Marathon Movie

Spirit of the Marathon
a kate west recommendation
A range of racing experiences, from the amateur to the elite, every emotion is covered in "Spirit of the Marathon". One veteran marathoner said he doesn’t feel a runner’s high until the run is actually over and then mentioned that by the time he gets to the start line (which can take a good 20 minutes) and actually starts running a few miles, the elite runners have finished, gotten their medals, driven home, showered and turned on their
After this fantastic cinematic experience (and an unforgettable and inspirational score by Jeff Beal), you will realize that it really is a mental challenge. At some point the human body just can’t physically go beyond a certain mileage and since the
It's all in the title. It is the spirit and will of the everyman. If the goal is merely to finish, then anyone can be trained to run a marathon, as opposed to say, crazy triathlons with ridiculous mileage. It is something attainable and still tantalizingly impossible. Professionals mixing with the non-athletic. Explains why there are hundreds of thousands of people registering for every marathon.
Encore showing in February!
http://www.marathonmovie.com/




And of course what happens after .... Read more!
Labels: Competitions, Documentary, Drama, Film, Marathon, Movie, Non-Fiction, Outdoor, Running, Sports
Bad Education

It's FREE, it's UNDER AN HOUR, and there are NO WIGS!!!
BAD EDUCATION
a kate west recommendation
written and performed by Drew Droege
directed by Andersen Gabrych
"Drew's always been hot for teachers. Especially the deranged, joyless, and hateful ones. And the ones named Maya Angelou. Bring pencil and paper, and don't be tardy."
One person show on the value of a bad education. Join Drew Droege (Groundlings Sunday Company alum) for this hilarious take on southern schooling.
Monday, February 4 @8pm
The Groundlings Theatre
7307 Melrose Avenue
Los Angeles, CA 90046
Free, but please make reservations at 323.934.4747 xt.41
For future shows please visit the following websites:
www.groundlings.com
www.ucbtheatre.com
www.comedycentral.com/email/ccstage/calendar.html
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Labels: Comedy, Groundlings, Humor, One-Person Show, Play, Recommendation, Theater/Theatre
One Night Stand
One Night Stand
a kate west recommendation
Explanation:
"One Night Stand is a completely improvised one-hour long musical. Yes, completely improvised--everything we do is made up on the spot without any writing or planning. That includes the music, the lyrics, the characters, the choreography, the plot, the dialogue and anything else you can think of!
At the beginning of our show we ask the audience for three things: the made-up title of a musical that has never been performed before, a location in which the musical will begin and the made-up name of a song that will appear at some point in the musical...
Using these suggestions, our seven actors and pianist concoct a thrilling and hilarious musical for you--a musical never performed before and never to be performed again! Don't believe us? Come twice! It's a crazy ride, so hang on tight when you join us for our next One Night Stand!"
www.onenightstandmusical.com
www.myspace.com/onenightstandimprov
CAST
| Quinn Beswick | Adam Cochran | Kobi Libii | Josh Margolin | Sam Martin | Jonah Platt | Andrew Resnick | Mollie Taxe |
| Associate Producer | Music Director |
Marc Platt Executive Producer
Will Adashek Producer
Dan Fishbach Producer & Director
Michele Spears Director
Performance Sites:
The Groundlings Theatre, Los Angeles
The Pleasance Dome, Edinburgh
The Hudson Guild Theatre, Los Angeles
The Dirty South Improv Festival, North Carolina Read more!
Breaking Bad
Breaking Bad
a kate west recommendation
AMC Network
Vince Gilligan (a creative force behind "The X-Files" and "The Lone Gunmen") has created a daring new drama. "Breaking Bad" concerns a high school Chemistry teacher with terminal lung cancer. In order to leave his family (and especially his disabled son) with the best possible nest egg, he decides to put his chemical brain to work concocting the purest crystal meth the DEA has ever seen.
Bryan Cranston ("Malcolm in the Middle") plays the modest strait-laced teacher brilliantly, desperately driven down the road by fate towards becoming the town's next kingpin. Cranston has always done heart-wrenching drama extraordinarily well (as evidenced by a role in "The X-Files" when he was a man with an exploding brain) and can obviously do nuanced and broad comedy. The man can do practically anything.
With "viewer discretion" warnings galore, this show shocks and pulls no punches (blood, gore, murder, drugs and cancer), although the bleeped swearing is a bit odd. But absolutely worth a look to see one of the current best performances on television. Plus, hooray for filming television shows in widescreen!
Creator/Writer
Vince Gilligan
Director
Adam Bernstein
Series Cast
Aaron Paul ... Jesse Pinkman (8 episodes, 2008)
Bryan Cranston ... Walter White / ... (5 episodes, 2007-2008)
Steven Michael Quezada ... Gomez (5 episodes, 2008)
Carmen Serano ... Carmen (4 episodes, 2008)
Raymond Cruz ... Tuco (3 episodes)
Anna Gunn ... Skyler White (2 episodes, 2008)
Dean Norris ... Hank (2 episodes, 2008)
Betsy Brandt ... Marie (2 episodes, 2008)
RJ Mitte ... Walter White Jr. (2 episodes, 2008)
Maximino Arciniega ... Krazy 8 (2 episodes, 2008)
David House ... Dr. Delcavoli (2 episodes, 2008)
John Koyama ... Emilio (2 episodes, 2008)
Charles Baker ... Skinny Pete (2 episodes)
Jesus Jr. ... No Doze (2 episodes)
Read more!
Labels: Crime, DEA, Drama, Drugs, Favorite, Police, Rave, Recommendation, Series, Television
MLK
Happy Martin Luther King Day
a kate west recommendation
The Autobiography of Martin Luther King, Jr.
Read more!
Labels: Activism, Civil Rights, Dream, Government, Heroes, Martin Luther King, MLK, Peace, Politics, Washington D.C.
Modern Exposure
a kate west reflection
What IS it with our modern generation and everyone's constant need to over share? I know I sound old when I say this, but back in my day, we never told each other every single detail of our lives. None of this minute-to-minute update of life's minutia, sexual exploits, bathroom habits, every single damn thing each of us is thinking every single second. I don't need to know all that and neither does the rest of the world. What happened to privacy, decorum, tact and just plain class? Kids these days demand screaming attention in order to validate their existence and are uncomfortable with the more reserved. Isn't one of life's mysteries the actual mystery? And do I even have to complain about people on their cellphones? Private is now public apparently. Maybe this is an American problem and Europeans are grown ups and Americans are children. I often think so.
In any case, no wonder we exalt celebrities and people get famous simply for being famous and not for contributing significantly to society. We are fascinated with the fishbowl culture of needing to know everything about their private lives. Is it because it makes us feel better or are we just nosy? Believe it or not, I know next to nothing about several nameless super celebs apparently in the news lately - I don't watch FOX News or read PEOPLE and am told that I can't help knowing about it since that knowledge is everywhere, but honest to God, since I'm not looking for it or talking about it, I've missed it. Hooray for me.
Granted I watch too much television (but at least not the commercials). So I need to get back to reading. And avoiding the fishbowl. Yes, I will keep blogging (oh hush)!
p.s. And while I'm in the mood, can I once again complain about television characters mentioning other television characters from shows on the same network? Tacky boo. Oh and is it just me, or is it enough already with self-congratulating, self-absorbed Hollywooders and their insider everything (Oscars especially)? Ugh.
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Peace Corps
Peace Corps Blog
a kate west recommendation
Check out my blog here: http://hubpages.com/hub/Social-Consciousness
Labels: Favorite, Peace Corps, Recommendation, Society, Volunteer
Live from the MET
The Metropolitan Opera
a kate west recommendation
Great news for opera lovers! You've always wanted to see the Met in New York but haven't had the time or the money? Now you can see it at a theater near you in High Definition spectacular vividness. Check your local listings and don't ruin it by buying popcorn. Thank you, New York! We heart you.
Tickets at http://www.metoperafamily.org/metopera/broadcast/hd_events.aspx
Sneak peek here:
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Labels: Classical, Conductor, Culture, Film, HD, Metropolitan Opera, Movie, Music, New York, Opera, Orchestral, Recommendation
Tim Burton's Sweeney Todd
Sweeney Todd
The Demon Barber of
Fleet Street
a kate west review
DreamWorks & Warner Bros.
Pairing quirky film director Tim Burton (“Pee-wee’s Big Adventure,” Nightmare Before Christmas”) with Stephen Sondheim's darkly bloody musical "Sweeney Todd" seems like the perfect macabre fit. And for the most part, the movie works fairly well. But there are a few lapses. Primarily, much of the main cast do not come from Broadway or sing professionally. As theatrical genius Sondheim creates complex, discordant scores, this presents a bit of a challenge.
Johnny Depp is Sweeney Todd (formerly Benjamin Barker), a long-suffering British barber, whose wife and child were cruelly stolen from him by the envious Judge Turpin (Alan Rickman). He returns to London years later to wreak revenge and falls in with his mad match Mrs. Lovett (Helena Bonham Carter). The Greek-like tragedy unfolds more and more bleakly as the story goes on and Burton knows quite well how to provide a somber and terrifying mood in spite of some musical shortcomings.
Depp takes on this musical challenge gamely, and is a black demonic Todd, indeed. Although his voice is less Broadway and more pop, it works for him and his wretchedly tortured misery pervades all nicely. Weak link Helena Bonham Carter on the other hand, is grossly miscast. She sings pathetically weakly (“The Worst Pies in London” and “A Little Priest”) and her subtle performance does not fit the grotesquely extreme character of Mrs. Lovett, the psychopathic meat pie maker (Broadway fans will remember Angela Lansbury bawdily booming her little heart out). She looks nightmarish enough, but needs to be much bigger in order to posses the role of someone who can so strongly influence the demon barber of Fleet Street. After all, she needs to convince Todd to butcher people for pies (not that he needs much convincing in his crazed state).
The supporting roles are all fine, such as Alan Rickman’s brooding and lecherous Judge Turpin and audiences unanimously delight in Sacha Baron Cohen’s outrageous rival barber Signor Adolfo Pirelli. The young and rambunctious barber’s assistant Tobias Ragg, earnestly played by Ed Sanders, is a special highlight of the film (sweetly singing of Pirelli’s magical elixir and “Nothing’s Going to Harm You” in devotion to Lovett). Jayne Wisener is all right, if a little wispy and airy, as Todd’s lost daughter Johanna (“Green Finch and Linnet Bird”) as is her love, Anthony Hope (Jamie Campbell Bower). Timothy Spall is a properly slimy henchman to the Judge as Beadle Bamford.
Musical theater purists may protest some of the necessary cinematic changes, such as cutting the operatic opening number which sets the tone for the stage show and basically narrates the story in the grand old fashioned style of ancient tragedy. But since the film medium is one of narration in itself, we don’t need such heralding. The rest of the tunes are intact, including Depp’s eerie introductory “London”, the weirdly delightful “By the Sea” Mrs. Lovett sings to Todd, in foolish hope of a normal life. The makeup, costumes and set are quintessential Burton and most of the acting is quite strong. Again, the main problem is the inconsistent singing.
The constant blood and gore absolutely define Todd’s character as do the dire consequences of one’s action. Abject life and death lessons are to be learned here. If you approach the film as a specific adaptation of a certain work, of Burton’s version of a Sondheim story, it can work for you. Go with someone unfamiliar with the musical, without prejudice, so you can see it with fresh absurdist eyes. No plot giveaways here, just prepare yourself for deep tunnels of horror.
Directed by
Tim Burton
Produced by
Richard Zanuck
Walter F. Parkes
Laurie MacDonald
John Logan
Written by
John Logan
Christopher Bond (story)
Music by
Stephen Sondheim
Hugh Wheeler
Cinematography
Dariusz Wolski
Editing by
Chris Lebenzon
Starring
Johnny Depp ... Sweeney Todd
Helena Bonham Carter ... Mrs. Lovett
Alan Rickman ... Judge Turpin
Timothy Spall ... Beadle Bamford
Sacha Baron Cohen ... Signor Adolfo Pirelli
Jayne Wisener ... Johanna
Jamie Campbell Bower ... Anthony Hope
Laura Michelle Kelly ... Beggar Woman
Ed Sanders ... Tobias Ragg
Anthony Head ... Ballad Ghost
Peter Bowles ... Ballad Ghost
The Original Score:
Sweeney Todd, the Demon Barber of Fleet Street (1979 Original Broadway Cast)
Read more!
Labels: Adaptation, Drama, Film, Gallows Humor, Movie, Music, Musical, Sondheim, Tim Burton
A Tuna Christmas
A Tuna Christmas
a kate west review
written by Jaston Williams,
Joe Sears & Ed Howard
directed by Stan Zimmerman
at Theatre Asylum
6320 Santa Monica Blvd.,
Hollywood 90038 (west of Vine)
contact (323) 960-7753 OR www.plays411.com/tunachristmas
running December 6, 2007 - January 6, 2008; tix $25-$50
Twenty-two Texans celebrate Christmas. Sounds like the punch line of a joke. But it's actually part of the well-known Greater Tuna trilogy of characters centered around Tuna, Texas, created by Jaston Williams, Joe Sears and Ed Howard. Currently playing in Hollywood, "A Tuna Christmas" is the most suitable Tuna incarnation this holiday season.
Former Groundlings company members Patrick Bristow (from "Showgirls" and "Ellen") and Mindy Sterling (from "Austin Powers") are the sole two cast members, playing all roles (check out the world renowned comedy sketch/improv troupe on www.groundlings.com). Their obvious background in character work serves them well in this multi-character show. Patrick Bristow especially has many real and poignant moments embodying what might have been routine southern characters in less capable hands. He doesn't just "do" characters, he actually becomes the person he portrays and does an amazing turn reflecting an entire history in just a few lines. And he manages to make them unique and interesting each time. He is truly a joy to watch.
The creators Jaston Williams, Joe Sears and Ed Howard have built practically a whole franchise around these quirky Texans and while the writing is good, Director Stan Zimmerman can stand to cut some scenes down, as they tend to run a bit long. The story centers around an annual yard display contest, with each townsperson vying for the perfect holiday light set up. A mysterious Christmas Phantom gums up the work, causing mischief and consternation among the populace. The show begins with two Disc Jockeys, Arles (Sterling) and Thurston (Bristow), introducing some tidbits about the town and bringing in the odd and end villager, such as Didi (Sterling) who sells used guns for a living. Sterling also showcases Petey, an earnest humanitarian, weary of taking in every Yuletide pet castoff.
Bristow's best character is Bertha, mother to three unruly children, including delinquent Stanley (Sterling). She tries to make a nice holiday for her family while keeping peace with her crazy neighbors, not an easy feat with the rich eccentric Vera (Sterling) taking pot shots at her and loveable wily Aunt Pearl (also Bristow) defying local law. Bertha is heartbreakingly and endearingly deserving of a nice man to take care of her after her lowlife husband disappoints her time and again. Bristow's swaggering Sheriff Givens is quite amusing as well, as are the slightly trashy but fun waitresses Helen and Inita (Sterling and Bristow) forced to work the holidays at the local diner.
Bristow and Sterling clearly find joy in recreating slices of Texan life and in working so intimately together. Their countless costume changes, characters and accents are impressive to watch, as are the many gender-bending forays. It's an entertaining show, but again, runs a bit long. It is definitely a different kind of holiday show though, and worth a look to see these consummate professionals at work. So come back soon y'all, ya hear?
Read more!
Labels: Comedy, Greater Tuna, Groundlings, Humor, Play, Review, Texas, Theater/Theatre, Theater/Theatre Review, Trilogy
Winter Wonderettes

Winter Wonderettes
The New 60's Holiday Musical!
a kate west review
written & directed by Roger Bean
at El Portal Forum Theatre
5269 Lankershim Blvd., North Hollywood 91601
running Wed-Sun; EXTENDED through January 5th!
contact www.marvelouswonderettes.com/winter
Good news, or rather marvelous news: The Marvelous Wonderettes, the charming quartet of 1950's and 60's singing girlfriends, are back for a sequel. And just in time to spread some holiday cheer. This time the girls have been hired by Harper's Hardware to provide cute little entertainment for the employee holiday party, only halfway through the performance we all get handed some surprising news (no, you'll just have to wait and see for yourselves). Similar to the original show, "The Marvelous Wonderettes", where the girls sang for their high school prom and then for a special ten year reunion, these Wonderettes also argue and bond over frothy tunes in two acts.
Jill Van Velzer is Cindy Lou, the more promiscuous of the bunch, Misty Cotton is Missy, the now happily married member of the crew, Bets Malone is Suzy, the ever-pregnant, sweetly daft one and Betty Jean, the practical one, is portrayed by the marvelous understudy Lowe Taylor. All girls work together well and harmonize beautifully to such fun numbers as "Santa Baby", "Jingle Bell Rock", "Rockin' Around the Christmas Tree", "Santa Claus is Coming to Town," "What are you Doing New Year's Eve?", "Winter Wonderland", their favorite high school Chipmunks chant of course and even some international numbers. Writer/Director Roger Bean and Musical Director Brian Baker keep the songs lively and more or less relevant to the story line, in keeping with Wonderettes tradition.
Set Designer Victoria Profitt gives us enormous wrapped boxes, a pretty tree and even some mistletoe. The girls themselves interact with audience members just as mischievously as the last time and once again, be warned about sitting in the front rows. It's all in good fun, however, and awfully entertaining. We feel part of the girls' holiday and what could be more fun than sharing the holiday spirit with a Wonderette? Although both Wonderettes shows have rather thin plots, the fantastic costumes (thank you Ann Closs-Farley) and immense likeability and obvious vocal talent of the girls more than make up for it, especially when we are already in the December mood.
One more word to the wise: due to their immense popularity and cult following, many shows are now sold out. So try to see them now before they head off to their impressive Off-Broadway debut. (But don't worry, if you miss out, you can still buy some "Wonder Wear" on their website). Congratulations girls and Go Chipmunks!
Previous review here: http://www.katewestreviews.com/2007/07/marvelous-wonderettes.html
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Labels: Christmas, Harmony, High School, Holiday, Music, Musical, Off-Broadway, Play, Theater/Theatre, Theater/Theatre Review, Wonderettes
Once

Once
a kate west recommendation
"Once" is a quiet little independent film that defied expectations and became a hit at the Sundance Film Festival. Starring two movie unknowns, Glen Hansard (lead singer of "The Frames") and Markéta Irglová, it quickly became one of the year
Hansard, while a gifted musician (already on board with the project), is no actor and Director John Carney had to beg him to be in the movie after Cillian Murphy ("Breakfast on Pluto", "Batman Begins") dropped out. With no budget and no leads, things looked dire until somehow everything started magically pulling together. Irglová claims to be no actor either and while both Hansard and Irglová were initially nervous about carrying a film, between their collective vast musical ability and director support, they did an amazingly beautiful and very real job of bringing the characters to life (which just goes to show you how "real" real people can be).
The story concerns two seemingly dissimilar people who slowly come to realize their profound similarities. A Czech immigrant (Irglová) encounters Hansard as a street musician in
What stems from that, must be seen and definitely heard to be believed. The music is fantastic and the emotions rich. It is a must-see for anyone loving romance, music, hope and joy. Don
| Directed by | John Carney |
|---|---|
| Produced by | Martina Niland |
| Written by | John Carney |
| Starring | Glen Hansard Markéta Irglová |
| Music by | Glen Hansard Markéta Irglová Interference |
| Cinematography | Tim Fleming |
| Editing by | Paul Mullen |
- Glen Hansard and Markéta Irglová: "Falling Slowly" (Hansard/Irglová)
- Irglová and Hansard: "If You Want Me" (Irglová)
- Hansard: "Broken Hearted Hoover Fixer Sucker Guy"
- Hansard and Irglová: "When Your Mind's Made Up"
- Hansard and Irglová: "Lies" – (Hansard/Irglová)
- Interference: "Gold" (Fergus O'Farrell)
- Irglová: "The Hill" (Irglová)
- Hansard: "Fallen from the Sky"
- Hansard: "Leave"
- Hansard: "Trying to Pull Myself Away"
- Hansard: "All the Way Down"
- Hansard and Irglová: "Once"
- Hansard: "Say It to Me Now"
Once
Movie:
Once
Read more!
Labels: Academy Awards, Favorite, Film, Independent, Irish, Movie, Music, Oscars, Rave, Recommendation, Sundance Film Festival
Sock Puppet Showgirls
Harvey Finklestein's
Sock Puppet Showgirls
a kate west review
directed by John and Stephanie Shaterian
a West Coast Premiere
at Theatre Asylum
6320 Santa Monica Blvd, LA 90038
contact (800) 838-2006 or www.brownpapertickets.com
Fridays 11 p.m.; tix $15; EXTENDED TO DECEMBER 21
www.harveyfinklestein.com / www.myspace.com/harveyfinklestein
What could possibly be worse than your friend making you watch the dreadfully campy and overdone Paul Verhoven movie "Showgirls"? Secretly realizing that it's actually a good bad and that it has since gained a phenomenal cult following. And that you love it. For those of you delighting in spectacularly failed Hollywood projects, you'll WANT to see it, again - and again and again, too. And what's even better than that kind of bad? A "Showgirls" sock puppet version!
Yes, it's true, sock puppets recreate the horrendous cinematic fiasco, thanks to Harvey Finklestein's outrageous production. Directors John and Stephanie Shaterian (married, with puppets) ensure that the actors aren't the stars here, the sock puppets are. If you don't know the story, here's the synopsis direct from a show program: "An angry girl escapes to Las Vegas to become a dancer. After all the fucking and bad acting she ends up having to leave Las Vegas because she hurts a bitch and opens a can of whoop ass on a celebrity, and because she is a whore, and they don't allow whores in Las Vegas." With that enticement, how can you say no?
Dorien Davies portrays adorable sock puppet Nomi (Elizabeth Berkley in the film), the wide-eyed skank who becomes a successful dancer in Vegas and then gives it all up again. Davies has emotional and improvisational range in voice alone, matched by Lowe Taylor playing Crystal (Gina Gershon in the film), the experienced sock puppet dancer who shows Nomi the ropes, only to have her turn against her at the end. Both Davies and Taylor are in top form, strongly steering the scenes forward and improvising their little hearts out. They are truly the heart and strength of the show. You'll love Davies' plaintive wail, "I am not a whore!"
Eddie Beasley, Jonathan Caplan and Andy Wolf (this night's understudy) round out the cast just fine, playing sleazy agents, managers and even the stereotypical gay choreographer (Patrick Bristow in the film). Cardboard car cutouts and metal poles also help direct the imagination to recall the movie. Not for the faint of heart, this show goes all out, uncensored and to the raunchiest extreme: i.e. it's a late night show for a reason, no kids allowed!
It's a little surreal to see the occasional hand pop out and at the same time hilarious to watch the sock puppet dance numbers (of which there all several), although one does get weary of certain repeated humor, such as the stereotypical gay choreographer. It's a fun, short show however, and the funniest bits are hearing actual lines from the movie, written by the over-hyped screenwriter Joe Eszterhas himself. Yes, it's dumb, but really, isn't the movie is to blame for that? At least this way, we can let naked cotton puppets shock us for the evening, a definite improvement over the movie.
Don't miss the Classic Original:
Showgirls (Fully Exposed Edition)
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Tin Man
Tin Man
a Sci-fi Channel Mini Series
a kate west review
The Sci-fi Channel "Tin Man" six hour mini series is an odd and very loose adaptation of L. Frank Baum's "Wizard of Oz" stories. An unfortunate cross between "Mad Max" and "Battlestar Galactica", it fails as both a uniquely interesting adaptation and as an original piece.
The movie concerns a girl named D.G. (named after ancestor Dorothy Gale) who accidentally discovers she is heir to a throne in the alternate dimension, the Outer Zone, or the O.Z. (yes, like the trendy O.C.). Zooey Deschanel plays the waitress-turned-princess alternating between stoicism and wide-eyed surprise, her two main looks apparently. Her childhood dreams of magic turn out to be real memories and her parents turn out to be robots placed by her real mother in order to take care of her and to shield her from her evil older sister, Azkadellia (Kathleen Robertson), whose body is taken over by a witch (Karin Konoval). She's got to get to Central City to find the Mystic Man (Richard Dreyfus). Along the way she meets up with Glitch (Alan Cumming), a former royal aide whose brain has been viciously removed. They in turn rescue a man in an iron prison suit named Cain (Neal McDonough) or the Tin Man, since he used to be an officer of the law. Last but not least, is the fluffy and timid creature named Raw (Raoul Trujillo).
Many adventures ensue, while Azkadellia's Gestapo-like Longcoats pursue the gang relentlessly, especially Zero (Callum Keith Rennie), the main person responsible for torturing the Tin Man's family and forcing him to watch from behind his metal hell. They even run into a shape shifter from DG's past who turns into a dog. She used to call him Toto, when she couldn't say Tutor (Blu Mankuma). The filmmakers make some bizarre choices, including having Azkadelia's flying monkeys literally spring from her tattooed chest. The Mystic Man proves to be a disappointment, as he is addicted to the vapors and a help to no one. The gang ultimately save their universe from destruction and the original royal family is restored. But it simply isn't an engaging enough interpretation and the look itself is drab and apocalyptic depressing.
The problem with the movie is not that it detracts from the Judy Garland film, as that in itself was an adaptation, but that it adds nothing to the original Oz books. There is no real new dimension or illumination and while there is nothing inherently wrong with making alternate endings or variations of beloved characters (Shakespeare did it, after all), this doesn't quite cut it. And it can be done quite well, as demonstrated in both the hit novel and musical "Wicked". But in this case, "Tin Man" makes little impression on the Oz universe. So you can save the room on your TIVO.
Created by
Craig Van Sickle
Steven Long Mitchell
Directed by
Nick Willing
Starring
Zooey Deschanel
Neal McDonough
Alan Cumming
Raoul Trujillo
Kathleen Robertson
Richard Dreyfuss
Blu Mankuma
Callum Keith Rennie
Composer
Simon Boswell
Alternatives:
The Annotated Wizard of Oz (Centennial Edition)
The Wizard of Oz (Three-Disc Collector's Edition)
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Labels: Adaptation, Book, Childhood, Children, Cult, Fans, Fantasy, Film, Mini-Series, Movie, Oz, Pan, Pop Culture, Television, Witches, Wizards
