in the spice business of Otto Frank. After refusing to join a Nazi organization in 1941, she avoided deportation to Austria by marrying her Dutch boyfriend, Jan Gies.

As the Nazis ramped up their arrests and deportations of Dutch Jews, Otto Frank asked Gies in July 1942 to help hide his family in the annex above the company's canal-side warehouse on Prinsengracht 263 and to bring them food and supplies.

"I answered, 'Yes, of course.' It seemed perfectly natural to me. I could help these people. They were powerless, they didn't know where to turn," she said years later.

Jan and Miep Gies worked with four other employees in the firm to sustain the Franks and four other Jews sharing the annex. Jan secured extra food ration cards from the underground resistance. Miep cycled around the city, alternating grocers to ward off suspicions from this highly dangerous activity.

In her e-mail to the AP last February, Gies remembered her husband, who died in 1993, as one of Holland's unsung war heroes. "He was a resistance man who said nothing but did a lot. During the war he refused to say anything about his work, only that he might not come back one night. People like him existed in thousands but were never heard," she wrote.

Touched by Anne's precocious intelligence and loneliness, Miep also brought Anne books and newspapers while remembering everybody's birthdays and special days with gifts.

"It seems as if we are never far from Miep's thoughts," Anne wrote.

In her own book, "Anne Frank Remembered," Gies recalled being in the office when the German police, acting on a tip that historians have failed to trace, raided the hide-out in August 1944.

A policeman opened the door to the main office and pointed a revolver at the three employees, telling them to sit quietly. "Bep, we've had it," Gies whispered to Bep Voskuijl.

After the arrests, she went to the police station to offer a bribe for the Franks' release, but it was too late. On Aug. 8, they were sent to Westerbork, a concentration camp in eastern Holland from where they were later packed into cattle cars and deported to Auschwitz. A few months later, Anne and her sister Margot were transported to Bergen-Belsen.

Two of the helpers, Victor Kugler and Johannes Kleiman, were sent to labor camps, but survived the war.

Around 140,000 Jews lived in the Netherlands before the 1940-45 Nazi occupation. Of those, 107,000 were deported to Germany and only 5,200 survived. Some 24,000 Jews went into hiding, of which 8,000 were hunted down or turned in.

After the war, Otto Frank returned to Amsterdam and lived with the Gies family until he remarried in 1952. Miep worked for him as he compiled the diary, then devoted herself to talking about the diary and answering piles of letters with questions from around the world.

After Otto Frank's death in 1980, Gies continued to campaign against Holocaust-deniers and to refute allegations that the diary was a forgery.

She suffered a stroke in 1997 which slightly affected her speech, but she remained generally in good health as she approached her 100th birthday.

Her son Paul Gies said last year she was still receiving "a sizable amount of mail" which she handled with the help of a family friend. She spent her days at the apartment where she lived since 2000 reading two daily newspapers and following television news and talk shows.

Her husband died in 1993. She is survived by her son and three grandchildren.

Find Out More Here:


Anne Frank: The Diary of a Young Girl

Anne Frank Remembered: The Story of the Woman Who Helped to Hide the Frank Family Read more!

NINE

















a kate west review
directed by Rob Marshall
music & lyrics by Maury Yeston (Andrea Guerra)
original book by Arthur Kopit
screenplay by Anthony Minghella & Michael Tolkin

Already a playful adaptation of Federico Fellini's famous semi-autobiographical film "8 1/2", the Tony-award winning musical "Nine" is now a major motion picture. Starring Daniel Day Lewis and directed by Rob Marshall ("Chicago"), it blurs the line between fantasy and memory, reality and dreams.

Guido Contini (Daniel Day Lewis) is a 1960's world famous film director at a crisis in life. He's a notorious womanizer, yet loves his wife Luisa dearly (the adorable Marion Cotillard). He can't help it - he's always loved women, starting with his incredible Mother (the incomparable Sophia Loren) and his first love, the local prostitute, Saraghina (fabulously depicted by Fergie) to his sultry mistress Carla (Penelope Cruz) and the idolized movie star Claudia Jensson (Nicole Kidman).

Deep down Contini wants to be good and needs to be loved, but mistakes worship for the real thing. What he knows best is making movies and in the course of the film, we see his desire for women conflict with his strict Catholic upbringing, creating the tortured self-absorbed egomaniac with a genius for cinematic art. His charisma will only carry him so far, and eventually everyone gets fed up with him, from his hard-working Producer to his long-suffering wife.

Marion Cotillard ("La Vie En Rose") has the most touching and tender scenes in the movie, plaintively singing "My Husband Makes Movies" as he continues to neglect her. The musical scenes are all great in fact, especially Fergie's stompingly lusty "Be Italian" and Cruz's sexy "Call to the Vatican". Most of the actors can sing, with the exception of Lewis and Judi Dench (as the matronly Costumer Lilli), but their immaculately strong performances carry them through beautifully. Kate Hudson plays an American reporter Stephanie in a brand new number "Cinema Italiano", shot like a sparkly Versace runway show.

True, the costuming and 1960's look is très chic, but the movie lacks a true heart, in spite of the excellent cast. Guido Contini should be the charming devil-may-care rascal who wins us over, but he's so tired and desolate by the end, he has nothing left to give. Small changes from musical to film (won't give it away here), don't make much of a difference, but as this is a difficult musical to begin with, technically and emotionally, it's a tough transition to screen that Director Rob Marshall just quite can't pull off.

Still, it's got some fun numbers and a few cool retro looks here and there, so is definitely well worth a viewing.

Directed byRob Marshall
Produced byRob Marshall
Marc Platt
Harvey Weinstein
John DeLuca
Maury Yeston
Written byAnthony Minghella
Michael Tolkin
StarringDaniel Day-Lewis
Marion Cotillard
Penélope Cruz
Judi Dench
Fergie
Kate Hudson
Nicole Kidman
Sophia Loren
Music byAndrea Guerra (Score)
Maury Yeston (Songs)
CinematographyDion Beebe
Editing byClaire Simpson
Wyatt Smith
StudioRelativity Media
Distributed byThe Weinstein Company


MOVIE SOUNDTRACK:
Nine Read more!

Bleeding Through






















a kate west review
written & directed by Theresa Chavez & Rose Portillo
from the novella by Norman Klein
About...Productions
at Shakespeare Festival/LA
1238 W. 1st Street, Los Angeles, Ca 90026
contact www.aboutpd.org OR (800) 595-4849(4TIX)
running October 23 - November 22, 2009

"Bleeding Through" is a nostaglic oldies Angelino noir piece that, in spite of the retro cool set pieces and costumes (thanks to Akeime Mitterlehner and Pamela Shaw), just doesn't hold interest. It is very busy though. Co-Writer/Directors Theresa Chavez and Rose Portillo work up some uniquely intricate staging by having the actors appear in scenes behind the audience and to the sides, as well as on the main stage. Add the orchestra up there too, and an awful lot is going on all at once.

David Fruechting heartily narrates this story of intrigue and murder, but by the time he's through, no one cares anymore. The play is long and involved and a bit self-important, although there is some solid acting. Lynn Milgrim and Elizabeth Rainey trade off playing older and younger versions of each other, which is an interesting device and they are both quite good. Not all of the acting is spot on, however, particularly Ed Ramolete's rather plodding Ezra, neighbor to Molly and mostly meant to spur on her old stories. The rest of the cast (James Terry, Brian Joseph and Pete Pano) is fine.

Also, for some reason, Molly's past life and past lovers appear on the screen behind the actors in a black-and-white film, where she's inexplicitly portrayed by yet another actress (Kikey Castillo). Someone gets killed, men appear in raincoats in dark parks, Molly can't decide between two men and the narrator soaks it all in. Suffice to say, the film noir takes just don't all fit together. Meanwhile, the audience members may get whiplash turning around every five minutes to follow all the action.

None of these devices have particular motivation in connection with the actual plot and while it is all interesting to look at, and delightful to touch (during intermission you will get a chance to go on stage and see and touch some of the fabulous props), it does not add much to the story. Unfortunate, since Angelenos need more good, solid and classic pieces of historical tales. More of the story would be revealed here were certain viewers able to stay awake for the whole thing. Apologies.
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U2 Live at the Rose Bowl

a kate west live event watch
Sunday, October 25, 2009

In these tough economic times, who goes to concerts anymore? Plenty of people, based on ticket sales. Well, but you can't and you hate that. But wait, there is a solution, especially for U2 fans. The famous Irishmen are appearing tonight at the Rose Bowl and YOU can watch them in the comfort of your own armchair with beer fridge armrests. Go to YOUTUBE at 8:30 p.m. and catch the legendary musicians in action. And don't drive to Pasadena - talk about serious traffic jams.

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Find Peace, Michael.










a kate west commemoration

http://www.michaeljackson.com

The Memorial and Film
Jackson's televised memorial took place at the Staples Center (where he rehearsed much of his concert tour) on July 7, 2009. We all remember the tearful Jackson family and especially his heartbroken children. Anything else that happened that day was hopelessly overpowered by the enormity of this cultural icon. And as we all know, the film "This Is It", documenting his heartrending work, was released to the public on screens in October 2009, months after Jackson's death in June 25.

The DVD
Despite any misgivings you may have over his bizarrely controversial personal life, the movie is worth a look. A consummate professional, Michael Jackson had been performing on stage almost his entire life. Granted, the intense scrutiny of the public eye and troubled family life turned him into a freak show at times, but on stage, in the true spotlight, he shone. As depicted in the film, he worked tirelessly with musicians and crew, always appreciative and humble, gently adjusting errors in order to reach the pinnacle of pop perfectionism he was accustomed to. He knew what he wanted and he got it, and you had to agree with him, because no one knew better. To dismiss him as a pop culture phenomenon is a disservice. No it's not deep intellectual pursuit, but his work was still hard - genius simply means being uniquely, impressively the best. Can't argue with that.

The DVD extras come with sincere testimonials and behind-the-scenes looks at auditions, costumes, sets, etc. The show would have had the latest 3D magic and larger-than-life puppets and pyrotechnics, but beyond all that, Jackson's mere presence, emotion and passion would have kept audiences enthralled just as he was. It would have been a great concert. I challenge you to watch the footage unmoved.

L-O-V-E. Peace, Michael.


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Where The Wild Things Are


















a kate west review dedicated to and inspired by
Sam Bronson Page
(www.peacelovelunges.com)

book by Maurice Sendak
film by Spike Jonze

Max is angry. Wild. He is wildly angry, in fact. A fierce, raging little boy, Max is sadly misunderstood and runs away from home right into a fantastical world of fierce, raging monsters. Anyone familiar with Maurice Sendak's children's book "Where The Wild Things Are" knows that's pretty much it, plot-wise. First published in 1963, the book was dark and controversial and eventually turned into a world renowned classic (and winner of the Caldecott Medal). Parents worried that it promoted misbehavior, but most people knew it encouraged imaginative dreaming, a key developmental step in child-rearing. Besides, Max comes home peacefully in the end.

Now independent filmmaker Spike Jonze (Sofia Coppola's ex) has added his creative ravings to the beloved story. His deeply personal relation to the rebel boy is obvious. Fleshing out the bare bones story with Dave Eggers, he shows us an in-depth look at the famous monsters, giving them unique names, history, personalty disorders and every emotion found in the heart of a child. And his depiction of childish rage and perplexity is spot-on. A fascinating mix of live action, suitmation, animatronics and CGI, the film is dark and sad, and rather long, but does offer special illumination into the mind of a small intense boy.

Max (Max Records) rages that his sister Claire (Pepita Emmerichs) ignores him and that his mother (Catherine Keener) is finding love again (Mark Ruffalo). Lashing out against the unpleasantness found in life, he bites his mother and runs away into the night. In the book, he is sent to his room without supper and finds himself whisked off to a magical land in a boat. Here, Max runs down the dark streets of his neighborhood until he stumbles across a boat. The mysterious sea brings him straight to a craggy forest full of enormously cranky monsters.

Somehow he convinces them he is a king and they decide not to eat him, since they'd probably be better off with a little more royalty in their lives anyway. Carroll (James Gandolfini) is the first to befriend him, admiring their common interest in mischievous destruction and the others soon fall into line. Some are less trusting than others, most notably Judith (Catherine O'Hara), but Max is able to control them up to a point and they all find joy in playing rough and sleeping in big piles. Lauren Ambrose as KW is an especially sweet and gentle giant who helps to guide Max back down the road from anger to love. And once Max realizes that the monster world is no more free from strife than his old one, he knows it's time to move on.

Obvious great care was taken to style the non-humans into the likeness of the literary characters. They all look exactly like Sendak's delightful illustrations and Max, in his warrior wolf suit, could also be taken right out of the book's pages. Jonze created a bit of a back story to hint at the reason for Max's unhappiness. Nothing disturbing - more like normal modern life kid anxiety. Max is of an age where he will have to learn to deal with his emotions. He has a loving mother, who feeds and clothes him, but it isn't enough for him at first, until he is able to look outside himself and discover that yes, it is more than enough. He is finally ready to start growing up.

The main problem with the film itself though, is its overall melancholy tone. It is admirable to have such a rich look at the monster's lives, and oftentimes quite amusing, but overall they live a joyless existence, until Max brings some brief life back to their souls. The voice actors are all great (Forest Whitaker, Chris Cooper, Paul Dano, Gandolfini, etc.) and the cinematic technology and wonderful costumes allow for amazingly expressive faces, but all that does not always overcome the general weepy mood. Max does go to a pretty dark place for a while, illustrated by the interaction with the monsters, and he does survive stronger and happier than ever, but parents should be aware of the blackness at the core, and some very disturbing images to boot. Then again, no one ever said the book was a happy one either.

Still, it is a remarkable artistic achievement and definitely worth catching on the big screen. The anticipatory build up in the trailer depicts the incredible cinematography and visionary sets pretty well, but just so you know, Arcade Fire's fun "Wake Up" song is not featured in the actual movie. See it for the rebellious child in each of us. Questioning authority is not always a bad thing and sometimes it will lead you to understanding the world a little better in the end. For Max, after all that storming and raving, he was able to come back home "... where he found his supper still waiting for him and it was still hot."







"WILD THING!" "I'LL EAT YOU UP!"

Directed by Spike Jonze



Screenplay:
Spike Jonze
Dave Eggers

Starring

Max Records
Catherine Keener
Mark Ruffalo
Pepita Emmerichs
Paul Mouzakis


Voices of:
Lauren Ambrose
(KW)
Chris Cooper
(Douglas)
James Gandolfini
(Carroll)
Catherine O'Hara
(Judith)
Forest Whitaker
(Ira)
Paul Dano
(Alexander)
Michael Berry Jr.
(The Bull)
Music by Karen O
Carter Burwell
Cinematography Lance Acord
Editing by Eric Zumbrunnen


The Book:
Where the Wild Things Are

Bringing It To The Stage:
http://www.examiner.com/examiner/x-19133-LA-Performing-Arts-Examiner~y2009m10d18-WHERE-THE-WILD-THINGS-SHOULD-BE
Read more!

Behind Every Beautiful Eye


















Behind Every Beautiful Eye
Detrás De Cada Ojo Hermoso
a kate west recommendation


If you're wondering how to reach inner city youth, introduce them to themselves. Encourage them to read and to write down what they feel. The students of the Los Angeles School of Global Studies (class of 2012) have done just that by completing another inspirational writing project. One hundred high schoolers from downtown LA wrote essays, poems and bios in both English and Spanish about their personal lives and emotions and set it all down in a book for the world to see. Laura Cometa is the teacher responsible for once again collecting teenager's stories into a literary bilingual anthology in a continuing and very successful writing project. And quite a program it is - these stories are in turn, amusing, heartrending, poignant and very real.

And it's a win-win situation. The children had a chance recently to present their work at the Latino Book Festival and proudly read excerpts. At the Q&A, the students admitted the project had changed their lives, empowered their self-esteem and even improved family dynamics. They got a kick out of staying to sign books for enchanted fans too. Not only that, but Filmmaker Tracy Mazuer is documenting it all on film so her camera crew follows the kids around, giving the whole experience that Angeleno real-world feeling we've all come to know and love.

So there you have it. The best way to spread the word is by telling a friend, so please support this project. And encourage your kids to write!

Buy The Book Here:
http://www.lulu.com/content/paperback-book/behind-every-beautiful-eye/7486706

Latino Book Festival Info:
http://lbff.us/
http://www.reynagrande.com/LBFF%20page.htm

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Ray Bradbury's The Wonderful Ice Cream Suit






















a kate west review
at 1000 Fremont Ave
South Pasadena, CA 91030-3225
(626) 441-5977
for tix contact: 323-960-4551
www.plays411.com/raybradbury
www.fremontcentretheatre.com

Ray Bradbury loves Los Angeles. In fact, he spent much of his twenties downtown, living in a Latino district and writing down every conversation he overheard. In 1957, fascinated by this East Los Angeles culture, the celebrated Pulitzer Prize winning author wrote a short story for the Saturday Evening Post and later turned it into a play in 1972. Best known as "The Wonderful Ice Cream Suit", the charming story has had many manifestations, including a musical and then a film starring Esai Morales, Edward James Olmos and Joe Montegna in 1998. The Fremont Centre Theatre in Pasadena now brings back an encore run of "Ice Cream Suit", with Bradbury's blessings (in attendance opening night when he recounted a bit of the history behind the piece).

Five Hispanic men invest together in a beautiful suit, as pure and white as vanilla ice cream. Since none of them can afford it on their own, they all pool their money and vow to share it, each of them getting a brief moment of glory wearing the suit. Gomez (Rudy Rodriguez), the brains of the outfit, so to speak, collects the money from his friends. Each suit wearer has a designated time to strut out on the town and become a ladies magnet or a chance to briefly live out whatever realization of his personal dream fantasy he might envision.

Of course, not everyone can be trusted to take immaculate care of clothes, as evidenced by the vagrant Vamenos (Daniel V. Graulau), who is constantly tripping over things and making a mess. Villanazul (Joaquin Garay III), Martinez (Eddie Ruiz) and Dominguez (Adrian Elizondo) round out the rest of the wild bunch who cherish their time of magic. In a relatively short time (and with no intermission), we see each person's desires fulfilled, including the aftermath of Vamenos' thoughtless outing.

Bradbury's lovely dialogue is purposely poetic and lyrical, adding dimension to the rather supernatural allure of the suit. The actors struggle a little bit in finding a natural rhythm, but each character is earnestly likeable. One moment includes literally spotlighting the suit, technically and musically (a nice touch). The final bar scene is amusing as well (but fair warning: strobe lights are lengthily utilized). It is easy to see how the story could be transformed into a musical, as the lines are made to be joyously sung. The late John Edw. Blakenchip designed the fun stylistic set with graffiti-inspired murals, adding to the theme of beauty. Director Alan Neal Hubbs could have emphasized more of the sing-song out-of-reality feel (akin to Dylan Thomas' "Under Milkwood"), but the play is still entertaining and a big hit with the weekend audience.

One puzzling moment occurs when Gomez (Rudy Rodriguez) explains that he hand-picked each man for similar size and build but the actors clearly don't match, so one wonders if it is part of the inexplicable magic of the show, or just an inconvenience in casting. In addition, the actors are all fine, but might want to watch their pacing, as we need to soak in the important flow of words (particularly Garay as political intellectual Villanazul, who is funny, but just needs to slow down a tad). Graulau is the real comic relief as the bumbling Vamenos and does well, as does Elizondo as the sauve Dominguez. Verona Mansongsong is very pretty as Celia Obregon, the ideal love of Martinez (the young Eddie Ruiz), and some of the other random characters are weaker than others.

Overall, the actors need to be careful to continue balancing the stylistic acting with the grounded humanity of their characters and will probably get the hang of it in future performances. Again, the cast completely won over the crowd and the production is absolutely worth seeing, if for the auditory pleasure alone. On this particular evening, the real magic happened when Bradbury stayed to sign every book and program brought to his lap. Very gracious and in love with life, he is a real delight to listen to and to hear his wonderful words brought to life. So kudos to Fremont Center Theatre for indulging the Sci-Fi Master. If only it were as easy as donning a magical suit to find a magical life. And if anyone can make that happen, Mr. Bradbury can. Viva.

See the Film:
The Wonderful Ice Cream Suit Read more!

South Pasadena Transit Authority

















a kate west recommendation

What do Entertainment Industry types do to blow off steam? Form a band, of course (and maybe one of them did Production Design on "Angel" and "Dollhouse", my geekdom). Read on from www.spef4kids.com:

1st Annual School-Aid Benefit

On Saturday, September 19 at 8 PM, get ready to sing, dance and "bah bah bah BAH" along as our own local Chicago cover band, South Pasadena Transit Authority, plays a benefit concert in the parking lot of the South Pasadena Music Center with proceeds going to SPEF.

By day... they're South Pasadenans like you and me: a film production designer, two writers, an Emmy-winning set decorator (okay South Pasadenans with more Emmys than you and me), a principal, two art directors, a school counselor, a physics teacher and a film location manager. By night, they're horn-blowin', guitar playin', harmony singin' hipsters who aren't ready to put their instruments or passion for music aside just yet.

Opening for SPTA will be Cold Feet, a band of local youngsters from Walter Zooi's South Pasadena Music Center and Conservatory's School of Rock program.

So come on out, bring your neighbors and enjoy a sensational night of music as local musicians rock it for a great cause.

South Pasadena Transit Authority is: Ellen Totleben - Lead Vocals, Nadia Hillman - Back-up Vocals & Percussion, Peter Knight - Guitars, David Ford - Bass Guitar & vocals, Stuart Blatt - Drums & Vocals, Tomas Gaspar - Flute & Saxophones, Kendall Bennett - Trumpet, Paul Kikuchi - Trumpet, Scott Barton - Trombone and Timothy Hillman - Keyboards, guitar & vocals.

What: 1st Annual SCHOOL-AID Benefit Concert
Where: Parking lot of SP Music Center, 1509 Mission Street
Who: South Pasadena Transit Authority & Cold Feet.
How Much: $5.00 SPEF donation at the gate.


More Info:
http://southpasadenatoday.com/article.cfm?articleID=18195




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Will Power

a kate west review












Shakespeare Festival/LA

Will Power to Youth
A Midsummer Night's Dream

at 1238 W. First Street, Los Angeles 90026
running August 26 - 29
Contact (213) 481-2273
or www.shakespearefestivalla.org

It is very nice to know that amidst governmental cutbacks and arts funding setbacks, there is still a place that brings youth together in the spirit of Shakespearean teamwork. Shakespeare Festival/LA's wonderful program Will Power to Youth presents "A Midsummer Night's Dream" downtown, not blocks away from the mighty Disney Hall and Music Center. They may not have the budget of those bigger theaters, but boy do they have heart.

Several teams of young teens and adult mentors collaborated on a 1970's version of "Dream" which entertains while tugging at the heartstrings and ultimately reiterates the importance of encouraging youth in the arts. Not only did they all memorize Shakespeare, but they also added some retro rock 'n roll and a few unique modern touches. In eloquent monologues, they talk about what their own dreams could be, what they might give an orphan child to survive reality's harshness and what they want from their future. All this pathos runs under two hours and as an added bonus, we get to watch some delightfully funky dance numbers.

The actual story begins with two pairs of lovers who find happiness despite all the obstacles they face. Lysander (Cesar Vargas) and Hermia (Natalie Sosa) love each other, but Hermia's father Egeus (Marco Castaneda) and the royal powers will not allow them to marry. Instead, Hermia is supposed to marry Demetrius (Manuel Mora) but Helena (Michelle Parra) is the one who truly loves him. They all run off into the enchanted forest where they run into fairies and magic. Oberon (Chris Mendoza) and Titania (Alex Geronilla) live there as the Fairy King and Queen and do their best to wreak mischief on their mortal visitors. Lastly are the Players, or Mechanicals, a group of laborers grimly determined to present the tragic tale of Pyramus and Thisby (inspiration for "Romeo and Juliet" no doubt) at the Duke Theseus' (Joseph Patino) wedding to Hippolyta (Claudia Diaz). While in rehearsal, they end up in the enchanted forest as well.

The talent varies, as some of the kids are setting foot onstage for the very first time. With that in mind however, and considering everyone's varied background, plus the fact that this may very well be their first exposure to the arts, it is a very impressive end result indeed. Some standouts include John Geronilla as the energetic fairy spirit Puck and Jorge Martinez as Philostrate, the Master of Revels.
And Jordan Vasconez and Alex Gonzales can't help but have the time of their lives reenacting the sillier version of Pryamus and Thisby. Every single actor and dancer is one hundred percent committed however, and it is more than obvious they are all having unbelievable fun up there. Morgan Williams and Kimiko Broder helped the cast choreograph some fun routines, including magically swirling parasols and hip moves worthy of any popular reality t.v. show.

Director Elizabeth Rainey is to be commended for piecing together so many different ideas, to the delighted surprise of all the parents in the audience. All the staff worked incredibly hard
(see complete production list below) and deserves accolades for such a fun show. The sincerity and earnestness emanating from this project is quite touching and we should all implore the Theater Gods to keep bringing back interested children and help guide them to exciting creative futures.

Director
Elizabeth Rainey

Founding Artistic Director

Ben Donenberg

Director of Youth & Education
& Associate Artistic Director

Chris Anthony

Jeremy Ancalade, Director of Operations
Regina Cabrera, Director of Communications
Sam Greenstone, Director of Advancement
Marina Oliva, Youth & Education Associate
Ivan Robles, Facility Manager
Marcela Robles, Youth Coordinator
Ana Valdez, Development Administrator

CAST

Hippolyta (Costume Team)

Claudia Diaz

Theseus (Writing Team)

Joseph Patino

Philostrate (Sound Team)

Jorge Martinez

Egeus (Writing Team)

Marco Castaneda

Lysander (Acting Team)

Cesar Vargas

Demetrius

Manuel Mora

Herma (Scenic Team)

Natalie Sosa

Helena (Writing Team)

Michelle Parra

Peter Quince (Sound Team)

Shaun Reoliquio

Snug (Sound Team)

Min Song

Nick Bottom (Acting Team)

Jordan Vasconez

Frances Flute (Costume Team)

Alex Gonzales

Tom Snout (Scenic Team)

Ricardo Arenas

Robin Starveling (Movement Team)

Jason Mendoza

Oberon (Acting Team)

Chris Mendoza

Titania (Movement Team)

Alex Geronilla

Mustardseed (Costume Team)

Juan Castillo

Puck (Acting Team)

John Geronilla

Peasblossom (Scenic Team)

Magdalena Rafael

Teardrop (Writing Team)

Kevin Cruz

Moth (Movement Team)

Kevin Castillo

Thistle (Sound Team)

Allan Mancia

Starlight (Costume Team)

Gema Gomez

Firefly (Sound Team)

Luis Mateo

Movement Team

Cleavon Tatum


PRODUCTION STAFF

Fellow

Kimiko Broder

Facilitation Director

Rani DeLeon

Costume Mentor

Hanalani Lee

Lighting Designer

Jose Lopez

Scenic Mentor

Akeime Metterlehner

Playwright

Judeth Oden Choi

Stage Manager, Graphic Designer

Marina Oliva

Music Mentor, Facilitator

Ivan Robles

Youth Coordinator

Marcela Robles

Acting Mentor, Facilitator

Jon Royal

Movement Mentor

Morgan Williams

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John Hughes




















a kate west reflection


This man was my whole high school experience. I was an MTV 80's teen and reveled in all the pop culture America could give me. Finally, someone understood the teen point of view and spoke our dialogue. In our time. From Ferris Bueller's rebellious independence to all the Breakfast Club angst, Hughes gave us what we wanted and needed and made us feel normal in our brand new 80's world. We'll never forget you.

"Life moves pretty fast. You don't stop and look around once in a while, you could miss it. "

The Classics:

The Breakfast Club Ferris Bueller's Day Off Bueller...Bueller... Edition (Special Collector's Edition) Home Alone Some Kind of Wonderful (Special Collector's Edition) Pretty in Pink (Everything's Duckie Edition) Uncle Buck Planes, Trains and Automobiles Weird Science (High School Reunion Collection) Read more!

Carved in Stone

[Jesse Merlin, Levi Damione, Leon Acord, Kevin Remington, Curt Bonnem]

a kate west review

by Jeffrey Hartgraves
directed by John Pabros Clark
at Theatre Asylum
6320 Santa Monica Blvd.
Los Angeles, CA 90038

Fridays and Saturdays @8:00 PM
running Jun 19 - Sep 05
contact 310-473-LIVE (5483) or
www.carvedinstonetheplay.com


Remember the question, "who would you most like to have dinner with, living or dead?" How about Truman Capote, Quentin Crisp, Oscar Wilde and Tennessee Williams? Or maybe even William Shakespeare? Playwright Jeffrey Hartgraves expands on that idea with a visit to the after life in "Carved in Stone".

Gryphon Tott (Levi Damione), an aspiring writer, dies suddenly in a train station and immediately finds himself in every reader's dream situation - being able to talk to his favorite authors, all of whom happen to be dead. Oh, and gay. In a common sitting room, and in denial about a few things, in death as in life, Tott eventually admits the truth about himself, to the surprise of all. Director John Pabros Clark (who also designed the cozy set) presents an amusing and witty look at Hartgraves version of what might happen if all these literary giants had a chance to mingle and pry into their lives. And make fun of each other mercilessly.

Kevin Remington is amazing as Capote, as he not only captures the voice and mannerisms perfectly, but makes it his own, with natural-sounding rapid-fire dialogue, as if there were no script at all. Curt Bonnem is a very sexy Williams, Jesse Merlin is a rumbling baritone and quite delightfully dry Wilde and Leon Acord plays Crisp with proper demure affection. Most definitely portrayed by strong actors, the rapport amongst these characters plays beautifully real and each one of them has something fascinating to impart. One could listen to these four wonderful performers for days.

Levi Damione, as the new author Tott, is a bit weaker, however, not having a famous personality to impart, but his presence does give something for the others to focus on. In addition, Alex Egan and Amanda Abel come in and out of the stage, as various characters, from Gertrude Stein and Alice Toklas, to Frank Nelson and Judy Garland, and with a special Shakespearean appearance (Egan). They are fine as some added comic relief, but it is rather confusing to have some seemingly arbitrary famous non-literary characters pop in from time to time, although gay icons are frequently mentioned. More perplexing though, for some reason they are not allowed to interact with the main players. You do get some good musical numbers however, and maybe that is enough to entertain.

Overall, it is great fun to watch the drama unfold, as Tott tries to figure out why he is the one selected for this divine privilege. It's not Shakespeare, so to speak, but it is a play about love of literature and it is obvious the playwright had great respect for these legends. As do we. This particular evening had a few barely noticeable technical glitches, which hardly seems to matter in the big scheme of it all, as the show has been extended through the fall. So brush up on your classics and come get some insight into genius for a while. Have a shot of bourbon afterwards.
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Vox Aurea

a kate west recommendation

Finland's latest export comes in the form of an extraordinary Children's Choir known as Vox Aurea (a.k.a. The Golden Voice, in Latin). The kids (ages 11-18) come from Jyväskylä, Finland and travel the world bringing awed audiences the gift of music. With choreographed movement, they showcase folk and modern pieces, all perfectly rehearsed. Founded by Torsten Lindfors in 1968, the touring company includes world famous composer and conductor Pekka Kostiainen and Sanna Salminen. They hit San Francisco and Los Angeles this summer and have performed all over.

Scaling the music staff from top to bottom, the children's remarkable range dazzles and delights. You may not understand all the words (although some pieces are in English), but you will most decidedly understand the emotions, as they act out little dramas, set to original and traditional songs. Chirping and clicking, they mimic atmospheric sounds, becoming wind or train whistles or whatever the piece may require and they are obviously having the time of their lives as they grin joyfully and sing their little hearts out. Bowing their heads during solemn lulls, they will invoke Rockette precision the very next moment. And as an added bonus, the costumes are beautiful, colorful and fitting.

Kudos to the parents for providing this great opportunity to cross culture. Look them up and see if you can become a lucky host family and get to know Finland like no one else. You can regale your neighbors with fun Finnish facts. Well worth catching their act and here's how:

Performing at:
International Choral Exchange
with Los Angeles Children's Chorus
at Pasadena Presbyterian Church
July 21, 2009 @7pm
www.ppc.net
585 E Colorado Blvd
Pasadena, CA 91101-2036
(626) 793-2191

Tour Dates
July 9 - 23, 2009
www.voxaurea.org

Or Catch them on YouTube
http://www.youtube.com/user/VoxAureaFIN
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