If I Can Do It, You Can Do It

On March 2, 2008, I ran the Los Angeles Marathon, at age 41, after an adult life as a couch potato. And since I'm a big believer in sharing the wealth, now I'm going to share the secret of marathoning over 40 with you.

DAY ONE
Say yes to your friend who asks you to run RELAY FOR LIFE for the AMERICAN CANCER SOCIETY. You agreed to do it because it sounded fun at the time, but as the day approaches, ditching this for a movie sounds better and better. RFL, in case you didn't know, is a 24 hour relay at a local high school track, the idea being that each team has a number of members walking (or running) around the track for 24 hours, since cancer never stops either. Since you haven't exercised in maybe a year, you decide just to walk and meet up with an old friend who agrees to circle the route with you. While catching up, you're having such a fun conversation that when she says "hey, do you want to train for the Los Angeles Marathon with me?" you say yes, because, hey, this relay thing is fun and you aren't really paying attention. How hard could it be?

DAY TWO
It is now August, a couple of months after RELAY. Your friend calls to tell you that you both need to register for Aids Project Los Angeles, the organization training you to run the marathon. She ends up not being able to go the meeting with you so you cheerily head downtown and are surprised to find that you need to give them a $75 registration fee. Oops. Then the bright-eyed administrator tells you that you'll need to raise $1500 before January. AND training is three times a week, twice on your own and once with the group. It becomes increasingly apparent that you've never run a marathon before. Now you remember that another friend suggested you train for a 5K and you weren't really focusing on the difference before, but now you've learned that MARATHON means 26.2 miles and that 5K is only 3. You didn't know that before. But what the hell, you need to get in shape so you sign all the forms and wait for what happens next.

DAY THREE
Today is orientation at a running store in Santa Monica. You and your friend head out to see what's in store for you. Apparently $200 worth of must-have running shoes is what's up. And you really do need special shoes, tailored to your feet. Otherwise you'll have scores of foot problems, blisters and worse. But you're not spending money on a sports bra - you hope the old one you've used for the past years will last just a little bit longer. So you sit and listen to the NIKE sales pitch (you don't know much about running yet but you do know you don't need a special timed musical device in your shoe). It's inspirational to listen to current and former athletes and then the actual clients of the AIDS program you are running for - so there is a good cause in all this and you really will be helping people after all. Maybe this won't be so bad. After some carbs you both head back home, ready for the very first day of training.

DAY FOUR
Today is your first day at Griffith Park, the official training site. They tell you that you will be running three miles and that you'll be timed and placed in the appropriate running group. This is the first time you hear about pace groups and walk/run ratios. They are training you in what's called the Jeff Galloway method, from a Marathon Guru who devised a way of running with paced walking breaks to conserve energy, enabling the runner a burst of energy at the end (try it, it works!) You lope around the L.A. Zoo and the Gene Autry Museum and it's not so bad. You have your IPod and it's not too hot, so you finish up in just under an hour and they tell you to go to the 15 minute pace group next week. That means you'll run a mile in 15 minutes with a 2:2 ratio (run 2 minutes/walk 2 minutes). Huh, wait till you tell your friends you're "in training".

DAY FIVE
Jesus, Mary and Joseph. This is the worst idea you've ever had, you've never been so miserable in your entire life. Good GOD, why did you agree to do this?!! A week ago they told you to come to the 15 minute pace group so you dutifully showed up (early Saturday morning!) and met your fellow runners. One of them is a former ice skating champion and all of them look lean and fit. Uh-oh. The Pace Group Leader (PGL) starts you all out walking for 2 minutes and then you have to run 2. Then walk 2, then run 2 and you realize that your shins feel weird, which you later find out are called shin splits. It's agony. You get slower and slower and the Designated Driver (DD), the one who stays behind to make sure the laggers are taken care of, does indeed stick with you, as you get more and more upset. It's the longest day of your life. Everyone told you that the timing day, the 3 miles, would be the worst day, but they are stupid. Today is the worst. You can't ever imagine going 10, 12, 20, much less 26.2 miles. You just want to die. The earlier the better. Finally, finally, finally you end up back at the training site and you beg the coach to put you in a different pace group. You end up email/stalking him with every neurosis you can think of. There's a reason he won't give out his phone number.

DAY SIX
So the next week you come back to the training site in spite of your misgivings and they let you into the slower pace group. Now instead of 2:2, you are 1:4 (or as it turns out 1:3) running/walking. Fine. But then they send you up this ENORMOUS and tortuous hill. When are you going to get a break? Your shin splints are worse and you are the very last person in so you cheat a little and don't stop at the rest stop so that coach won't catch up to you and make you ride the ride of shame back to the site. But you do learn some things. Shin splints happen with new runners and last a few months. You can fight them by icing your shins for 20 minutes, resting 20 minutes, icing again another 20 minutes, resting, then icing a last 20 minute set. TWICE A DAY. You can do some exercises too, anything with your ankles, like calf raises, since they engage the shins. Don't put the ice bag directly on your skin, use a towel. Eat a lot of potassium (like a hell of a lot of bananas). You are also learning about how runners eat. You MUST eat before a run, but nothing heavy. You find out what your stomach can tolerate and it seems like oatmeal and a banana in the morning is the way to go. And you make sure you are hydrated (clear urine, especially before a big run). Once you begin running, you lose salt and sugar so you bring runner's bars and gels and the all important GATORADE. Pretzels are a great source of salt too, about a few miles in and you are told to eat something every 45 minutes and keep hydrating (just don't overdo it). Your stomach will tell you what you need.

DAY SEVEN
The next week you think maybe you are getting the hang of the studying part (you are reading Jeff Galloway's MARATHON). You've learned about chafing, which is where your clothes rub against you with the constant moving and makes you raw. You buy sports gel (never use antiperspirant, it doesn't work for running) and you put it everywhere that might have friction. In addition to that, your stomach goes up and down while moving, so you are very susceptible to nausea but you think you finally have that beat. The actual running still sucks. And you're expected to do runs on your own twice a week (30-45 minutes each), in addition to the long weekend run! Definitely hard to get so early, on a Saturday, no less. You hate the coach. And your fellow runners. And the volunteers. And anyone who doesn't have to run on Saturday mornings. Sigh. A typical training regimen may go like this: 3 miles, 6 miles, 10 miles, back down, back up, building your mileage, until one week you find yourself running 12 miles (12 MILES? That's a Half Marathon!) You watch SPIRIT OF THE MARATHON and cheer along with everyone else in the theater and you begin to realize what an emotional accomplishment this will be in the end. You hope.

DAY EIGHT
You wake up one morning panicked about the fundraising. You have to raise $1500! Your family and friends have of course given you some here and there but that's not going to bring you to your goal. In panic mode, you ask your marathoner friends and they make some great suggestions: fundraising events like wine and cheese receptions, donated theatrical shows (i.e. the actors give you the ticket proceeds) and maybe some corporate sponsors. Some of these events pan out, some don't. But due to the surprising generosity of mere acquaintances and even strangers, you end up making your goal before the deadline and then some. Whew! By the way, if you are running with a charity group, they will happily guide you.

THREE MONTHS IN
You've been doing this for three months now and the actual Marathon still seems years away. You're not really going to run 26.2 miles are you? You secretly think that's all malarkey but that doesn't stop you from bragging to everyone about it, pointing out all your blisters and hitting people up for money. Everyone seems to want in on it and you start to feel just the tiniest bit pumped up about it. Your training group turns out to be comprised of a nice group of people and at first you were always, always, always the last one in but gradually you've kept up the pace and come in with the Pace Group Leader by the end of the run. On short runs. On long runs you still want to die. But at least you are getting to know the fine streets of Burbank, Glendale and Toluca Lake. There is a cactus garden you are way too familiar with. Same with the bathrooms at Carl's Jr. and Kinko's. And no matter how many times you go up that stupid hill in Glendale, it never seems to be getting any easier. But somehow your shin splints are going away. That's progress, right?

DECEMBER
Christmas rocks because now you have all these out of town family and friends who haven't heard every excruciating detail about your training yet. In fact, you drag some of them with you to a running store for your next pair of shoes since (as you wisely tell them all), your old shoes have worn out and you should always replace running shoes every three months. You ask the sales clerk at the running store a bunch of questions about pacing and running so he knows you know what you are talking about (but still doesn't care). You are excited to be fit for a new pair, even though they look exactly like your old pair. Now you just need to concentrate on running, you tell your family, because you have made all the money you need to. And then some. Did they want to hear more about it - because you'd be glad to tell them! While on vacation, you arrange to run on your own, measuring distances in your car. You've got your pack with all the vitals - asthma inhaler, gels, water, GATORADE. You've even impressed yourself.

TRAINING RUN
For some reason, your training group thinks it's a swell idea to do a "practice marathon". Meaning 26 miles. This is the stupidest idea you've ever heard of but since Jeff Galloway does it, you all have to as well. You get up SUPER EARLY Saturday, before the other groups, because, as they tell you ever so diplomatically, you are in the slowest pace group. It's damn cold but you arrive cheerful and remain so - for about 2 miles. Then you lose your sense of humor. You discover that on long runs, it only takes about 10 miles (yes, you can now run 10!) before you slip into a murderous rage and want to take out anyone who dares speak to you. You've read online that this is actually normal and that you need to take some breaks, get some of that sugar and salt back. Your teammates know better than to try to engage you in conversation at this point. On the "practice" day you are at mile 17 before you completely and utterly give up. If they make you go one more friggin' step, you will seriously have to hurt someone. The coach swings by to pick up the stragglers and offers some annoyingly cheerful words which you ignore. He really should stop talking now. You slink home to sit alone in the dark.

TAPER MADNESS
You were half kidding when you bitched to people about the ups and downs of marathon training but when you actually do research on it you discover that there really and truly is a thing called Taper Madness. Because of the intense training you've undergone now (when all is said and done, it ends up as 6 whole months!), your body has gotten used to the endorphin rush and the steady climb of mileage. So as you get closer to the actual D Day, M Day, the Marathon capital "M", you ease off the mileage because now your body is a well trained machine and it's ready for M Day, even if you aren't. Therefore you're going to have to run less and less to conserve energy. That means, unbeknowest to you, you will now be depriving your body of addictive chemicals. You will be a joy and a half at work and at home from now until March and they will ALL want to strangle you in your sleep. You'll think you've lost the ability to run and the least little strain or blister means it's all over. Everything is a disaster and you hate everyone just as much as they hate you. No one will want to come and cheer you on and you don't care but it's only 26.2 miles which ANYONE CAN DO, RIGHT?!! Sheesh.
THE CONVENTION
Today you took off from work and went downtown to the Convention Center to pick up your bib race number and everything you need to run in the biggest race in Los Angeles. Very important to get all this stuff BEFORE the race. You need a timing chip for your shoe too. They tell you 100 times not to forget - DO YOUR RESEARCH BEFORE YOU EVEN REGISTER. There is a LOT to remember. You've got your bib, so now you are free to enjoy the sites. And sights. Everyone there is obviously a runner (even you now). So many booths - but you are warned NOT to try anything new - it's too soon before the race. Every new thing should have been tested during training. By now you should know your body inside and out, what your stomach can tolerate, what socks to wear (nylon, not cotton, same with shirts please) so as not to blister, a breathable hat that ventilates, etc. All of this should be second nature to you months before M Day. You've read every book you can get your hands on regarding running, especially women and running, so you feel you are as expert as you can be. At least that's how you feel today. Lord knows what will happen tomorrow.

THE LAST MEAL
So tonight all of you get to go to the Biltmore Hotel downtown for a big pasta party. The valet wants to charge you something abhorrently ridiculous (did he say $20??!!) so you back on out and around the corner to park somewhere else and then hike on over once again back to the hotel. But now you're in. And everyone is there - all of the team members you bonded with, your coach, all the staff members. There are speeches and pictures and you look at all of this people and marvel at how you put up with each others ups and downs the past 6 months. And it's beautiful. Coach gives you a big hug and tells you he believes in you and to get some sleep but not to worry about tossing and turning from nervousness (it's all normal) and that you would have gotten sleep earlier in the week so tonight just de-stress. Because TOMORROW IS M DAY!!! As you drive home, you think about all of this and can't believe 6 months went by so fast. The best thing about it of course is that everyone encourages you to eat carbs and one of your favorite comfort foods, pretzels, is now your snack of choice on a run. You're happy to share of course. People eat orange slices, bananas, pretzels, red vines and gels and power bars and obviously lots of water and sports drinks. You'll have to keep running when all this is over so you can keep eating the fun stuff.

M DAY
Believe it or not, the day has arrived. The Los Angeles Marathon. You've arranged to meet your friends at the starting line. Some of them park at the finish line thinking they'll drive themselves home, but you have coerced friends to drive you home. Who knows how you'll feel at the end? You wake up while it's still almost night, eat your oatmeal and recheck everything you've laid out before. Bib, timing chip, singlet shirt, jacket, running pants, shoes, socks, pack with blister band-aids, sunscreen, pretzels, salt vial, gels, power bars, extra safety pins, inhaler, sanitizer gels (for those awful porta pottys), hat, sunglasses, cell phone (to coordinate meeting supportive friends at different mile markers) and timing watch. You've finally figured out how to set the watch so it beeps at intervals, just like it's supposed to. Dark and cold, you carpool to the meeting place.
There are a lot of people here already, some reporters and many, many runners. As it gets closer to start time, everyone is ushered over to the start and you and your friends get more and more excited. Are you really running a marathon??? Randy Newman's "I Love L.A." blares out the speakers just as the starting pistol goes off and here you all go!
You were worried about the Cahuenga Pass (you've spent months studying the map layout of the route) but it's not too bad. You're pacing yourself, remembering Coach telling you to start slow, save the energy for the end. It's great to see so many people come out to support all the runners, but you can't high five them all or you will wear out too early. You will let their energy and excitement sustain and propel you. You're seeing Los Angeles in a way you've never seen before, from the ground, with all the streets closed, just for you. And you're running in the footsteps of the elite runners, another thing you never thought you'd do. Hollywood Blvd, Vine, Hancock, Park, KoreaTown, USC, South Central and more, all the way downtown to Flower, all in one day. Incredible.
Around Mile 12, your first set of supporters show up, hooting and hollering. You introduce everyone and you are still running with your team mates at this point, reminding each other to drink and eat enough. After that, you start drifting apart and start your own personal journey. Having been warned that headphones are not allowed you didn't bring your IPod, but so many people seem to be running with them that you regret not bringing it. No one cares and no one is checking. At Mile 18, your legs feel cramped and one of the staff members tells you to drink more GATORADE. You just need to make it to Mile 20 and another of your supporters will be there to cheer you on.
Mile 20. Thank God. You want to stop, you want to give up, the day has never seemed longer. Your Pace Group is expected to finish in 7 1/2 hours and now the lead runners are long gone, home and showered and you are still suffering, alone and desperate. But you see your friends and it's a miracle. They run a good part of the way with you, checking on you, keeping you focused and distracted at the same time, encouraging and loving you. It's a shot in the arm.
After that, you feel more and more determined and become even more focused. Physically, it's a pretty impossible thing you're doing, so at this mileage it's now all on your brain. You have to tell yourself you can do it, that you will finish and that nothing will stop you. Passing some team mates, you feel better, even though the miles seem longer and longer. Mile 24, Mile 25.
Mile 26. Can it be? Yes, and there's the finish line! Triumphant you see the flashing time as 8 hours (official timing chip says 7:59). EIGHT HOURS of constant run/walking. Why aren't you more tired? You receive your medal and then collapse, calling your friends to help you negotiate your way out of there. It starts sinking in that you RAN A MARATHON. You just went 26.2 miles and lived to tell the tale. No one will ever be able to take this away from you. You finally understand the big-journey-begins-with-a-single-step thing.

THE END
You should wear that medal, all week or even all month or however long you damn well want to. For a day of pain, you've earned a lifetime of bragging rights and it starts now. Speaking of which, when you check in with your Coach later, he tells you he was pretty worried about you, because of all the shin splints. You are floored. If you had known this, you might have let doubt overwhelm you, but because of all the positive feedback and encouragement you actually thought you could do this impossible thing, when really, you shouldn't have been able to. It blows your mind. And this is the turning point where you realize that it's important to listen to your heart and to trust yourself. You know how to prepare for things now, how to do research, how to work out, what to eat, what to wear, why you should take an ice bath after a long run and heck, maybe you can even offer advice to other people in your shoes who think they can't do it. Now you can tell them they can.


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Marathon Movie



















Spirit of the Marathon

a kate west recommendation


A range of racing experiences, from the amateur to the elite, every emotion is covered in "Spirit of the Marathon". One veteran marathoner said he doesn’t feel a runner’s high until the run is actually over and then mentioned that by the time he gets to the start line (which can take a good 20 minutes) and actually starts running a few miles, the elite runners have finished, gotten their medals, driven home, showered and turned on their TIVO. Who are these superhuman finish-in-a-mere-two-hours running gods? Thank God we are able to follow normal mortals, with reasonable marathoning expectations. The encore presentation was sold out, the theater packed, with everyone cheering and crying by the end. What is it about watching someone cross a finish line that speaks to the soul?

After this fantastic cinematic experience (and an unforgettable and inspirational score by Jeff Beal), you will realize that it really is a mental challenge. At some point the human body just can’t physically go beyond a certain mileage and since the Marathon goes beyond that, what gets you through it is the mental training. You are your own competition, battling common sense and the laws of physics. Yes, it should be fun, but it isn’t always. It’s a triumph of will and the very real ability to make your own motivational personal movie in your head. So maybe it’s not something you want to do, but something you have to do. There is nothing else on earth that challenges the common individual this way. You can't wait to see if you can accomplish it.

It's all in the title. It is the spirit and will of the everyman. If the goal is merely to finish, then anyone can be trained to run a marathon, as opposed to say, crazy triathlons with ridiculous mileage. It is something attainable and still tantalizingly impossible. Professionals mixing with the non-athletic. Explains why there are hundreds of thousands of people registering for every marathon.


Encore showing in February!

http://www.marathonmovie.com/












And of course what happens after .... Read more!

Bad Education















It's FREE, it's UNDER AN HOUR, and there are NO WIGS!!!


BAD EDUCATION
a kate west recommendation
written and performed by Drew Droege
directed by Andersen Gabrych

"Drew's always been hot for teachers. Especially the deranged, joyless, and hateful ones. And the ones named Maya Angelou. Bring pencil and paper, and don't be tardy."

One person show on the value of a bad education. Join Drew Droege (Groundlings Sunday Company alum) for this hilarious take on southern schooling.

Monday, February 4 @8pm
The Groundlings Theatre
7307 Melrose Avenue
Los Angeles, CA 90046

Free, but please make reservations at 323.934.4747 xt.41

For future shows please visit the following websites:
www.groundlings.com
www.ucbtheatre.com
www.comedycentral.com/email/ccstage/calendar.html
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One Night Stand

One Night Stand
a kate west recommendation




Explanation:
"One Night Stand is a completely improvised one-hour long musical. Yes, completely improvised--everything we do is made up on the spot without any writing or planning. That includes the music, the lyrics, the characters, the choreography, the plot, the dialogue and anything else you can think of!

At the beginning of our show we ask the audience for three things: the made-up title of a musical that has never been performed before, a location in which the musical will begin and the made-up name of a song that will appear at some point in the musical...

Using these suggestions, our seven actors and pianist concoct a thrilling and hilarious musical for you--a musical never performed before and never to be performed again! Don't believe us? Come twice! It's a crazy ride, so hang on tight when you join us for our next One Night Stand!"

www.onenightstandmusical.com
www.myspace.com/onenightstandimprov


CAST

Quinn
Beswick
Adam
Cochran
Kobi
Libii
Josh
Margolin
Sam
Martin
Jonah
Platt
Andrew
Resnick
Mollie
Taxe





Associate
Producer
Music
Director
PRODUCTION
Marc Platt Executive Producer
Will Adashek Producer
Dan Fishbach Producer & Director
Michele Spears Director


Performance Sites:
The Groundlings Theatre, Los Angeles
The Pleasance Dome, Edinburgh

The Hudson Guild Theatre, Los Angeles

The Dirty South Improv Festival, North Carolina
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Breaking Bad

Breaking Bad
a kate west recommendation
AMC Network





Vince Gilligan (a creative force behind "The X-Files" and "The Lone Gunmen") has created a daring new drama. "Breaking Bad" concerns a high school Chemistry teacher with terminal lung cancer. In order to leave his family (and especially his disabled son) with the best possible nest egg, he decides to put his chemical brain to work concocting the purest crystal meth the DEA has ever seen.

Bryan Cranston ("Malcolm in the Middle") plays the modest strait-laced teacher brilliantly, desperately driven down the road by fate towards becoming the town's next kingpin. Cranston has always done heart-wrenching drama extraordinarily well (as evidenced by a role in "The X-Files" when he was a man with an exploding brain) and can obviously do nuanced and broad comedy. The man can do practically anything.

With "viewer discretion" warnings galore, this show shocks and pulls no punches (blood, gore, murder, drugs and cancer), although the bleeped swearing is a bit odd. But absolutely worth a look to see one of the current best performances on television. Plus, hooray for filming television shows in widescreen!

Creator/Writer
Vince Gilligan

Director
Adam Bernstein

Series Cast
Aaron Paul ... Jesse Pinkman (8 episodes, 2008)
Bryan Cranston ... Walter White / ... (5 episodes, 2007-2008)
Steven Michael Quezada ... Gomez (5 episodes, 2008)
Carmen Serano ... Carmen (4 episodes, 2008)
Raymond Cruz ... Tuco (3 episodes)
Anna Gunn ... Skyler White (2 episodes, 2008)
Dean Norris ... Hank (2 episodes, 2008)
Betsy Brandt ... Marie (2 episodes, 2008)
RJ Mitte ... Walter White Jr. (2 episodes, 2008)
Maximino Arciniega ... Krazy 8 (2 episodes, 2008)
David House ... Dr. Delcavoli (2 episodes, 2008)
John Koyama ... Emilio (2 episodes, 2008)
Charles Baker ... Skinny Pete (2 episodes)
Jesus Jr. ... No Doze (2 episodes) Read more!

Modern Exposure

a kate west reflection





What IS it with our modern generation and everyone's constant need to over share? I know I sound old when I say this, but back in my day, we never told each other every single detail of our lives. None of this minute-to-minute update of life's minutia, sexual exploits, bathroom habits, every single damn thing each of us is thinking every single second. I don't need to know all that and neither does the rest of the world. What happened to privacy, decorum, tact and just plain class? Kids these days demand screaming attention in order to validate their existence and are uncomfortable with the more reserved. Isn't one of life's mysteries the actual mystery? And do I even have to complain about people on their cellphones? Private is now public apparently. Maybe this is an American problem and Europeans are grown ups and Americans are children. I often think so.

In any case, no wonder we exalt celebrities and people get famous simply for being famous and not for contributing significantly to society. We are fascinated with the fishbowl culture of needing to know everything about their private lives. Is it because it makes us feel better or are we just nosy? Believe it or not, I know next to nothing about several nameless super celebs apparently in the news lately - I don't watch FOX News or read PEOPLE and am told that I can't help knowing about it since that knowledge is everywhere, but honest to God, since I'm not looking for it or talking about it, I've missed it. Hooray for me.

Granted I watch too much television (but at least not the commercials). So I need to get back to reading. And avoiding the fishbowl. Yes, I will keep blogging (oh hush)!

p.s. And while I'm in the mood, can I once again complain about television characters mentioning other television characters from shows on the same network? Tacky boo. Oh and is it just me, or is it enough already with self-congratulating, self-absorbed Hollywooders and their insider everything (Oscars especially)? Ugh.

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Peace Corps

Peace Corps Blog
a kate west recommendation










Check out my blog here: http://hubpages.com/hub/Social-Consciousness


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Live from the MET

The Metropolitan Opera
a kate west recommendation






Great news for opera lovers! You've always wanted to see the Met in New York but haven't had the time or the money? Now you can see it at a theater near you in High Definition spectacular vividness. Check your local listings and don't ruin it by buying popcorn. Thank you, New York! We heart you.

Tickets at http://www.metoperafamily.org/metopera/broadcast/hd_events.aspx

Sneak peek here:
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Tim Burton's Sweeney Todd

Sweeney Todd
The Demon Barber of
Fleet Street
a kate west review
DreamWorks & Warner Bros.



Pairing quirky film director Tim Burton (“Pee-wee’s Big Adventure,” Nightmare Before Christmas”) with Stephen Sondheim's darkly bloody musical "Sweeney Todd" seems like the perfect macabre fit. And for the most part, the movie works fairly well. But there are a few lapses. Primarily, much of the main cast do not come from Broadway or sing professionally. As theatrical genius Sondheim creates complex, discordant scores, this presents a bit of a challenge.

Johnny Depp is Sweeney Todd (formerly Benjamin Barker), a long-suffering British barber, whose wife and child were cruelly stolen from him by the envious Judge Turpin (Alan Rickman). He returns to London years later to wreak revenge and falls in with his mad match Mrs. Lovett (Helena Bonham Carter). The Greek-like tragedy unfolds more and more bleakly as the story goes on and Burton knows quite well how to provide a somber and terrifying mood in spite of some musical shortcomings.

Depp takes on this musical challenge gamely, and is a black demonic Todd, indeed. Although his voice is less Broadway and more pop, it works for him and his wretchedly tortured misery pervades all nicely. Weak link Helena Bonham Carter on the other hand, is grossly miscast. She sings pathetically weakly (“The Worst Pies in London” and “A Little Priest”) and her subtle performance does not fit the grotesquely extreme character of Mrs. Lovett, the psychopathic meat pie maker (Broadway fans will remember Angela Lansbury bawdily booming her little heart out). She looks nightmarish enough, but needs to be much bigger in order to posses the role of someone who can so strongly influence the demon barber of Fleet Street. After all, she needs to convince Todd to butcher people for pies (not that he needs much convincing in his crazed state).

The supporting roles are all fine, such as Alan Rickman’s brooding and lecherous Judge Turpin and audiences unanimously delight in Sacha Baron Cohen’s outrageous rival barber Signor Adolfo Pirelli. The young and rambunctious barber’s assistant Tobias Ragg, earnestly played by Ed Sanders, is a special highlight of the film (sweetly singing of Pirelli’s magical elixir and “Nothing’s Going to Harm You” in devotion to Lovett). Jayne Wisener is all right, if a little wispy and airy, as Todd’s lost daughter Johanna (“Green Finch and Linnet Bird”) as is her love, Anthony Hope (Jamie Campbell Bower). Timothy Spall is a properly slimy henchman to the Judge as Beadle Bamford.

Musical theater purists may protest some of the necessary cinematic changes, such as cutting the operatic opening number which sets the tone for the stage show and basically narrates the story in the grand old fashioned style of ancient tragedy. But since the film medium is one of narration in itself, we don’t need such heralding. The rest of the tunes are intact, including Depp’s eerie introductory “London”, the weirdly delightful “By the Sea” Mrs. Lovett sings to Todd, in foolish hope of a normal life. The makeup, costumes and set are quintessential Burton and most of the acting is quite strong. Again, the main problem is the inconsistent singing.

The constant blood and gore absolutely define Todd’s character as do the dire consequences of one’s action. Abject life and death lessons are to be learned here. If you approach the film as a specific adaptation of a certain work, of Burton’s version of a Sondheim story, it can work for you. Go with someone unfamiliar with the musical, without prejudice, so you can see it with fresh absurdist eyes. No plot giveaways here, just prepare yourself for deep tunnels of horror.

Directed by

Tim Burton

Produced by
Richard Zanuck
Walter F. Parkes
Laurie MacDonald
John Logan

Written by
John Logan
Christopher Bond (story)

Music by
Stephen Sondheim
Hugh Wheeler

Cinematography
Dariusz Wolski

Editing by
Chris Lebenzon

Starring
Johnny Depp ... Sweeney Todd
Helena Bonham Carter ... Mrs. Lovett
Alan Rickman ... Judge Turpin
Timothy Spall ... Beadle Bamford
Sacha Baron Cohen ... Signor Adolfo Pirelli
Jayne Wisener ... Johanna
Jamie Campbell Bower ... Anthony Hope
Laura Michelle Kelly ... Beggar Woman
Ed Sanders ... Tobias Ragg
Anthony Head ... Ballad Ghost
Peter Bowles ... Ballad Ghost


The Original Score:
Sweeney Todd, the Demon Barber of Fleet Street (1979 Original Broadway Cast) Read more!

A Tuna Christmas

A Tuna Christmas
a kate west review
written by Jaston Williams,
Joe Sears & Ed Howard
directed by Stan Zimmerman
at Theatre Asylum
6320 Santa Monica Blvd.,
Hollywood 90038 (west of Vine)
contact (323) 960-7753 OR www.plays411.com/tunachristmas

running December 6, 2007 - January 6, 2008; tix $25-$50

Twenty-two Texans celebrate Christmas. Sounds like the punch line of a joke. But it's actually part of the well-known Greater Tuna trilogy of characters centered around Tuna, Texas, created by Jaston Williams, Joe Sears and Ed Howard. Currently playing in Hollywood, "A Tuna Christmas" is the most suitable Tuna incarnation this holiday season.

Former Groundlings company members Patrick Bristow (from "Showgirls" and "Ellen") and Mindy Sterling (from "Austin Powers") are the sole two cast members, playing all roles (check out the world renowned comedy sketch/improv troupe on www.groundlings.com). Their obvious background in character work serves them well in this multi-character show. Patrick Bristow especially has many real and poignant moments embodying what might have been routine southern characters in less capable hands. He doesn't just "do" characters, he actually becomes the person he portrays and does an amazing turn reflecting an entire history in just a few lines. And he manages to make them unique and interesting each time. He is truly a joy to watch.

The creators Jaston Williams, Joe Sears and Ed Howard have built practically a whole franchise around these quirky Texans and while the writing is good, Director Stan Zimmerman can stand to cut some scenes down, as they tend to run a bit long. The story centers around an annual yard display contest, with each townsperson vying for the perfect holiday light set up. A mysterious Christmas Phantom gums up the work, causing mischief and consternation among the populace. The show begins with two Disc Jockeys, Arles (Sterling) and Thurston (Bristow), introducing some tidbits about the town and bringing in the odd and end villager, such as Didi (Sterling) who sells used guns for a living. Sterling also showcases Petey, an earnest humanitarian, weary of taking in every Yuletide pet castoff.

Bristow's best character is Bertha, mother to three unruly children, including delinquent Stanley (Sterling). She tries to make a nice holiday for her family while keeping peace with her crazy neighbors, not an easy feat with the rich eccentric Vera (Sterling) taking pot shots at her and loveable wily Aunt Pearl (also Bristow) defying local law. Bertha is heartbreakingly and endearingly deserving of a nice man to take care of her after her lowlife husband disappoints her time and again. Bristow's swaggering Sheriff Givens is quite amusing as well, as are the slightly trashy but fun waitresses Helen and Inita (Sterling and Bristow) forced to work the holidays at the local diner.

Bristow and Sterling clearly find joy in recreating slices of Texan life and in working so intimately together. Their countless costume changes, characters and accents are impressive to watch, as are the many gender-bending forays. It's an entertaining show, but again, runs a bit long. It is definitely a different kind of holiday show though, and worth a look to see these consummate professionals at work. So come back soon y'all, ya hear? Read more!

Winter Wonderettes








Winter Wonderettes
The New 60's Holiday Musical!
a kate west review
written & directed by Roger Bean
at El Portal Forum Theatre
5269 Lankershim Blvd., North Hollywood 91601
running Wed-Sun; EXTENDED through January 5th!
contact www.marvelouswonderettes.com/winter

Good news, or rather marvelous news: The Marvelous Wonderettes, the charming quartet of 1950's and 60's singing girlfriends, are back for a sequel. And just in time to spread some holiday cheer. This time the girls have been hired by Harper's Hardware to provide cute little entertainment for the employee holiday party, only halfway through the performance we all get handed some surprising news (no, you'll just have to wait and see for yourselves). Similar to the original show, "The Marvelous Wonderettes", where the girls sang for their high school prom and then for a special ten year reunion, these Wonderettes also argue and bond over frothy tunes in two acts.

Jill Van Velzer is Cindy Lou, the more promiscuous of the bunch, Misty Cotton is Missy, the now happily married member of the crew, Bets Malone is Suzy, the ever-pregnant, sweetly daft one and Betty Jean, the practical one, is portrayed by the marvelous understudy Lowe Taylor. All girls work together well and harmonize beautifully to such fun numbers as "Santa Baby", "Jingle Bell Rock", "Rockin' Around the Christmas Tree", "Santa Claus is Coming to Town," "What are you Doing New Year's Eve?", "Winter Wonderland", their favorite high school Chipmunks chant of course and even some international numbers. Writer/Director Roger Bean and Musical Director Brian Baker keep the songs lively and more or less relevant to the story line, in keeping with Wonderettes tradition.

Set Designer Victoria Profitt gives us enormous wrapped boxes, a pretty tree and even some mistletoe. The girls themselves interact with audience members just as mischievously as the last time and once again, be warned about sitting in the front rows. It's all in good fun, however, and awfully entertaining. We feel part of the girls' holiday and what could be more fun than sharing the holiday spirit with a Wonderette? Although both Wonderettes shows have rather thin plots, the fantastic costumes (thank you Ann Closs-Farley) and immense likeability and obvious vocal talent of the girls more than make up for it, especially when we are already in the December mood.

One more word to the wise: due to their immense popularity and cult following, many shows are now sold out. So try to see them now before they head off to their impressive Off-Broadway debut. (But don't worry, if you miss out, you can still buy some "Wonder Wear" on their website). Congratulations girls and Go Chipmunks!

Previous review here: http://www.katewestreviews.com/2007/07/marvelous-wonderettes.html Read more!

Once

















Once

a kate west recommendation

"Once" is a quiet little independent film that defied expectations and became a hit at the Sundance Film Festival. Starring two movie unknowns, Glen Hansard (lead singer of "The Frames") and Markéta Irglová, it quickly became one of the year's best films and perhaps one of the best music films in decades.

Hansard, while a gifted musician (already on board with the project), is no actor and Director John Carney had to beg him to be in the movie after Cillian Murphy ("Breakfast on Pluto", "Batman Begins") dropped out. With no budget and no leads, things looked dire until somehow everything started magically pulling together. Irglová claims to be no actor either and while both Hansard and Irglová were initially nervous about carrying a film, between their collective vast musical ability and director support, they did an amazingly beautiful and very real job of bringing the characters to life (which just goes to show you how "real" real people can be).

The story concerns two seemingly dissimilar people who slowly come to realize their profound similarities. A Czech immigrant (Irglová) encounters Hansard as a street musician in Dublin and they strike up a friendship. Both are reeling from relationship troubles and find that they also have in common a great love and ear for music. By helping each other explore that, they also change themselves irrevocably.

What stems from that, must be seen and definitely heard to be believed. The music is fantastic and the emotions rich. It is a must-see for anyone loving romance, music, hope and joy. Don't you dare miss it. Update: CONGRATULATIONS on winning the BEST SONG OSCAR! Y'all deserve it.


Directed by John Carney
Produced by Martina Niland
Written by John Carney
Starring Glen Hansard
Markéta Irglová
Music by Glen Hansard
Markéta Irglová
Interference
Cinematography Tim Fleming
Editing by Paul Mullen


Songs:
  1. Glen Hansard and Markéta Irglová: "Falling Slowly" (Hansard/Irglová)
  2. Irglová and Hansard: "If You Want Me" (Irglová)
  3. Hansard: "Broken Hearted Hoover Fixer Sucker Guy"
  4. Hansard and Irglová: "When Your Mind's Made Up"
  5. Hansard and Irglová: "Lies" – (Hansard/Irglová)
  6. Interference: "Gold" (Fergus O'Farrell)
  7. Irglová: "The Hill" (Irglová)
  8. Hansard: "Fallen from the Sky"
  9. Hansard: "Leave"
  10. Hansard: "Trying to Pull Myself Away"
  11. Hansard: "All the Way Down"
  12. Hansard and Irglová: "Once"
  13. Hansard: "Say It to Me Now"
Music:
Once

Movie:
Once

Read more!

Sock Puppet Showgirls

Harvey Finklestein's
Sock Puppet Showgirls
a kate west review
directed by John and Stephanie Shaterian
a West Coast Premiere
at Theatre Asylum
6320 Santa Monica Blvd, LA 90038





contact (800) 838-2006 or www.brownpapertickets.com
Fridays 11 p.m.; tix $15; EXTENDED TO DECEMBER 21
www.harveyfinklestein.com / www.myspace.com/harveyfinklestein

What could possibly be worse than your friend making you watch the dreadfully campy and overdone Paul Verhoven movie "Showgirls"? Secretly realizing that it's actually a good bad and that it has since gained a phenomenal cult following. And that you love it. For those of you delighting in spectacularly failed Hollywood projects, you'll WANT to see it, again - and again and again, too. And what's even better than that kind of bad? A "Showgirls" sock puppet version!

Yes, it's true, sock puppets recreate the horrendous cinematic fiasco, thanks to Harvey Finklestein's outrageous production. Directors John and Stephanie Shaterian (married, with puppets) ensure that the actors aren't the stars here, the sock puppets are. If you don't know the story, here's the synopsis direct from a show program: "An angry girl escapes to Las Vegas to become a dancer. After all the fucking and bad acting she ends up having to leave Las Vegas because she hurts a bitch and opens a can of whoop ass on a celebrity, and because she is a whore, and they don't allow whores in Las Vegas." With that enticement, how can you say no?

Dorien Davies portrays adorable sock puppet Nomi (Elizabeth Berkley in the film), the wide-eyed skank who becomes a successful dancer in Vegas and then gives it all up again. Davies has emotional and improvisational range in voice alone, matched by Lowe Taylor playing Crystal (Gina Gershon in the film), the experienced sock puppet dancer who shows Nomi the ropes, only to have her turn against her at the end. Both Davies and Taylor are in top form, strongly steering the scenes forward and improvising their little hearts out. They are truly the heart and strength of the show. You'll love Davies' plaintive wail, "I am not a whore!"

Eddie Beasley, Jonathan Caplan and Andy Wolf (this night's understudy) round out the cast just fine, playing sleazy agents, managers and even the stereotypical gay choreographer (Patrick Bristow in the film). Cardboard car cutouts and metal poles also help direct the imagination to recall the movie. Not for the faint of heart, this show goes all out, uncensored and to the raunchiest extreme: i.e. it's a late night show for a reason, no kids allowed!

It's a little surreal to see the occasional hand pop out and at the same time hilarious to watch the sock puppet dance numbers (of which there all several), although one does get weary of certain repeated humor, such as the stereotypical gay choreographer. It's a fun, short show however, and the funniest bits are hearing actual lines from the movie, written by the over-hyped screenwriter Joe Eszterhas himself. Yes, it's dumb, but really, isn't the movie is to blame for that? At least this way, we can let naked cotton puppets shock us for the evening, a definite improvement over the movie.

Don't miss the Classic Original:
Showgirls (Fully Exposed Edition)
Read more!

Tin Man

Tin Man
a Sci-fi Channel Mini Series
a kate west review





The Sci-fi Channel "Tin Man" six hour mini series is an odd and very loose adaptation of L. Frank Baum's "Wizard of Oz" stories. An unfortunate cross between "Mad Max" and "Battlestar Galactica", it fails as both a uniquely interesting adaptation and as an original piece.

The movie concerns a girl named D.G. (named after ancestor Dorothy Gale) who accidentally discovers she is heir to a throne in the alternate dimension, the Outer Zone, or the O.Z. (yes, like the trendy O.C.). Zooey Deschanel plays the waitress-turned-princess alternating between stoicism and wide-eyed surprise, her two main looks apparently. Her childhood dreams of magic turn out to be real memories and her parents turn out to be robots placed by her real mother in order to take care of her and to shield her from her evil older sister, Azkadellia (Kathleen Robertson), whose body is taken over by a witch (Karin Konoval). She's got to get to Central City to find the Mystic Man (Richard Dreyfus). Along the way she meets up with Glitch (Alan Cumming), a former royal aide whose brain has been viciously removed. They in turn rescue a man in an iron prison suit named Cain (Neal McDonough) or the Tin Man, since he used to be an officer of the law. Last but not least, is the fluffy and timid creature named Raw (Raoul Trujillo).

Many adventures ensue, while Azkadellia's Gestapo-like Longcoats pursue the gang relentlessly, especially Zero (Callum Keith Rennie), the main person responsible for torturing the Tin Man's family and forcing him to watch from behind his metal hell. They even run into a shape shifter from DG's past who turns into a dog. She used to call him Toto, when she couldn't say Tutor (Blu Mankuma). The filmmakers make some bizarre choices, including having Azkadelia's flying monkeys literally spring from her tattooed chest. The Mystic Man proves to be a disappointment, as he is addicted to the vapors and a help to no one. The gang ultimately save their universe from destruction and the original royal family is restored. But it simply isn't an engaging enough interpretation and the look itself is drab and apocalyptic depressing.

The problem with the movie is not that it detracts from the Judy Garland film, as that in itself was an adaptation, but that it adds nothing to the original Oz books. There is no real new dimension or illumination and while there is nothing inherently wrong with making alternate endings or variations of beloved characters (Shakespeare did it, after all), this doesn't quite cut it. And it can be done quite well, as demonstrated in both the hit novel and musical "Wicked". But in this case, "Tin Man" makes little impression on the Oz universe. So you can save the room on your TIVO.

Created by
Craig Van Sickle
Steven Long Mitchell
Directed by
Nick Willing

Starring
Zooey Deschanel
Neal McDonough
Alan Cumming
Raoul Trujillo
Kathleen Robertson
Richard Dreyfuss
Blu Mankuma
Callum Keith Rennie

Composer
Simon Boswell

Alternatives:
The Annotated Wizard of Oz (Centennial Edition)

The Wizard of Oz (Three-Disc Collector's Edition)
Read more!