The Women

The Women
a kate west review
written by Clare Boothe Luce
directed by Scott Elliott
at American Airlines Theatre
227 West 42nd Street, New York
running Tuesday-Saturday at 8 PM
Wednesday, Saturday, and Sunday at 2 PM.
contact Roundabout Theatre Company
(212) 719-1300


"The Women" is a story told in countless variations (several films, a play, a musical) and the latest version is now on Broadway. Originally written by Clare Booth Luce, the (sort of) updated "Women" stars Cynthia Nixon ("Sex and the City's" Miranda) as Mrs. Stephen Haines, the wronged woman whose husband wants to leave her for sexpot Crystal (Jennifer Tilly).

With a cast of popular female iconettes, from Jennifer Coolidge ("Legally Blonde", "American Pie") and Kristen Johnson ("3rd Rock from the Sun") to Rue McClanahan ("The Golden Girls"), this piece is meant to celebrate the power of women, but from the point of view of a different era. Haines is initially devastated by her husband's philandering, but she then empowers herself by winning him back instead of striking out on her own, as we might expect in this day and age.

So viewed in this light, forget modern self-fulfillment, just appreciate the characters as depicted, especially in their wildly fun Issac Mizrahi couture. The posh sets by Derek McLane delight as well. Not so much fun is Hallie Kate Eisenberg as Haines' daughter, smirking her way through her tedious scenes. The rest of the cast is fun though, especially seeing old gal Rue McClanahan breeze in to delighted applause. Jennifer Coolidge is amusing as the perpetually pregnant Edith as well.

All and all it's about as visually fun as the movie versions (especially Jennifer Tilly's fun bubble bath scene as the perkily evil Crystal). So don't go looking for über feminism here, just enjoy the frothy cattiness of decades of women. Back then women defined themselves by the men they were with, but we know better now. Right?

The 1930's Film:
The Women (Keepcase)

More Good 'ole Female Bonding:
Stage Door

Read more!

Scrubs

a kate west favorite







One of the more original and quirky comedy television shows (along the lines of the sadly missed "Arrested Development") is "Scrubs", the hilariously witty, yet goofy take on medical interns and residents. The first notably appealing thing about the show is the refreshing lack of a laugh track, from either a canned or studio audience. We can decide for ourselves whether we think it's funny or not (and trust me, it is hysterical).

Main character J.D. (Zach Braff) evolves from a bambiesque medical intern into a competent doctor as he daydreams and fantasizes his way throughout his career at Sacred Heart Hospital. We hear his internal monologue and see the world through his quirky viewpoint. The rest of the cast (Sarah Chalke, Donald Faison, Neil Flynn, Ken Jenkins, John C. McGinley and Judy Reyes) match his comedic flair, stride for stride. It's not all slapstick however. There are many poignant moments, some musical numbers and the occasional serious subject matter (especially regarding death). There is also love, lust, longing and hope and the cast seems to have a ball together. Likeable characters and life lessons abound, not to mention the directing and writing is quite clever and fun and miles above the usual routine sitcom fare.

Definietely addicting. Great use of music too (see below).


Created by
Bill Lawrence

Starring
Zach Braff
Sarah Chalke
Donald Faison
Neil Flynn
Ken Jenkins
John C. McGinley
Judy Reyes

Colin Hay's "Waiting for my Real Life to Begin"


Start collecting now:
Scrubs- Seasons 1-6 Read more!

Maus

Maus -
A Survivor's Tale
by Art Spiegelman
a kate west recommendation








Art Spiegelman's 1992 Pulitzer Prize winning graphic novel "Maus" covers his father Vladek's tragic history during the Holocaust. It's uniqueness lies not only in the fact that the Third Reich is depicted in cartoons, but also that everyone is represented as animals. The Jews are mice, the Germans are cats, the Americans are dogs, the French are frogs, the Swedes are reindeer, the British are fish and Gypsies are exotic moths. This device classifies everyone into a highly specific group, just as the Nazis saw them.

Vladek Spiegelman and his wife Anja lived in Poland with their son Richieu. When the Nazis began persecuting people, they sent their child to live with his Aunt Tosha in another Polish ghetto they deemed safer. Unfortunately, she did not feel the same way and poisoned herself and all of her charges, including poor Richieu. Art was born in New York and suffered from living up to the image of a dead brother, even to the point of staying in a mental hospital. When he was released, his mother committed suicide and his father remarried another Holocaust survivor, Mala. "Maus" was the perfect way to deal with these travesties, by simultaneously removing and retaining the human element. The depiction of animals meant they weren't like us, but the action and dialogue said otherwise.

It is a brilliantly poignant portrayal of World War II from the Jewish perspective and how it affects the survivors, even worlds away. Art's father was prejudiced against blacks, even though he was a victim of anti-semitism. Art married Françoise Mouly, a French artist, co-founding Raw Magazine with her (she is a mouse with a French scarf in the cartoon). Never one to back down from a fight, just like his father, Spiegelman spoke out about the recent war on Iraq and greatly lamented September 11 (see below). Vladek's new wife, Mala, suffers from his stubbornness and frugality, left over from the War. The fact that Vladek survived Auschwitz without going completely mad is testament to this resiliency. But he drives Art crazy. The depictions of both ordinary and camp life are truly extraordinarily detailed and the images will stay with you forever. Spiegelman's cutting humor makes it all the more real and accessible, and that much more frightening.

It's an excellent addition to any other historically acclaimed book on the subject. It also raises graphic novelization to a new level. Be sure to read both volumes:

Volume I: My Father Bleeds History
Volume II: And Here Comes Trouble Began



















(Spiegelman's New Yorker cover after the September 11 attacks,
right before he resigned in protest of media hypocrisy.)

The Works:
Maus I & II 2 Volumes Boxed Set Read more!

Life and Online Dating

a kate west reflection

You never know who's going to end up together. It's not something you have any business sorting out, either. Chemistry and timing play a part, as well as a general outlook on life, love and dating. Life is unexpected. And love can change. Who knew?

The year 2001 changed my entire life, in so many ways. September 11 happened and then the whole world changed, so what did my small life have to do with anything? Well, I still had to live it, when all was said and done. After our national shock, we all had to get back to living our lives. Comedians started being funny again and Hollywood celebrities came out of hiding. And I started online dating. And perceptions and perspectives got small again.

On to major trivialities. Can I work out my own insecurities, while still caring about the state of the planet? Like I said, I had to start living my life again and if the whole country could do it, so could I. It all ties in - for me, at least. O.K. so forgive me. Please. Moment of self-indulgence. But who knows, maybe we'll all learn something together.

Here's the thing about online dating. Profiles don't match. Guys, it's not your fault - I don't match my profile either. Everything on there is true, but you're right this moment building a fantasy in your head, which I just can't live up to - no one can. And I'm doing the same to you. Cyber reality isn't reality at all - it's what we want to have happen and then we're disappointed when it doesn't come true. So I've given up online dating. I know, I know, a lot of you married people you met online, but it's pretty unusual to meet someone perfect from a photo gallery of strangers. What are the odds? And if you've been out of circulation, for oh, say decades, the rules may have changed and it's kind of like starting out all over again. But straight from high school. And who wants to do that? Ugh. Better for real friendships to develop into something else. But who has the time for that in this day and age?

There must be a better way. So we join fun organizations and fitness clubs and try to stick with people we have something in common with. Maybe. The old fashioned way. It may take a longer, but it's a lot less stressful. And all of those how-to dating books don't really help either. It either happens or it doesn't. When we try to force nature, it backfires. Hence, global warming. And bad dates.

So back to the drawing board! And better perceptions and perspectives. And a more serious version of life. Like joining the Peace Corps. Anything to help others and get out of your own head at the same time. Because without a peaceful world, how can we find happiness with each other?

p.s. Firemen are still the best superheroes, in my book (and totally datable). We haven't forgotten you. Believe me. Peace.

www.peacecorps.gov/

MORE Magazine: www.more.com Read more!

Mandell

Mandell - An Artist
a kate west recommendation








Mandell is a true original, an artist who employs geometry and cubism in his work, while still evoking passionate dignity. His paintings are extraordinary, especially his series of jazz paintings that swirl human forms with exotic instruments in sophisticated backgrounds you can't keep your eyes off of.















A native of Detriot and originally a student of architecture, Mandell now resides in California and his work has been exhibited all over Los Angeles. Artistic influences include Juan Gris, Pablo Picasso, Marcel Duchamp and Fernande Leger. Fabulous.





www.mandellart.com



Read more!

The X-Files

The X-Files
a kate west favorite





"The X-Files" is my all time favorite show. I own every DVD and can watch any episode over and over. It's just one of those inexplicable cult phenomenon I guess, because the acting is pretty wooden, especially in the early shows, and the writing doesn't always make sense. But something about it - the sincerity of the creator maybe - touches the soul of a true sci-fi nerd. Although each season did get better and better, both in plot lines and acting - except for the final season (ninth) which was pretty much a viewer let down, so let's not even mention it.

David Duchovny and Gillian Anderson are F.B.I. Special Agents Fox Mulder and Dana Scully (pictured above). Mulder believes in the supernatural, and indeed has first hand knowledge of it in the weird cases he investigates. Initially hired to discredit Mulder, the scientific Scully comes to believe more and more in Mulder's take on things. Extraterrestrials, vampires, ghosts and demons are the norm in the world of the X-Files. Aided by solid Assistant Director Walter Skinner (Mitch Pileggi) and the rebellious Lone Gunmen, Melvin Frohike, John Byers and Ringo Langly (Tom Braidwood, Bruce Harwood and Dean Haglund), the steadfast duo try to solve the unsolvable.

Some cases remain a mystery and some answers are finally revealed, as the years wore on. There was even a feature film at one point ("X-Files - Fight the Future") that shed some light on certain back-stories. All in all, it was a pretty satisfactory run for X-fanatics and spanned multiple cult followings, not to mention enhancing many a sci-fi convention. I miss it from time to time, but all I have to do is pop in an episode and everything becomes clear.

"The truth is out there." Cue creepy theme music by Mark Snow.

Series Directed by:
Kim Manners (52 episodes, 1995-2002)
Rob Bowman (33 episodes, 1994-2000)
David Nutter (15 episodes, 1993-1995)
Ron Reedy (11 episodes, 1995-1996)
Chris Carter (10 episodes, 1994-2002)
R.W. Goodwin (9 episodes, 1994-1998)
Tony Wharmby (7 episodes, 2000-2002)
Michael W. Watkins (6 episodes, 1998-2000)
Daniel Sackheim (5 episodes, 1993-1999)
Michael Lange (4 episodes, 1994-1997)
Jim Charleston (4 episodes, 1996-1997)
Cliff Bole (4 episodes, 1997-2002)
William A. Graham (3 episodes, 1993-1998)
Peter Markle (3 episodes, 1997-2000)
David Duchovny (3 episodes, 1999-2002)
Thomas J. Wright (3 episodes, 1999-2000)
Rod Hardy (3 episodes, 2000-2001)
Jerrold Freedman (2 episodes, 1993-1994)
Joe Napolitano (2 episodes, 1993-1994)
Larry Shaw (2 episodes, 1993)
Tucker Gates (2 episodes, 1996-1997)
Vince Gilligan (2 episodes, 2000-2002)
Richard Compton (2 episodes, 2000-2001)
Frank Spotnitz (2 episodes, 2001)

Series Writing Credits:
Chris Carter (85 episodes, 1993-2002)
Frank Spotnitz (48 episodes, 1995-2002)
Vince Gilligan (30 episodes, 1995-2002)
John Shiban (24 episodes, 1995-2002)
Howard Gordon (20 episodes, 1993-1997)
Glen Morgan (15 episodes, 1993-1997)
James Wong (15 episodes, 1993-1997)
David Duchovny (8 episodes, 1995-2002)
David Amann (7 episodes, 1999-2002)
Alex Gansa (6 episodes, 1993-1995)
Darin Morgan (5 episodes, 1994-1996)
Jeffrey Bell (5 episodes, 1999-2001)
Steven Maeda (5 episodes, 2000-2002)
Greg Walker (3 episodes, 2000-2001)
Paul Brown (2 episodes, 1994)
Chris Ruppenthal (2 episodes, 1994)
Kim Newton (2 episodes, 1995-1996)
Jeff Vlaming (2 episodes, 1995-1996)
Sara B. Charno (2 episodes, 1995)
William Gibson (2 episodes, 1998-2000)
Tom Maddox (2 episodes, 1998-2000)
Tim Minear (2 episodes, 1998)
Daniel Arkin (2 episodes, 1999-2000)
Thomas Schnauz (2 episodes, 2001-2002)
Valerie Mayhew (1 episode, 1996)
Vivian Mayhew (1 episode, 1996)


Series Cast:
Gillian Anderson ... Dana Scully / ... (196 episodes, 1993-2002)
David Duchovny ... Fox Mulder (175 episodes, 1993-2002)

Mitch Pileggi ... Walter Skinner / ... (82 episodes, 1994-2002)
Robert Patrick ... John Doggett / ... (40 episodes, 2000-2002)
Tom Braidwood ... Melvin Frohike (39 episodes, 1994-2002)
William B. Davis ... CGB Spender / ... (37 episodes, 1993-2002)
Bruce Harwood ... John Fitzgerald Byers (36 episodes, 1994-2002)
Dean Haglund ... Richard 'Ringo' Langly / ... (35 episodes, 1994-2002)
Nicholas Lea ... Alex Krycek / ... (24 episodes, 1994-2002)
Annabeth Gish ... Monica Reyes / ... (23 episodes, 2001-2002)
James Pickens Jr. ... FBI Deputy Director Alvin Kersh / ... (19 episodes, 1998-2002)
Sheila Larken ... Margaret Scully (16 episodes, 1994-2002)
Don S. Williams ... Elder #1 / ... (14 episodes, 1995-1999)
Steven Williams ... Mr. X (14 episodes, 1994-2002)
Chris Owens ... FBI Special Agent Jeffrey Spender / ... (13 episodes, 1996-2002)
Jerry Hardin ... Deep Throat (11 episodes, 1993-1999)
Rebecca Toolan ... Mrs. Teena Mulder (10 episodes, 1995-2000)
Laurie Holden ... Marita Covarrubias (10 episodes, 1996-2002)
Arlene Warren ... Skinner's Assistant / ... (10 episodes, 1998-2002)
Brendan Beiser ... Agent Pendrell (9 episodes, 1995-1997)
Brian Thompson ... Alien Bounty Hunter (9 episodes, 1995-2000)
John Neville ... The Well-Manicured Man (8 episodes, 1995-1998)
Bill Dow ... Dr. Charles Burks / ... (8 episodes, 1993-2001)
John Moore ... Elder #3 / ... (8 episodes, 1995-1999)
James Riker ... Baby William / ... (8 episodes, 2001-2002)
Travis Riker ... Baby William / ... (8 episodes, 2001-2002)
Mimi Rogers ... Agent Diana Fowley (7 episodes, 1998-1999)
Peter Donat ... William Mulder (6 episodes, 1995-1999)
Morris Panych ... The Grey-Haired Man / ... (6 episodes, 1995-1997)
Cary Elwes ... FBI Assistant Director Brad Follmer (6 episodes, 2001-2002)

Start Now:
The X-Files - The Complete First Season (Slim Set) Read more!

The Weir

The Weir
a kate west review
by Conor McPherson
directed by Randall Arney
at The Geffen Playhouse
10886 Le Conte Avenue, Los Angeles 90024
running January 30 - March 18
Call (310) 208-5454

Set in rural Ireland, "The Weir" portrays five characters tangled up in each other's lives. The landscape is an integral part of Irish mythology and lore, matching everyone's emotions, which are as turbulent as a raging stream against a dam, or weir.

Inside a traditional Irish pub (nicely captured by Scene Designer Karyl Newman), five people tell ghost stories. There is no real plot except for a young woman moving to their small village from Dublin and everything revolves from there. Outside of the novelty of casting television's John Mahoney in the lead, it is a fairly innocuous piece. The rest of the cast (Ian Barford, Paul Vincent O'Connor, Francis Guinan and Lindsay Crouse) are more or less fine, as are the production values for the most part (such as Costumer Mary Quigly, etc.)

However, overall it is not all that memorable and Mahoney really pushes himself. Apparently used to a different medium for so long, he strains to fill the space, which can get grating. Perhaps this smaller play would to better in a less cavernous spot. Read more!

Buffy and Angel

BUFFY AND ANGEL
a kate west favorite

It's a tumultuous relationship and why wouldn't it be? A Vampire Slayer and a Vampire? They're natural enemies. In Joss Whedon's popular television shows, "Buffy the Vampire Slayer" and its spin-off "Angel", Buffy (Sarah Michelle Gellar) and Angel (David Boreanaz) find true love with each other but are destined not to hold on to it. And we get a lot of supernatural fun and magic throughout. Demons, witches, vampires and all sorts of dark beings inhabit these worlds and we enjoy it all the more through the sharp dialogue and imaginative perspective of Joss Whedon. Sci-fi fans can rejoice that Whedon cleverly expanded the original movie with Kristy Swanson into a fascinating successful television franchise.

One example is the BUFFY episode "Once More, with Feeling" - an entire mini-musical in which the characters are compelled to express their innermost thoughts through song and dance. Well, that's what happens when you accidentally summon a musical demon. It has since become a cult phenomenon and often performed in local theaters throughout the country.

In both shows, many of the main characters come into their own, like the adorable Willow the witch (Alyson Hannigan) in BUFFY and the adorable Winifred Burkle (Amy Acker) in ANGEL. By far, the most remarkable transformation is that of Cordelia Chase (Charisma Carpenter), who starts out as a spoiled rich high schooler in BUFFY and becomes an impressive, fearless and strong-hearted warrior in ANGEL. Great writing. ANGEL is BUFFY Part Two and quite a dignified sequel and natural character progression. Be warned though, Whedon is not afraid to kill off favorite characters and defy expectations in either show. The real fun is in the way he humanizes the inhuman. Every character has depth no matter what dimension he/she comes from. (Oh and the men? Just keep getting sexier and sexier every season. I'm looking at you British, undead especially ....)

And it's so realistic. Not the monster bit, no. But the character bit. In fact, William Goldman, award-winning screenwriter, said it best when he claimed "Bambi" was more realistic than "Deer Hunter" because in one movie the mother died and in the other there was all this coincidence about Russian Roulette. So which one was more true to life? The same can be said for our Vampire Slayers being more real than Carrie, Charlotte, Miranda and Samantha in "Sex and the City". Who lives that kind of lifestyle? Michael Patrick King addressed relationships sure, but spent much less time on the everywoman. Miranda was the only character who dealt with an obvious parent, for instance, and how many single women never have to explain themselves to their mothers on a weekly basis? In BUFFY/ANGEL, the characters have deep family histories and complex growth patterns.

But really, the best way to explain these shows is for you to see for yourself. Best part is, if you can't buy/rent, you can see the rerun cycles on TNT and FX, over and over. Enjoy!

BUFFY
Series Directed by
Joss Whedon (22 episodes, 1997-2003)
James A. Contner (20 episodes, 1998-2003)
David Solomon (19 episodes, 1997-2003)
David Grossman (13 episodes, 1999-2003)
Michael Gershman (10 episodes, 1998-2003)
Bruce Seth Green (8 episodes, 1997-1998)
Nick Marck (7 episodes, 1999-2002)
James Whitmore Jr. (5 episodes, 1998-1999)
David Greenwalt (4 episodes, 1997-1998)
David Semel (4 episodes, 1997-1998)
Michael Lange (4 episodes, 1998-1999)
Douglas Petrie (3 episodes, 2001-2003)
John T. Kretchmer (2 episodes, 1997)
Ellen S. Pressman (2 episodes, 1997)
Daniel Attias (2 episodes, 2000-2001)
Marti Noxon (2 episodes, 2000-2001)
David Fury (2 episodes, 2002-2003)
Rick Rosenthal (2 episodes, 2002)
Marita Grabiak (2 episodes, 2003)

Series Writing credits
Joss Whedon (145 episodes, 1997-2003)
Marti Noxon (25 episodes, 1997-2003)
Jane Espenson (23 episodes, 1998-2003)
David Fury (17 episodes, 1998-2003)
Douglas Petrie (17 episodes, 1998-2003)
David Greenwalt (8 episodes, 1997-1998)
Rebecca Kirshner (8 episodes, 2000-2003)
Drew Z. Greenberg (6 episodes, 2001-2003)
Dean Batali (5 episodes, 1997-1998)
Rob Des Hotel (5 episodes, 1997-1998)
Steven S. DeKnight (5 episodes, 2001-2002)
Drew Goddard (5 episodes, 2002-2003)
Tracey Forbes (3 episodes, 1999-2000)
David Tyron King (2 episodes, 1997-1998)
Ashley Gable (2 episodes, 1997)
Matt Kiene (2 episodes, 1997)
Joe Reinkemeyer (2 episodes, 1997)
Thomas A. Swyden (2 episodes, 1997)
Dan Vebber (2 episodes, 1998-1999)

Series Cast

Sarah Michelle Gellar ... Buffy Summers / ... (145 episodes, 1997-2003)
Nicholas Brendon ... Xander Harris (145 episodes, 1997-2003)
Alyson Hannigan ... Willow Rosenberg / ... (144 episodes, 1997-2003)
Anthony Head ... Rupert Giles (122 episodes, 1997-2003)
James Marsters ... Spike (97 episodes, 1997-2003)
Emma Caulfield ... Anya / ... (85 episodes, 1998-2003)
Michelle Trachtenberg ... Dawn Summers (66 episodes, 2000-2003)
Kristine Sutherland ... Joyce Summers (58 episodes, 1997-2002)
Charisma Carpenter ... Cordelia Chase (57 episodes, 1997-1999)
David Boreanaz ... Angel / ... (57 episodes, 1997-2003)
Amber Benson ... Tara Maclay (46 episodes, 1999-2002)
Seth Green ... Oz (40 episodes, 1997-2000)
Marc Blucas ... Riley Finn (31 episodes, 1999-2002)
Danny Strong ... Jonathan Levinson (29 episodes, 1997-2003)
Tom Lenk ... Andrew Wells / ... (27 episodes, 2000-2003)
Eliza Dushku ... Faith / ... (20 episodes, 1998-2003)
Armin Shimerman ... Principal Snyder (19 episodes, 1997-2000)
Juliet Landau ... Drusilla (17 episodes, 1997-2003)
Mercedes McNab ... Harmony Kendall (16 episodes, 1997-2001)
Adam Busch ... Warren Meers (16 episodes, 2001-2003)
Robia LaMorte ... Jenny Calendar (14 episodes, 1997-1998)
Charlie Weber ... Ben (14 episodes, 2000-2001)
Harry Groener ... Mayor Richard Wilkins (14 episodes, 1998-2003)
D.B. Woodside ... Principal Robin Wood (14 episodes, 2002-2003)
Clare Kramer ... Glory (13 episodes, 2000-2002)
Bailey Chase ... Graham Miller (13 episodes, 1999-2000)
Iyari Limon ... Kennedy (13 episodes, 2002-2003)
Leonard Roberts ... Forrest Gates (12 episodes, 1999-2000)
Sarah Hagan ... Amanda (10 episodes, 2002-2003)
Alexis Denisof ... Wesley Wyndam-Pryce (9 episodes, 1999)

ANGEL:
Series Directed by
James A. Contner (13 episodes, 1999-2004)
Joss Whedon (7 episodes, 1999-2004)
David Greenwalt (7 episodes, 2000-2004)
Tim Minear (7 episodes, 2000-2003)
Bill L. Norton (6 episodes, 2001-2003)
Terrence O'Hara (6 episodes, 2002-2004)
Skip Schoolnik (5 episodes, 2001-2004)
Marita Grabiak (5 episodes, 2001-2003)
Vern Gillum (4 episodes, 1999-2004)
David Grossman (4 episodes, 1999-2002)
Michael Grossman (4 episodes, 2001-2003)
Frederick King Keller (4 episodes, 2001)
Jefferson Kibbee (4 episodes, 2003-2004)
David Straiton (3 episodes, 1999-2003)
Bruce Seth Green (3 episodes, 1999-2000)
Turi Meyer (3 episodes, 2001-2002)
Jeffrey Bell (3 episodes, 2003-2004)
Steven S. DeKnight (3 episodes, 2003-2004)
Scott McGinnis (2 episodes, 1999-2001)
R.D. Price (2 episodes, 2000-2001)
Thomas J. Wright (2 episodes, 2000-2001)
Michael Lange (2 episodes, 2000)
David Semel (2 episodes, 2000)

Series Writing credits
David Greenwalt (111 episodes, 1999-2004)
Joss Whedon (111 episodes, 1999-2004)
Tim Minear (18 episodes, 1999-2003)
Jeffrey Bell (13 episodes, 2001-2004)
David Fury (12 episodes, 1999-2004)
Steven S. DeKnight (12 episodes, 2002-2004)
Mere Smith (11 episodes, 2000-2003)
Elizabeth Craft (8 episodes, 2002-2004)
Sarah Fain (8 episodes, 2002-2004)
Shawn Ryan (5 episodes, 2000-2001)
Ben Edlund (5 episodes, 2003-2004)
Drew Goddard (5 episodes, 2003-2004)
Jeannine Renshaw (4 episodes, 1999-2000)
Howard Gordon (3 episodes, 1999-2000)
Jim Kouf (3 episodes, 2000-2001)
Jane Espenson (2 episodes, 1999-2000)
Douglas Petrie (2 episodes, 1999-2000)
Tracey Stern (2 episodes, 1999-2000)
David H. Goodman (2 episodes, 2001-2002)
Scott Murphy (2 episodes, 2001-2002)

Series Cast

David Boreanaz ... Angel / ... (111 episodes, 1999-2004)
Alexis Denisof ... Wesley Wyndam-Pryce (101 episodes, 1999-2004)
J. August Richards ... Charles Gunn (91 episodes, 2000-2004)
Charisma Carpenter ... Cordelia Chase (90 episodes, 1999-2004)
Andy Hallett ... Lorne (76 episodes, 2000-2004)
Amy Acker ... Winifred 'Fred' Burkle / ... (70 episodes, 2001-2004)
Stephanie Romanov ... Lilah Morgan (35 episodes, 2000-2003)
Vincent Kartheiser ... Connor (28 episodes, 2002-2004)
James Marsters ... Spike (24 episodes, 1999-2004)
Christian Kane ... Lindsey McDonald (21 episodes, 1999-2004)
Julie Benz ... Darla (20 episodes, 2000-2004)
Mercedes McNab ... Harmony Kendall (18 episodes, 2001-2004)
Elisabeth Röhm ... Detective Kate Lockley (15 episodes, 1999-2001)
Daniel Dae Kim ... Gavin Park (12 episodes, 2001-2003)
Glenn Quinn ... Allen Doyle (11 episodes, 1999)
Keith Szarabajka ... Daniel Holtz (11 episodes, 2001-2002)
Sarah Thompson ... Eve (10 episodes, 2003-2004)
Mark Lutz ... The Groosalugg (9 episodes, 2001-2002)
Laurel Holloman ... Justine Cooper (8 episodes, 2001-2002)
Jack Conley ... Sahjhan (8 episodes, 2001-2004)
Vladimir Kulich ... The Beast (8 episodes, 2002-2003)
Sam Anderson ... Holland Manners (8 episodes, 2000-2001)
Jonathan M. Woodward ... Knox (7 episodes, 2003-2004)
Juliet Landau ... Drusilla (7 episodes, 2000-2004)
John Rubinstein ... Linwood Murrow (6 episodes, 2001-2002)
Eliza Dushku ... Faith (6 episodes, 2000-2003)
Matthew James ... Merl (6 episodes, 2000-2001)
Gina Torres ... Jasmine (5 episodes, 2003)
Adam Baldwin ... Marcus Hamilton (5 episodes, 2004)
Thomas Burr ... Lee Mercer (4 episodes, 1999-2000)
David Denman ... Skip (4 episodes, 2001-2003)
Jennifer Griffin ... Trish Burkle (4 episodes, 2001-2004)
Brigid Brannagh ... Virginia Bryce (4 episodes, 2000-2001)
Carey Cannon ... Female Oracle (3 episodes, 1999-2000)
Randall Slavin ... Male Oracle (3 episodes, 1999-2000)
Alexa Davalos ... Gwen Raiden (3 episodes, 2002-2003)
Sven Holmberg ... Delivery Guy / ... (3 episodes, 2000-2002)
Sarah Michelle Gellar ... Buffy Summers (3 episodes, 1999-2000)
David Herman ... David Nabbit (3 episodes, 2000)
Gary Grubbs ... Roger Burkle (3 episodes, 2001-2004)
Jarrod Crawford ... Rondell (3 episodes, 2001)
Ryan Alvarez ... Demon Slave (3 episodes, 2003-2004)
T.J. Thyne ... Lawyer / ... (3 episodes, 2003-2004)
Mark Colson ... Izzy (3 episodes, 2004)
David Fury ... First Worshipper / ... (3 episodes, 2001-2004)
Julia Lee ... Anne Steele (3 episodes, 2001-2004)
Alyson Hannigan ... Willow Rosenberg (3 episodes, 2001-2003)
Gerry Becker ... Nathan Reed (3 episodes, 2001)
Jackson Bolt ... Pylea Demon / ... (3 episodes, 2001)


Find Both at:
Buffy the Vampire Slayer - The Complete First Season

Angel - Season One (Slim Set)

The Original Musical:
Buffy the Vampire Slayer - Once More, with Feeling

More Whedon (and vastly underrated show):
Firefly - The Complete Series

The Next Obsession:
Lost - The Complete First Season Read more!

The Thomas Crown Affair

The Thomas Crown Affair
a kate west favorite






Top action Director John McTiernan remade the 1968 Norman Jewison film, (originally starring Steve McQueen and Faye Dunaway), with Pierce Brosnan and Rene Russo in 1999. Suavely directed, suave Thomas Crown (Brosnan) suavely steals famous pieces of art straight from museums (unlike the bank robbing original character) and suavely romances Insurance Investigator Catherine Banning (Russo). Dennis Leary is the not so suave Detective in charge of catching billionaire Crown who obviously doesn't need to steal; he just does it for the fun of it. Banning is completely captivated by Crown, matching his style and witticism, stride for stride.

Brosnan and Russo are great together and how the movie compares to its predecessor is almost irrelevant, as it stands fully on its own in style. Sure it has flaws (unfortunate weak ending as well as a few minor plot "surprises"), but it is so smoothly directed, that it's entertainment value is well worth it. Plus, sultry singer Nina Simone provides a great rendition of "Sinnerman" in a cleverly executed and deftly choreographed final museum scene in which the dapper Thomas Crown eludes capture. Oh, and an added bonus: featured paintings by Monet, Renoir and Magritte. Scrumptious.

Directed by
John McTiernan

Produced by
Michael Tadross
Pierce Brosnan
Beau St. Clair

Written by
Alan Trustman
Leslie Dixon
Kurt Wimmer

Starring
Pierce Brosnan (Thomas Crown)
Rene Russo (Catherine Banning)
Denis Leary (Michael McCann)
Faye Dunaway (Psychiatrist)
Fritz Weaver (John Reynolds)
Frankie Faison (Detective Paretti)
Ben Gazzara (Andrew Wallace)
Mark Margolis (Heinrich Knutzhorn)
Esther Cañadas (Anna Knutzhorn)

Music by
Bill Conti

Cinematography by
Tom Priestly

DVD:
The Thomas Crown Affair

Soundtrack:
The Thomas Crown Affair: Music From The MGM Motion Picture

Classic Steve McQueen:
The Steve McQueen Collection (The Great Escape / Junior Bonner / The Magnificent Seven / The Thomas Crown Affair) Read more!

Lonesome Dove

Lonesome Dove
by Larry McMurty
a kate west favorite














"Lonesome Dove" is a good old-fashioned heartfelt western. Larry McMurty is well known for this series of amazingly endearing books recounting tales of Cowboys and Texas Rangers like Augustus McCrae and W. F. Call. Impossibly ornery, yet fiercely loyal to each other, the two of them drive a cattle herd all the way from Texas up to Montana. Of course there's a lot of trouble on the way, and heartache too.

Stereotypes abound in this virile masculine world, including Lorena, the whore with a heart of gold, the renegade Native American Blue Duck, the illegitimate son Newt, the earnestly stalwart ranch woman Clara and lots of simple-minded cowboys. And it all works quite well. The characters are strongly believable and you care deeply about each of them, hoping they find the right path, though many of them do not. Regardless, they are all profoundly human and you will want to read every book you can regarding their heroically flawed exploits.

Oh and there is also a television mini series starring Robert Duvall (Gus), Tommy Lee Jones (Call), Danny Glover (Deets), Anjelica Huston (Clara), Diane Lane (Lorena), Rick Schroder (Newt), Frederic Forrest (Blue Duck), Robert Ulrich (Jake), Chris Cooper (July Johnson), D.B. Sweeney (Dish) and Glenne Headly (Elmira). It's not the Pulitzer Prize winning book, but it's fairly good television, so by all means, check it out. But please read the extraordinary novels first - you won't be able to put any of them down.

Are those retro Time Life Old West books still in print?

Read It:
Lonesome Dove

See It:
Lonesome Dove Read more!

Galaxy Quest

Galaxy Quest
(a love letter to Sci-Fi fans and Trekkies everywhere)
a kate west recommendation






"Galaxy Quest" is a fictional science-fiction television show supposedly running from 1978-1982, wildly popular with fans and in fact resulted in creating a whole conventional cult world which the current over-the-hill actors attend religiously. Sound familiar? Yes, they're parodying the classic Mothership science-fiction show of them all, "Star Trek". "Galaxy Quest" the movie is the story of these brave actors confronted with real life aliens in real life troubles and they all have to rise above their own egos and help to save the world. For real.

Tim Allen is the actor Jason Nesmith who plays Captain Taggart of the NSEA Protector (as in NOT the Starship Enterprise). He loves being the center of attention and loves being the ruler of every sci-fi convention. The rest of the cast barely tolerate his William- Shatner-like ego, although at heart he's really a good guy. Shaking him out of his up-and-down moodiness with his career are the Thermians, aliens from another galaxy who've apparently been picking up broadcasts of the television show and interpreting them as historical documents. They've actually adopted them as the founding basis of their own society, living by the moral standards of conduct learned in the show (hmmm, sounds like a "Star Trek" episode).

Eventually, the entire crew ends up in space trying to save their new friends from the fierce enemy Sarris (Robin Sachs) demanding they turn over a weapon called the Omega 13 (similar to the "Star Trek Wrath of Kahn" mysterious find). Among the many other Star Trek similarities are food synthesizers instead of replicators and digital conveyors instead of transporters. Communicators flip down instead of up, etc. Although it is marketed as a parody, it maintains the humanity and charm of the older shows. Hard core fans will love the obvious character shout-outs.

Discovering their true selves for the first time, the actors fight real battles and come to appreciate each other in the process. Gwen DeMarco who plays Tawny Madison (Sigourney Weaver) tosses her blond hair, repeats the computer and admits her love for Jason. Shakespearean actor Alexander Dane laments his stereotypical coldly intellectual alien Dr. Lazarus (Alan Rickman), but embraces him in the end (Nimoy's Spock, anyone?) The always brilliant Tony Shalhoub plays Fred Kwan as Tech Sargeant Chen and Sam Rockwell is the unnamed crewman number six, in danger of being one of the infamous red shirt crew members always getting killed on away missions. Daryl Mitchell is funny as Tommy Weber trying to live up to his child character Laredo. The aliens are ultra sympathetic and are the ones who teach true humanity to the crew, from the fearless leader Mathesar (Enrico Colantoni) to Patrick Breen's wide-eyed Quellek, inspired by Dr. Lazaras. Justin Long helps them save the day as the devoted fan Brandon who understands the show much better than any of the actual actors.

It's so much fun to see these "older" actors goofing it up and looking like they're having the time of their lives in a hilarious riff on a beloved franchise. And it is a most endearing homage to loyal fans, who know the show backwards and forwards, so much better than anyone actually ON the show. Now that's a success. Good writing, good comedy and good camaraderie makes for an endearing flick you'll want to watch many times, especially when you need a good laugh. Gene Roddenberry would be right proud.


Directed by:
Dean Parisot

Writing Credits:
David Howard (story)
David Howard (screenplay)
Robert Gordon (screenplay)

Cast:
Tim Allen ... Jason Nesmith (Captain Peter Quincy Taggart)
Sigourney Weaver ... Gwen DeMarco (Lt. Tawny Madison)
Alan Rickman ... Alexander Dane (Dr. Lazarus)
Tony Shalhoub ... Fred Kwan (Tech Sargeant Chen)
Sam Rockwell ... Guy Fleegman (Crewman #6)
Daryl Mitchell ... Tommy Webber (Lieutenant Laredo)
Enrico Colantoni ... Mathesar
Robin Sachs ... Sarris
Patrick Breen ... Quellek
Missi Pyle ... Laliari
Jed Rees ... Teb
Rainn Wilson ... Lahnk
Justin Long ... Brandon
Jeremy Howard ... Kyle
Kaitlin Cullum ... Katelyn
Jonathan Feyer ... Hollister
Corbin Bleu ... Young Tommy
Heidi Swedberg ... Brandon's Mother

Watch It Now:
Galaxy Quest Read more!

The Shipping News

The Shipping News
by Annie Proulx
a kate west favorite










"The Shipping News" by Annie Proulx is an incredible life-affirming novel. Full of nautical terms and rope tying, each chapter is another richly symbolic knot in the lives of the weathered and dimensional characters. Despite darkness and sometimes even death, there is an end light for most of them, leading them into calm serenity. And it all starts with a man named Quoyle.

Born in Brooklyn of humble origins, Quoyle surprises himself by finding his way back to his family's roots in Newfoundland with his old aunt, two kids and a dog. A great, bumbling oaf of a man, he somehow stumbles into newspaper writing, marries a tiny woman named Petal Bear who gives him a child named Bunny and another named Sunshine, who then tries to take them from him but then dies tragically. The remaining family ultimately finds their own way and finally a true home. Quoyle gets a job reporting on the local shipping news for a local rag called The Gammy Bird, meets a mysterious tall woman named Wavey and even learns how to swim. Steering that life course, they all learn about the land, about the people and about each other.

It is beautifully written and quite poetic. And you'll most likely want to visit the ocean right away. The Hollywood movie directed by Lasse Hallstrom and starring Kevin Spacey, Julianne Moore, Scott Glenn and Cate Blanchet isn't bad, but not at all at the level of the book, so you might not want to bother. Stick with the Pulitzer Prize winning novel and it will satisfy your need for a little lyricism in your life.

Read It:
The Shipping News Read more!

Matthew Bourne's Swan Lake

Swan Lake
Adventures in Motion Pictures
a kate west favorite
music by Pytor Ilyich Tchaikovsky
directed and choreographed by
Matthew Bourne
Tour: www.swanlaketour.com

Matthew Bourne has a great eye for cinema, which is one reason his production company is called Adventures in Motion Pictures. Primarily a brilliant Choreographer, he sees dance as bodies in motion, visualizing the stage in a big picture way. As a result, his productions are luscious feats for the eye and passionate elixirs for the soul. "Swan Lake" is his third and best ballet to date, and by far his most popular.

Deviating from the lovely but tried-and-true productions like the classic Petipa and Ivanov version, Bourne contemporizes famed Russian composer Tchaikovsky's epic vision. Instead of a young girl, he casts a young prince, aching to follow his dreams and escape tedious royal life. The biggest and perhaps most controversial change is that the swans are all strong and fierce men, rather than delicate, slender women. Adam Cooper is the magnificent lead swan, who seduces both versions of the Prince (Andrew Walkinshaw as the younger, and Scott Ambler as the older). Fiona Chadwick is the icy, sterile Queen, taking any lover she can and oppressing her wayward son. Many claim that Bourne's productions have a specifically gay artistic perspective and while it is true that the male presence is quite strong, especially in "Swan", it works. It's an aesthetic choice that still conveys the universality of passion and truth.

Along with the richly beautiful and sublime musical score, this production offers beautiful and sublime dance. The sets and costumes are modern bliss and the characters cavort as paparazzi, Soho club members, East End gangsters and even cold and heartless doctors and nurses. The dancers are all consummate professionals, of course.



Your imagination will be profoundly touched and you won't want it to be over. It's one of the very few original productions that truly deserves a standing ovation. If you missed it in Los Angeles, you can still try and catch the tour or at the very least check out the DVD of the acclaimed production (winner of the Olivier Award).

Also recommended: Bourne's "Cinderella", "Nutcracker!" and "Edward Scissorhands". You can skip "Carman" (Bourne's auto mechanical take on Bizet's "Carmen").

See It Now:
Tchaikovsky - Swan Lake (Matthew Bourne) Read more!

Toy Stories

Toy Story I & II
a kate west favorite

Once Upon A Time, Pixar and Walt Disney were good friends. And now they're not. But back when they were, they sure made some beautiful magic together - mainly the two "Toy Story" movies. John Lasseter, head honcho at Pixar, put himself on the map of fame forever with those computer animated films.

Woody (Tom Hanks) is a toy cowboy, in charge of a loyal roomful of toys. His reign is threatened when a brand new toy arrives, Buzz Lightyear (Tim Allen), an astronaut, the updated modern hero replacing outdated cowboys. The magic of these films is in the computer effects, certainly, but more importantly, in the poignant depth of character organically written into the story. Woody learns about leadership when Buzz threatens to take over and this challenge ultimately makes him a better person (or toy) and we all need that nemesis to wake us up a little. Buzz too learns about himself and how to be a part of a real community. The sight gags are hilarious and each character contributes something important and we love them all.

Ditto with "Toy Story 2", a real accomplishment in a sequel. This story adds Jessie, a vintage cowgirl doll, who has yet another lesson in self worth for Woody. He's a collectible and worth money too. It still speaks to childhood and friendship, as well as offering a more sophisticated story for adults, the humor appealing to young and old alike. Yet another triumph for Pixar. And of course, the voice talents of Tom Hanks, Tim Allen, Joan Cusack, John Ratzenberger, Kelsey Grammer, Don Rickles and many more are a divine delight.

Well worth renting, or better yet, adding to your home collection, speaking of collectibles. And the best part is these toys aren't lead-based or made in China.

Toy Story:
Directed by
John Lasseter

Writing Credits
John Lasseter (story)
Pete Docter (story)
Andrew Stanton (story)
Joe Ranft (story)
Joss Whedon (screenplay)
Andrew Stanton (screenplay)
Joel Cohen (screenplay)
Alec Sokolow (screenplay)

Cast
Tom Hanks ... Woody (voice)
Tim Allen ... Buzz Lightyear (voice)
Don Rickles ... Mr. Potato Head (voice)
Jim Varney ... Slinky Dog (voice)
Wallace Shawn ... Rex (voice)
John Ratzenberger ... Hamm (voice)
Annie Potts ... Bo Peep (voice)
John Morris ... Andy (voice)
Erik von Detten ... Sid (voice)
Laurie Metcalf ... Andy's Mom (voice)
R. Lee Ermey ... Sergeant (voice)
Sarah Freeman ... Hannah (voice)

Toy Story 2:
Directed by
John Lasseter
Ash Brannon (co-director)
Lee Unkrich (co-director)

Writing Credits
John Lasseter (story)
Pete Docter (story)
Ash Brannon (story)
Andrew Stanton (story)
Andrew Stanton (screenplay)
Rita Hsiao (screenplay)
Doug Chamberlain (screenplay)
Chris Webb (screenplay)

Cast
Tom Hanks ... Woody (voice)
Tim Allen ... Buzz Lightyear (voice)
Joan Cusack ... Jessie, the Yodeling Cowgirl (voice)
Kelsey Grammer ... Stinky Pete the Prospector (voice)
Don Rickles ... Mr. Potato Head (voice)
Jim Varney ... Slinky Dog (voice)
Wallace Shawn ... Rex the Green Dinosaur (voice)
John Ratzenberger ... Hamm the Piggy Bank (voice)
Annie Potts ... Bo Peep (voice)
Wayne Knight ... Al the Toy Collector (voice)
John Morris ... Andy (voice)
Laurie Metcalf ... Andy's Mom (voice)
Estelle Harris ... Mrs. Potato Head (voice)
Jodi Benson ... Tour Guide Barbie / Barbie on Backpack (voice)
Joe Ranft ... Wheezy the Penguin (voice)
Andrew Stanton ... Evil Emperor Zurg (voice)
R. Lee Ermey ... Army Sarge (voice)
Jonathan Harris ... Geri the Cleaner (voice)
Jeff Pidgeon ... Green Aliens (voice)

The Set:
Toy Story & Toy Story 2 (2 Pack)

More Fun Pixar:

Monsters, Inc. (Two-Disc Collector's Edition)

Finding Nemo (Two-Disc Collector's Edition)

The Incredibles (Two-Disc Collector's Edition)

Most Recent Best:
Ratatouille Read more!

Clueless

a kate west favorite








Clueless is a delightfully perfect modern adaptation of Jane Austen's "Emma". Alicia Silverstone is Cher (yes, after the pop singer icon), a sweet spacey high schooler who loves to play matchmaker, just like the classic character Emma. Her latest project is Tai (a young Brittany Murphy), whose clueless fashion begs for a makeover and Cher is only too happy to oblige. Besides setting up teachers with each other and gaining some homework-free days for everyone, she spreads joy by being helpful, despite her sometimes-clumsy meddlesome approach. She does mature in the course of the film of course, and learns to be truly unselfish. She is then rewarded with a love of her own. Aw.

Director/Writer Amy Heckerling created a fun flick, and a pretty brilliantly current and accessible way to bring Jane Austen to the masses. The characters are, for the most part, fairly harmless and often charming. The dialogue is upbeat and trendy, yet still holds its own years later upon repeated viewings. Also, it may inspire you to read the original, which is more than our favorite John Hughes movies accomplished. Hopefully.


Directed by:
Amy Heckerling

Written by:
Amy Heckerling

Cast:
Alicia Silverstone ... Cher Horowitz
Stacey Dash ... Dionne
Brittany Murphy ... Tai
Paul Rudd ... Josh
Donald Faison ... Murray
Elisa Donovan ... Amber
Breckin Meyer ... Travis
Jeremy Sisto ... Elton
Dan Hedaya ... Mel Horowitz
Wallace Shawn ... Mr. Wendell Hall
Twink Caplan ... Miss Toby Geist
Justin Walker ... Christian

For whatever reason, "Clueless" is currently unavailable on Amazon, but you can re-read Austen (below).

Austen's Works:
The Complete Novels of Jane Austen (Wordsworth Special Editions) (Special Editions)

My Generation of Teens:
Brat Pack Collection (The Breakfast Club/ Sixteen Candles/ Weird Science) Read more!

Fiddles and Violins

a kate west reflection






Not many people know this, but I used to play the violin. For almost two decades. I started as a child with the Suzuki method (or "Talent Education"), which is like an immersion technique, enabling children to learn by rote. The theory behind it is that if young children can acquire language skills so easily, they can do the same with musical languages and become proficient on a musical instrument. Critics say that brute memorization (also classic preparation for Spelling Bees) isn't really learning, it's just reciting. But I digress.

The real musical challenge came when I moved from Kentucky to California and had to find a new violin instructor. I don't know where my parents found him, but I started with a cranky old Russian master, Aaron Sten (founder of the California Youth Symphony and the Peninsula Symphony Orchestra). He's passed away now (February 27, 1994 at age 77), but back in the day he was a formidably impatient teacher. He taught passion and demanded perfection and gave me incredibly difficult pieces to try, all the while disparaging my previous training. Unfortunately, I wasn't made to be a virtuoso, but at least I learned about discipline, gained a deep respect for classical artistry and started to attend more symphonic concerts. To this day, I don't clap between movements. I also learned how to read music, which helped me in my singing.

So even though I'm sure my mother is still disappointed not to see me in Carnegie Hall, I feel like I experienced something profound and will never forget Mr. Sten. He was a great teacher, even when screaming at me, because it came from a place of true wisdom. Thank you, Maestro. Oh and in case you were wondering, a fiddle is a violin and a violin is a fiddle. The only difference is the location.

"Spontaneous joy in music, in performing or listening, comes naturally to the young, and it is a privilege to feel its spark". - Aaron Sten Read more!

The Diary of Anne Frank

The Diary of Anne Frank
directed by Judith Dresch
review by Janice Riese, Los Altos Town Crier
at the Manhattan Playhouse, East Palo Alto, CA
through December 1992

Manhattan Playhouse in Palo Alto is presenting "The Diary of Anne Frank," the moving story of a Jewish family forced into hiding in Amsterdam during the Nazi occupation. The time frame is from July 1942 through August 1944 with updated scenes in November 1945 opening and closing the play.

Playwrights Frances Goodrich and Albert Hackett have adapted the diary left by Frank into a two-act play that became a Broadway hit in the 1950's.

Director Judith Dresch has transformed the theater into an upstairs loft over Mr. Frank's Herb and Spice store. Here, the four Franks (Father, Mother, Margot and Anne), the Van Daans and their son Peter and a Jewish dentist, Mr. Dussel, are to spend the next two years, crowded together, constantly in fear and with never enough food.

Two Dutch people, Miep Gies (Anita Khalat Bari) and Mr. Kraler (Mark Solomon), are their messengers from the outside world, placing themselves in grave danger if they should ever be caught harboring Jews.

The pivotal role is, of course, that of Anne, 15 when we first meet her and 17 when she is forced from the safety of the attic by the Nazi soldiers. She writes in her diary every day, and her reading of what she writes carries the action along.

Natalie Skelton is extremely good as Anne, changing from the outspoken, noisy, not too likable child (she was called "quack-quack" in school) to a quieter, more understanding and quite grown-up young lady. Her diction is excellent, her delivery clear and precise. It is Anne who never gives up hope and keeps the rest going in spite of hardship.

Mr. Frank, warm and sensible, is excellently portrayed by Jack Weissman. Annette Boyenga is the sympathetic wife and mother who loves her family (but does not understand Anne, according to Anne). The role of Margot, the quiet one, always doing what her mother tells her, is well-handled by Amber Land.

William F. Morrison is a loud and thoroughly unlikable Mr. Van Daan; Joanne Eagle is good as the vain but frightened Mrs. Van Daan, Ryan Noto's Peter is sullen and withdrawn at first, but he, too, changes with the months, learning to understand and love Anne and to accept himself as a worthy person.

Dresch has done a sensitive job of directing (she is also general "overseer" of the whole production). This is not an easy play to watch as it brings back the horrors of the holocaust, a time of terror and suffering.

Review by Janice Riese, Los Altos Town Crier Read more!

An Anonymous Review

The Diary of Anne Frank
an anonymous review from a theater patron
directed by Judith Dresch
at The Manhattan Playhouse, East Palo Alto, CA
through December 5, 1992

I attended the opening on Friday, 11/13.

Technically, the production was a shambles. The lighting was poor, the flats were flimsy and noise from "backstage" was clumsily audible. The scene changes took forever, leaving a perplexed audience sitting in the dark, hearing nothing but the sound of stagehands moving props. Several times the lights prematurely came up to reveal stagehands still onstage, awkwardly clunking about, then hysterically fleeing the stage as the lights shone on them.

The acting was horrendous. Various castmembers were blatantly struggling to remember their lines. Their speech lacked rhythm, tempo and volume. Movement was clumsy; I didn't know whether to blame the blocking or the actors for their inept actions, which for the most part lacked motivation and energy. There was no authentic interaction between actors; it was as if everyone were acting in separate plays, indulging in a series of monologues. It wasn't clear to me at all what anyone was feeling at each moment. The lines in the script were easily interpreted to mean something, however the action often went against the grain and blemished the text. There was no subtext provided by the actors; they merely followed directions and robotic ally indicated what they were supposed to be feeling. To say that the actors lacked presence in this production is an understatement.

Clearly, there were some rough parts that could be ironed out with more rehearsal. But some of the faults were inexcusable. When I'm sitting in a full house and I notice that most everyone is yawning and anxiously shifting in their seats, I can't help but suspect that I'm not the only one who's bored. I hold Manhattan Playhouse liable for this theatrical dud because they've managed to reduce this wonderful play about a heroic girl and about the hardships and beauty of community during (in spite of) war, into an emotionally barren wax museum. Rather than feeling enriched following the show, all I noticed was that I had $10 less in my wallet.

The only one who truly showed any life was Natalie Skelton (Anne Frank). She was fabulous. But she was so alone onstage. No one else showed any urgency or grief. She alone showed excitement, fear, caring and charm in her winsome portrayal of a girl rapidly growing into a woman ahead of her time. The best moments in the play are when she is alone, reciting her memoirs as she scribbles them into her diary.

Because I've read and seen the play several times, and I know how it turns out in the end, there is a poignancy that radiates throughout the story, no matter how badly it is presented. Natalie added some of her own gusto as well. If there's any reason for seeing this particular production, it's to see her. Natalie knows how to be interesting; she has presence and she lights up the stage. Now, if only she could be joined by a cast of real actors ....

An Anonymous Theater Patron Read more!

Anne Frank story inspires actors at Palo Alto Playhouse

by Paul Freeman, Jewish Bulletin Correspondent

Now, perhaps more than ever, the world needs to hear the story of Anne Frank.

That became increasingly clear to theater director Judith Dresch during a recent trip to Moscow.

"While there, I began reading in the papers about all the uprising of anti-Semitism, of the desecration of the Jewish cemeteries in Germany, of the neo-Nazi groups and of the denial that the Holocaust ever existed," said Dresch, whose relatives in Poland were persecuted by the Nazis during the war.

"We cannot forget the Holocaust," she says. "We cannot forget Hitler. Future generations must keep all of that in front of them, as an example of the worst that can happen, so it will never happen again."

Dresch's experiences in Russia inspired her to mount a new production of "The Diary of Anne Frank" at Palo Alto's Manhattan Playhouse. The show opens tonight.

The play, set in 1942 Nazi-occupied Holland, transforms the Holocaust from numbing statistics into a deeply personal experience. Eight people - two families and a dentist - hide in an attic, trying, against all odds, to escape the concentration camps.

The audience is drawn into the claustrophobic atmosphere, privy to the characters innermost fears, pains and dreams. Humor leavens the proceedings just enough, making the poignant passages even more affecting. What makes the play a classic is its ability to offer an uplifting aura, transcending the tragedy.

Jack Weissman, the Los Altos Hills resident who plays Otto Frank, Anne's father, visited the famous Anne Frank house while visiting Amsterdam; he draws on that experience in his performance. "When I was there, I imagined how I would feel in those circumstances. It was a very emotional thing," he recalls.

"In the final scene of the play, [when] Mr. Frank returns to the place where they had been hidden and reads the diary and thinks about Anne. It's so moving. I'm not a professional actor, but when I read the lines, it makes me want to cry."

Weissman, some of whose relatives in Russia where killed by the Nazis in World War II, believes that audiences are moved by the story even if they have no direct connection to the events.

"You really get lost in this play," he says. "It's so involving. You feel for these people. It has a message that should never be forgotten."

The other Jewish cast member, Mark Solomon of Redwood City - who portrays Mr. Kraler, the Dutchman who hides and feeds the Franks - agrees that the plays impact is wide-ranging.

"It's a story that has meaning perpetually, not just in its own time frame," he says. "It displays hope in time of difficulty. It's an important play not only to the Jewish audience, but for all people. It happens to be about Jews, but it relates to persecution generally."

Anita Khalat Bari of San Jose, a Persian who plays the Dutch secretary Mrs. Miep, is a case in point. "When I saw the movie of 'The Diary of Anne Frank,' I was about 10," she recalls. "It made a great impression on me at that age, the way they had to be indoors so long, never seeing daylight. The way Anne always kept track of everything was remarkable. It inspired me to start writing a diary of my own. Her story has always stayed in my mind."

Similarly, 25-year old Natalie Skelton of Sunnyvale, who plays Anne Frank, feels a particular kinship with the character.

"I feel that I know her, that I've gone through some of the things that she went through, not in terms of the Holocaust or the horrors, but in the way that all adolescent girls share similar experiences," she says. "We go through basically the same things, no matter what the country or what the circumstances. I think that's the reason the play has been so popular for so long."

But for Skelton, the play has a relevance that goes far beyond the coming-of-age theme - particularly for young audiences. "To be persecuted for your religious beliefs is absolutely ludicrous," she says. "The play is so important in this day and age, because of all the hate groups that are around now."

"The Diary of Anne Frank" runs at 8 p.m. Fridays and Saturdays through December 5, 1992 at the non-profit Manhattan Playhouse.

by Paul Freeman, Jewish Bulletin Correspondent Read more!

Magnum Impact

a kate west favorite

From the website
http://electricocean.com/MagnumImpact/index.html:

A group of bank robbers hides out in a mountain cabin after a successful heist but find themselves under heavy fire from an unseen force of attackers in the surrounding forest. The main thrust of the movie (starring Austrian TV actor Armin Felsberger) shows the siege of their stronghold in a series of intense shootouts. The violence is strong, but never too gory. The acting is uneven at times, but the force of the images and the great editing draw you into the situation almost from the first moment. Includes some of the best shootouts ever filmed. Not surprisingly, Director Herbert Primig lists directors like Richard Donner, Sam Peckinpah, and Walter Hill as "people who have influenced me when I was a teenager and never forgot". He is currently at work on a new project titled SUMMER CITY.

Film Credits

Producer:
Herman Jamek
Herbert Primig

Director:
Herbert Primig

Cinematography:
Peter Kleewein

Screenplay:
Guenther Primig
Herbert Primig

Cast:
Armin Felsberger
Birgit Wanek
Klaus Herbst
Dieter Bergner
Guenther Primig
Natalie Skelton (Newscaster)


Previous Primig films: LA CACCIA (THE CHASE), SOLDIERS


Watch the clips online! Read more!

French In Action

French In Action - PBS
a kate west favorite

Professor Pierre Capretz (Yale University) developed a method of French language immersion in his series "French In Action". In this course, you speak no English whatsoever, only listening intently to the Professor in French. You might feel lost at first, but after a few episodes, you realize this is a brilliant way to learn a new language, second only to actually moving to a French-speaking country.

Charles Mayer and Valérie Allain play Robert, an American, and Mireille, a French girl, who meet and date, in French, of course. Mireille has an entire family you'll get to know, including a rambunctious younger sister Marie-Laure (Virginie Contesse) and an eccentric Aunt Georgette (Colette Ripert). Each scene is repeated for conjugation and memorization with appropriate pauses for you to repeat it back to the screen. It is real French life, the way real people interact, rather than rote textbook exercises. It is charmingly effective and you'll find yourself wondering what will happen next, waiting eagerly for Professor Capretz to welcome you with "Bonjour! Nous allons apprendre le francais!"* And before you know it, you'll actually pick up some real French.

www.learner.org

*"Good Morning! We are all going to learn French!"


Cast:
Charles Mayer ... Robert
Valérie Allain ... Mireille

Julie Arnold ... Cécile
Antonio Cauchois ... Tonton Guillaume
Virginie Contesse ... Marie-Laure
Franck de la Personne ... Hubert (as Franck Lapersonne)
Marguerite Foulon ... Madame Courtois
André Haber ... Monsieur Courtois
Jean-François Kopf ... Jean-Denis
Chrystelle Labaude ... Concierge
Riton Liebman ... Jean-Pierre Bourdon
Amélie Pick ... Annick
Rosine Proust ... Madame Belleau
Colette Ripert ... Tante Georgette (as Colette Ripert-Clément)
Fabienne Tricottet ... Colette
Serge Vincent ... Monsieur Belleau
Michael Wiseman ... Obnoxious French student


Get the book to study along:
French in Action : A Beginning Course in Language and Culture : The Capretz Method: Textbook Read more!