Stuffed and Unstrung - The Tour


by Henson Alternative
a kate west review
on tour now! http://www.stuffedandunstrung.com/ 
check here for local dates: http://www.stuffedandunstrung.com/tickets.php





The Jim Henson Company sprung into being from one of the most endearingly creative minds in entertainment and son Brian Henson beautifully carries on Jim Henson's talented legacy (for several years now) with "Stuffed and Unstrung", an improv show with puppets. Formerly "Puppet Up", this run of unscripted delight continues to impress fans, now embarking on a nationwide tour (check the website to see if it's coming to you). 

Like many improv shows, it is heavy on audience suggestion, so be prepared to shout out fun ideas for scenes. Host Patrick Bristow impeccably moderates and fields the most appealing leads. Just so you know, some of the very brave seated in the orchestra may get “volunteered”. But don’t worry, everyone is there to support and love you – the puppeteers are anyway (you can never be sure about puppets). If you don’t believe it, click the link below for one of the sweetest moments on stage.

This amazingly professional cast can improvise the heck out of any suggestion so part of the fun is watching their wild and crazy characters act out scenarios as if they happen every day. Like Brian himself says, “It can be a little disturbing to see unrequited love between a goat and a fish, but we find it delicious and surprising ….” And audiences cannot agree more. You don’t have to be a fan of  Henson’s beloved “The Muppet Show” or even “Sesame Street” to enjoy the antics, but it is awfully nice to see some vintage pieces incorporated into the show (you may recognize some early Jim Henson). The best part is finally being able to watch what the puppeteers have to do in order to create the magic. As in all live shows, not every night goes 100% smoothly, but that's the secret joy of improv. And the lovely nostalgia factor (along with the talent) is always there. Guaranteed.

In short, there are two shows – one you can watch on the monitors which show the actual puppets acting out a screen on video (like you are used to with Kermit and Miss Piggy) and the other is on stage, where you can watch the dark-clothed puppeteers maneuvering their puppet characters. If you don’t think puppeteering is hard, try holding your arm up for an entire scene and training your brain to move right in order to have a character move left on screen. Fascinating. You’ll also get to see a truly multimedia interactive scene from the patented Henson Digital Puppetry Studio with a robotic version of a puppet (needs to be seen to be understood).

Although Henson has added many new features since 2005 (previous reviews of the gentle silliness here  and here), the essential joy and puppet artistry is definitely still present and stuffed people and animals on sticks make for a remarkably real and touching evening. Squirrels might be foster children, hot dogs may need intervention and James Bond may even appear (anything goes with puppets!) And none of the puppetry magic would even be possible without the supremely fantastic cast (listed below). Rotating different casts for different tour dates works well for them since everyone goes through the same rigorous training process. If you weren’t in awe of this company before (and really, who isn’t?) you will be after they take your town by storm. Once you experience this uniquely delightful show, you’ll want to come back and bring a friend. Or two. Enjoy!

p.s. There is a reason the above is billed as “adult” so if you don’t appreciate strong language, stay home. But come on, you know you really want to see a puppet swear.

Like Father, like son ....



Catch them on YouTube here
(includes the best audience participation scene: http://youtu.be/S7c25whalgQ)


Previous reviews here:








Brian Henson (Creator, Producer, Performer) is Chairman of The Jim Henson Company and an award-winning director, producer, writer and performer. In recent years, Henson served as Executive Producer on the television projects It’s A Very Merry Muppet Christmas Movie, Muppet Wizard of Oz, Farscape: The Peacekeeper Wars (which he also directed) and Jim Henson’s Jack and the Beanstalk: The Real Story (which he also co-wrote and directed). Previous television projects that Henson produced include Farscape, Bear in the Big Blue House, Gulliver’s Travels, The Wubbulous World of Dr. Seuss, Muppets Tonight and Dinosaurs. Henson’s long list of film credits includes The Great Muppet Caper, Labyrinth,The Witches, Little Shop of Horrors, Teenage Mutant Ninja Turtles, The Muppet Christmas Carol and Muppet Treasure Island.
 Henson also oversees the groundbreaking work at Jim Henson’s Creature Shop, one of Hollywood’s pre-eminent character building, digital and physical visual effects facilities. Henson was part of the team that first created and utilized the Henson Performance Control System, a powerful custom-based interface for puppeteers, which won an Academy of Motion Picture Arts and Science Scientific and Engineering Award in 1992. Recently, he has been leading the Shop’s work with its revolutionary puppeteered animation system. He recently directed Battleground, an episode for TNT’s anthology series Nightmares & Dreamscapes: From the Stories of Stephen King.

Patrick Bristow (Co-Creator/ Director/ Host) is best known for his numerous television appearances most notably as Peter on the groundbreaking ABC series Ellen. Other television credits include, Curb Your Enthusiasm, Seinfeld, Friends, Mad About You, Whose Line Is It Anyway?, and others. Film credits include Twilight Of The Golds, The Longest Yard, as well as the first Austin Powers, So I Married An Ax Murderer, and the accidental comedy Showgirls.  Bristow is also an alum of The Groundlings Main Company where he has performed, taught, and directed. He won a Garland Award for his performance in The Break-Up Notebook and though nominated for an Ovation award for the same role, didn't manage to snag that one. 

Direction credits include 
Hot Dog TV for the Cartoon Network, IronSink.com 's Freakdom Of Speech, Improvatorium's current hit show, Zombience!  He has served as an improv consultant for The WB, Bravo's Significant Others, Disneyland, Fox TV, and others.
He lives in L.A. with his wonderful partner of 16 years, Andrew Nicastro.
He sincerely hopes you enjoy 
Stuffed And Unstrung.

Grant Baciocco is the producer and host of the Henson.com Podcast, the official podcast of The Jim Henson Company. He is also the creator of several other award winning, family friendly podcasts including The Radio Adventures of Dr. FloydDid This Happen? and Grant's Advent Calendar Video Podcast. His comedy music act, Throwing Toasters, has toured clubs and colleges across the country, played a sold out show at the Tokyo Dome in Japan, had several #1 hits on the Dr. Demento show and opened for "Weird Al" Yankovic. He is also an Associate Producer on Joel Hodgson's Cinematic Titanic. Find out more at www.MrGrant.com. "What I enjoy most is not what the puppets are saying or doing that makes the audience laugh; it’s if the audience knows what the puppets are thinking and they laugh…then I know it’s funny.”

Jennifer Barnhart is a performer with one foot in the human world and one in the puppet world; she enjoys when those worlds intersect, as in her recent appearance in Jim Henson's Emmet Otter up at Goodspeed. She is an original cast member (Outer Critics Circle Award) of the Tony Award-winning Broadway musical Avenue Q. Favorite stage roles includeThe Angel in Angels in America, Olivia in Twelfth Night, and Jack’s Mother in Into the Woods. She has appeared on Law & Order: SVU and As the World Turns; puppeteering credits include Sesame Street, Between the Lions, Lomax: the Hound of Music, Johnny and the Sprites, and Bear in the Big Blue House

Bill Barretta began his twenty-year relationship with The Jim Henson Company playing “Earl” on the hit series Dinosaurs.  In addition to creating Muppet characters such as Pepe the King Prawn, Bobo the Bear and Johnny Fiama, he has gratefully taken over Rowlf the Dog, The Swedish Chef and Dr. Teeth, characters originally created by the late great Jim Henson. Performer, writer, producer and consultant credits include Muppets Treasure Island, Muppets Tonight, Muppets From Space, It’s A Very Merry Muppet Christmas, Muppets Wizard of Oz, and Jack and the Beanstalk:  The Real Story (co-writer and “Thunderdell the giant”). 

Julianne Buescher is an actor, writer, Second City alum, and founding member of Stuffed & Unstrung. Stage credits include Velma Kelly in Chicago, Kate in Old Times, and Helen in Baby with the Bathwater. TV/Film credits include The Middle, Criminal Minds, Forgetting Sarah Marshall, 24, Supernatural, The Simpsons, Pirates of the Caribbean, Robot Chicken, Mr & Mrs Smith, Jimmy Kimmel Live, and E! (narrator/host). She also created and starred in the award-winning film Resculpting Venus: a Comedy about Breast Cancer, and created many of the puppets featured in Stuffed and Unstrung. “Nothing says 'Love' like a dog puppet humping your arm."

Tyler Bunch has been working as an actor/puppeteer in the NYC area for eighteen years. In addition to performing such characters as Parris in The Crucible, Bottom in Midsummer Night’s Dream and Pooh Bah in The Mikado, he may also be recognized by youngsters (or the young at heart) for his performances as Pop, Treelo and Doc Hogg (Bear in the Big Blue House), or Grampu, Dr. Nitwhite, Winslow or Baby Cookie Monster (OOBIBetween The LionsIt’s a Big, Big WorldSesame Beginnings). “I am surprised at how amazed the audience is to see how we do what we do. Working with puppets for a long time, I forget that the audience hasn’t had a lot of opportunities to see behind the magic. The fact that we’re throwing that all out there in this show is a really new thing.”

Leslie Carrara-Rudolph is an Emmy-nominated puppeteer and multi-faceted entertainer whose stage credits range from the Beggar Woman in Sweeny Todd to the numerous characters in Lilly Tomlin's Search For Signs Of Intelligent Life In The Universe. TV / film credits include Sesame Street, Johnny and the Sprites, Muppets Tonight, Forgetting Sarah Marshall, The Wubbulous World of Dr. Suess, The Simpsons, and Nickelodeon's Tough Puppy. She created The Wahoo Wagon, a stage show for Disney's El Capitan Theater and will be premiering her new musical “Wake up Your Weird” at the Lesher Center for the Arts in Walnut Creek this September. 

I find it comforting that in this show a cavewoman can go on a blind date with an alien that her beaver buddy set up with a mutual ferret friend who is married to a punk rock monkey with a fish fetish. I feel like I fit in."





Brian Clark co-produced, co-storied and starred in Sizzle (an improvised Borat-style comedy about global warming).  A member of the Groundlings, he later discovered puppetry, a helpful skill when he was cast in Puppet Up! and as a puppet panelist on  the Game Show Network’s Late Night Liars.   Writing credits include That Gay GhostIn the ClubYokies, Baydogs and The Children of Toromiro. Brian co-founded the sketch comedy group The Deviants and though he regularly fails at relationships, he currently employs himself by giving sex advice to women from the male perspective as a contributing writer for Betty Confidential.com. “Performing in Stuffed and Unstrung is like being possessed by multiple demons at the same time. Only these demons are made of felt and when they make you say something bad, technically it's still your fault.”

Stephanie DAbruzzo is a Tony and Drama Desk-nominated performer best known for originating her roles in Broadways Avenue Q (Theatre World Award, Outer Critics Circle Award). NYC stage includes Dont Say Another WordPlaisir DAmourAustentatiousKiss and MakeupI Love You Because, If You Give a Mouse A Cookie & Other Storybooks, and Gravid Water at Upright Citizens Brigade Theatre. Other cities have seen her in [title of show]The Guys, and Knuffle Bunny: A Cautionary Musical. TV includes Sesame Street (17 seasons), OobiThe Wonder Pets!Jacks Big Music ShowSheep in the Big CityThe Wubbulous World of Dr. SeussI Love the 70s Part II/80s 3D, and Scrubs. Go U Northwestern.

James Godwin Puppeteer credits include: Book of Pooh, Bear in the Big Blue House, Between the Lions, Oobi, Blue’s Room, Saturday Night Live, Chapelle’s Show, the Spike Lee-directed commercial for iam.com, and  It’s A Big, Big World for PBS where he plays the character BOBJames also co-founded the puppet company The ElementalsThe Elementals have performed at P.S. 122, Dance Theater Workshop, HERE, the Walker Art Center, and in the Henson International Festival of Puppetry.

Drew Massey is an actor, puppeteer, and voice-over artist whose film credits include Forgetting Sarah Marshall, The Hangover, Men In Black, Muppets From SpaceThe ProducersDoctor Dolittle, and Team America: World Police, among others.  Drew has also performed in TV shows such as: AngelGreg the BunnyWarren The ApeMalcolm in the MiddleMuppets Tonight, and Crank Yankers.  He is nice to the elderly, loves animals, and is convinced that dairy products are bad for him.  He also helped create some of the many puppets featured in Stuffed And Unstrung. 

Ted Michaels is an alum of the performing company at the Groundlings Theater in Los Angeles where he was featured in their main stage shows. He also performed with Eddie Izzard in Mr. Izzard's One Word Improv stage show in Los Angeles. Recently, he puppeteered characters for MTV's spinoff of Greg the Bunny, called Warren The Ape. In addition to many commercial appearances, his television credits include roles on The Comeback, Campus Ladies, According to Jim, Girlfriends and Mad TV“My favorite moments in the show are when we strike on an absurd idea and everyone goes nuts with it- piling on nonsense from every angle until that absurd idea somehow begins to make perfect sense.”

Michael Oosterom is an actor whose stage credits include the American Conservatory Theater, The California Shakespeare Festival, The San Francisco Mime Troupe and the national tour of Steve Martin's Picasso at the Lapin Agile. TV credits include Nickelodeon's The Amanda Show, The District, and Help Me Help You. Recent puppet credits include Where The Wild Things Are, Pushing Daisies, Forgetting Sarah Marshall and Dante's Inferno. He is an alumni of The Groundlings Sunday Company. “I love the warthog puppet. So ugly and yet so beautiful.”

Paul Rugg, a founding member of the ACME Comedy Group in Hollywood and an award winning writer for TV animation, has lent his vocal talent to shows such as AnimaniacsPinky and The BrainHisteriaBuzz Lightyear Of Star CommandDave The BarbarianToonsylvaniaAmerican Dragon, and Catscratch. Paul also wrote, produced and starred in Freakazoid as well as the Manny The Uncanny segments for ABC’s One Saturday Morning. Recently he also performed Ditch in the animated web series for PBS KIDS GO!, Wilson & Ditch: Digging America.

Colleen Smith is a Groundlings Sunday Company alum and currently teaches improv at the Groundlings school. She is a correspondent on The Showbiz Show with David Spade. Her other television credits include The Office, World Cup Comedy, The Singles Table, Carpoolers, and King of the Hill. She is the co-creator of an original series called Danger Force Five. She is also the co-creator of DateGarden.com, a fictional dating website, and of The Smith Brown Project, a two woman show which ran at The Comedy Central Stage and UCB. 

Allan Trautman began his performing career as an actor, noted for his portrayal of “Tarman” in the cult classics Return of the Living Dead: Parts One and Two. He has gone on to puppeteer in such features as Muppets From SpaceCats & DogsBabe, the Men in Black  films, and Dr. Dolittle (for which he was also performance coordinator). His television puppeteering credits include Greg the Bunny, Unhappily Ever After, Muppets Tonight and Dinosaurs, and he was nominated for two Emmys for his work on D.C. Follies. He is currently featured in the web series, Lost Untangled, which can be seen at abc.com. “With television, you only get to see half the fun we have. Now you can see what happens when the cameras stop rolling."

Victor Yerrid is an actor and puppeteer who likes calling people “Hank” regardless of their name. His credits include The HangoverForgetting Sarah MarshallTeam AmericaMen In Black IIRobot ChickenThe Sarah Silverman ProgramWarren The ApeCrank YankersAngel, Greg The BunnySid The Science Kid, and Sesame Street. Victor enjoys most berry-based smoothies and adores his wife Janet. The best part of my night is when somebody comes up to me after the show and says ‘Wow, you were fantastic! How do you come up with all of that ridiculous stuff?’ Then they usually say ‘Wait…you’re not Ted Michaels."

Jen Schriever – Lighting Designer
Recent Designs:  Hairspray (Oasis of the Seas), An Evening Without Monty Python (L.A. & Town Hall), A Streetcar Named Desire, The Winter's Tale (Berlind Theatre), Kaboom (Cherry Lane), The Epic of Sunjata (Loft), Lend me a Tenor, Other People's Money (Engeman), As Far As We Know (Flamboyan). Upcoming Design: Pearl Fishers (ENO), Premiers: Inner Voices Solo Musicals (59E59). Recent Associate Design - Broadway: Fences, A Behanding in Spokane, Joe Turner’s Come and Gone, You’re Welcome America, American Buffalo, 13 - A New Musical, A Catered Affair, Cymbeline, The Vertical Hour, The Color Purple, The Threepenny Opera.  First foray into puppets: Emmet Otter’s Jugband Christmas (Goodspeed).  BFA: Purchase College.

Kerry McDonald – Sound Designer
Kerry has produced live and recorded sound across the globe for the past 8 years. He has made sonorous contributions to listeners’ ears as a record producer at his studio Viva La Fuzz! and as a live sound Audio Engineer for Eddie Izzard, Camera Obscura, Passion Pit, The Vaselines, Isobel Campbell, Frightened Rabbit, Rogue Wave, Matt Nathanson, and Pinback. He has designed, repaired, and teched systems for The Eddie Izzard Stripped tour, The NYC Fringe festival, Memphis band shell, and NASCAR. He currently resides in NYC and is the Audio Production Manager for Bentley Meeker lighting and staging. He is also an advocate of the theory that Mexican food improves ones hearing.
Read more!

Wake Up Your Weird!


a kate west review
at The Cavern Club/Casita del Campo
1920 Hyperion Avenue, Silverlake, Ca 90027
www.lesliecarrara-rudolph.com
brownpapertickets.com/event/196926
September 17 @2pm/5pm
touring shows: http://www.wakeupyourweird.com/

Leslie Carrara-Rudolph is weird. So weird in fact, that she made a whole show about it; she's actually super proud of her weirdness, so she started a whole movement here. You can see part of that weirdness in her puppet show, "Wake Up Your Weird!" starring Leslie's (sort of) alter-ego, Lolly Lardpop, a feisty, red-haired (yarned?) sock puppet.

Lolly just wants to fit in (don't we all?) so she tries to befriends some other girly puppets but they won't accept her. So she needs to find a way to accept herself and teach the children in the audience how to do that for themselves too. Leslie achieves this magical feat beautifully, through adventurous storytelling with some fantastically memorable characters. Oh, and songs. And projections. There's a bit of everything in this show and it's funny enough to entertain the adults too.

Cleverness abounds so pay close attention to little quirky details here and there. And also watch for a sheepish fairy godmother, a lovable wise old grandma and maybe a few monsters. There's even a whole number about a brain. Tiny children may be a bit frightened, but school children will love it and even get to participate. Parents, if you're good, you can too. It's in two acts: the first act is Lolly and Leslie's story of self-esteem and discovery. Being weird is O.K., if that's truly who you are. The second act is mostly playing with the kids in the audience so it may seem a bit like two different shows. Some adults popped off for drinks by then (this particular day the show set up in a bar/restaurant), but if you stick around you can hoot and holler and let off some of that corporate steam from your work week.

Whichever act you prefer, the best magic is Leslie herself. She's a true performer in that triple threat kind of way (and no wonder, with "Sesame Street" and Henson credits). She sings, dances, yells, yelps, growls and voices innumerable characters in seemingly tireless and effortless fashion. She is joy personified on stage and you can't help but get a little infected by her Lolly light. She and the adorably irrepressible Lolly will meet you after the show, if you want to thank them personally for that spark of happiness. Whatever technical glitches occur in the early versions of this show are more than compensated by Leslie's genuine enthusiasm and contagious love of creativity.

So if you want to teach your child to open his or her mind and heart, or need a reminder for yourself, this is the show to see. "Never underestimate the power of JOY!" Read more!

Jonathan Shue - In The Valley of Heart's Delight


a kate west review

Local San Francisco artist Jonathan Shue knows his way around a guitar. And some compelling lyrics. With the album "In The Valley of Heart's Delight", he serenades us on relationship woes (to name one recurring theme), spun to lovely strumming on his guitar (and the occasional harmonica).

The songs here are definitely universally relatable and pretty enough to keep you listening. "Honesty Gets Me In Trouble" in particular, captures an amusing take on why some guys can't help saying the wrong thing at the wrong time. "Ballad of Rene Vallaincourt" adds some western mystique, with a tang of tolerable country. Echoes of folk music drift in and out of some of his work too, in the nicest way possible.

The best piece, however, is the softly subtle "Bartholomew", about the musings of a dreamer. Because it is so brimming with visual possibilities, Shue commissioned a local production company Two Plush Two (who also know their way around a good story), to showcase one of their adorably popular videos featuring "Bartholomew" (separate review here). The resulting collaboration is sweetly wistful and perfectly executed. Catch the magic below. And remember to pass on the good feelings!

SONGS
1. Honesty Gets Me In Trouble
2. Chasing Hurricanes
3. Cryin For That Kiss
4. Bartholomew
5. Orangecoat
6. Ballad of Rene Vallaincourt
http://jonathanshue.com/

To see true artistry at it's synergetic best, watch the new video by Two Plush Two Productions below:


VIDEO







This one is for the dreamers:
http://www.youtube.com/watch?v=Brrrfw3baFc&feature=related 

All songs written by Jonathan Shue, Mike Schadell - drums, Jonathan Shue - vocals, rhythm & lead guitar, bass.
Read more!

Fantabulous Drew Droege as Chloë Sevigny

















a kate west recommendation

No one does it better. Find out why.














Chloë on YouTube:
http://www.youtube.com/user/combine13

Advocate Article:

Q&A:
http://laslush.com/2011/09/22/drew-droege-aka-chloe-sevigny-talks-la-faves/


Have to see to believe? Start watching those YouTube videos. Then when you've got them memorized (and there's a whole Drew-Chloë cult that does), come see the magic happen for yourself - up close and personal, here. Drew does a fabulous one-person show explaining all about him and his indie art muse, answering all the questions you were afraid to ask.

For instance:

Has Drew Droege actually met Chloë Sevigny? Yes.
Does Drew Droege attend the same parties as Chloë Sevigny? Yes.
Do Drew's Chloë videos show what Chloë Sevigny is really like? Yes and No.
Is Drew a drag queen? No.
How did the Chloë Sevigny character get started? You've got to come hear Drew tell that himself.

What do you get in this show? Drew will tell you all about the origins of the Chloë character and about his years of misgivings, ponderings, triumphs and failures, all leading to the sensational present day phenomenon that is Chloë Sevigny in all her glory telling us, "Good Evening, America". You'll hear how Jim Hansen (video director) finally convinced Drew to put this hipster fashionista on film and show America what Los Angeles already glimpsed: comedic genius so much cooler than the rest of us can hope to be.

And Drew could not be more endearing, humbly relating each Hollywood experience and seeming genuinely surprised at all the hoopla lately. We see some of the choicer Chloë videos, interspersed with the real Drew explaining what goes on behind the scenes. He is hilarious and sincere and the show is over way too quickly. But don't worry, there are more trendy glam videos to come. And thank God too, because no one else can carry off that combination of super cool indifference and importance. Dropping designer and celeb names, Drew's effortless Chloë Sevigny keeps us riveted to the pulse of the true Hollywood underground, of those in the know, too cool to bother hiding. Delicious, delightful, sexy and fierce, Chloë never disappoints. And what does the real Chloë Sevigny herself think about all this? Well, click on the video below and see. Air kisses, darlings. Mwah!

SEPTEMBER 23 & 24
FRIDAY & SATURDAY at 9:00pm


$15 PRESALE   $20 at the Door 
Box Office Opens
1 HOUR PRIOR TO SHOWTIME
Standby Seats Released
15 MINUTES PRIOR TO SHOWTIME
CAVERN CLUB CELEBRITY THEATER
at CASITA DEL CAMPO RESTAURANT
1920 HYPERION AVE.
SILVERLAKE, CA 90027
RESTAURANT PHONE - 323-662-4255

Get on the mailing list to find out more:

Now watch Chloë do Drew!
Read more!

Stones in His Pockets


a kate west review
by Marie Jones
directed by Zeljko Djukic
a TUTA Theatre West Production
at The Zephyr Theatre
7456 Melrose Avenue, Los Angeles, CA
August 19 - September 17, 2001
contact (323) 960-7822 or Plays411

Olivier-award winning "Stones in His Pockets" originally premiered in Ireland in 1996, depicting a small Irish town taken over by a Hollywood film crew and the resulting conflicts that would inevitably arise. The latest version, actually showcased in Hollywood, remains true to the original story.

Andrew Friedman and Jerry Richardson play multiple characters, zipping through personalities and accents at a break-neck speed, reminiscent of a similar two-person show, "Greater Tuna" (set in the American South). While "Tuna" has more defined transitions, "Stones" runs through its plots of characters so fast that at first it is a bit difficult to follow. Once you get the hang of it, however, (watch the changing handkerchiefs), the story makes much more sense. It helps that Marie Jones wrote some compelling dialogue, with convincing drama between the characters. Although it would be awfully nice if more time could be spent on some of the characters, especially the ones with significant life changing events. It's still interesting, but would be even more so if we were able to invest just that much more.

That said, Friedman and Richardson do an excellent job of keeping it all together. They handle the accents fine and are able to switch back and forth between a dizzying amount of personalities (young, old, male, female, you name it) like the seasoned professionals they are. Their range of emotions in such quick changes is impressive as well, so kudos to them both for a great display of versatility. They are definitely a good team and work terrifically well with each other. And the obvious comfort level and chemistry between them is really nice to see. Director Zeljko Djukic must have worked long hours getting all those characters straightened out for everyone. Natasha Djukic’s minimalist set works with the quick mood and scene changes, as that seems to be the most utilitarian, and the same can be said for costuming. There is virtually no time for set or costume changing within the manic piece, so that’s that.

The essential story is that of Charlie and Jake, two Irish extras on location in their home town during an American film shoot and all the variety of people they interact with, from all walks of life. Of course there are some cultural misunderstandings and always the underlying Irish national weariness of being the constant underdog. Again, it is initially tricky to follow what's going on until you understand the transitions between all the people. Sad Irish laments happen, with some flashes of American disdain. Some of the characters are more dimensional than others, and again could really use some fleshing out. The behind-the-scenes drama of a play-within-a-play is always catchy though and it's fun to kind of see the inner workings of a big budget studio set. From the standpoint of a play anyway. The film terminology is fairly correct, and as an added bonus, they talk about cows a lot too.
Do these two countries finally come together in united understanding at the end? Well, that wouldn’t be very realistic, would it? So no, things pretty much continue as they are, but the plight of the little people, the extras and underdogs, gets a little spotlight. Big pictures are made of up of tiny points of view, literally and figuratively, and “Stones” attempts to capture this, from the other side of the screen. Good acting and lyrical writing help that along and the audience seems to respond well to the onstage energy. It’s running one more weekend, so be sure and catch it at the Zephyr in good ‘ol Hollywood. Nice job, guys - there's a reason you're Ovation recommended.
Read more!

Edsel and the Time Machine























a kate west review
SGC Entertainment Group & Asian Journal Publications
Directors Fenny G. Pangan & Alvin H. Reyes
Musical Director Sonny Fernando
USC campus, Bovard Auditorium
3551 Trousdale Parkway, Los Angeles, CA 90089
performing July 16, 2011 @7 pm only

"The Golden Boy with the Golden Voice"

Edsel Sotiangco is touted as a gifted young musical prodigy from the Philippines, known as "The Golden Boy with the Golden Voice". He recently deemed to grace USC with his variety show "Edsel and the Time Machine" and some of us will never get those two hours back. A real family affair (Dad's a producer), Edsel tours with friends and relatives, taking the audience back through time with a song from every major decade from the 1930's to the present. This would be the fifth time the show has been mounted. A former child star, Edsel showed amazing potential to be a bonafide pop star and now in his teen years, he's still at it.

The essential "story" is framed around Edsel attempting to find a little meaning in a show he's done countless times before. The mysterious Shadow Man helps Edsel get through a tedious rehearsal by pointing out the origins of musical inspiration. This means we get to see cast members trying out different songs following video clips of unrelated songs from the same eras. That's pretty much it. The talent is uneven, ranging from terrible to good. Some singers (and some musicians) are even occasionally off-key. You'll see a Beatles impersonation and some interesting violin playing mixed in there. All this seems par for the course for the rabid fans who scream with delight each time Edsel appears or hear a song we all recognize (and that would be almost all of them).

Edsel himself spends his time going through the motions of the bare minimum plot. Yes, he has a good voice, but tonight's passion wasn't in it. Some singers got really into it, however. Allyson Cantimbuhan has a nice belty voice singing "I Will Survive". Not the best choice for someone so young and unjaded, but her stage presence makes up for that a bit. Other non-terrible acts include the de Jesus sisters (Toots, Nini, Toni and Zandi) tackling some Broadway tunes ("Aquarius" from HAIR and "One Night Only" from DREAM GIRLS) and Lianna Gutierrez. The back-up dancers do a fine job as well.

Overall, the show is a crowd-pleaser, albeit with a built-in fan base. The tunes are mostly familiar and some come across much better than others. The video tracks aren't all that well organized, lightly touching on the particular eras, but not really introducing the songs performed. If you're not part of the in crowd, you might get bored (again, it's a two hour show) so unless you revel in kitsch and cheese (and some people do and more power to you) you can save that fifty dollars (you heard that right, and some people didn't even get a program once they ran out).

CAST
Junn Aquino, Lianna Gutierrez, Erika Delos Santos, Allyson Cantimbuhan, Henry Pagkalinawan, Jr., Andy Tecson, Glynis Sotiangco, Toots De Jesus, Nini De Jesus, Toni De Jesus, Zandi De Jesus, Fenny Pangan, Al Rapisura

Read more!

RADAR L.A.

a kate west review
an International Festival of Contemporary Theater
produced by REDCAT (The Roy and Edna Disney/CalArts Theater)
with Center Theatre Group and the Public Theater's Under the Radar Festival
www.radarla.org


Influential theater ensembles from Chile, Mexico, Japan and Australia are among the companies to be featured alongside Los Angeles artist when REDCAT launches the international RADAR L.A. Festival. REDCAT serves as one of several venues for the groundbreaking festival, which features 15 productions that are fueling the dialogue about the evolution of contemporary theater.

As a venue for bringing cultural diversity to Los Angeles theater, the above festival is great. Keep in mind however, that just because a piece was written in a language you are unfamiliar with, doesn't automatically mean that it is brilliant. It would be a disservice to these hard-working artists to give them points for being "exotic" (i.e. the tiresome Angelino habit of giving a standing ovation to every play you are even mildly impressed by). So on artistic merit alone, here are three festival samples reviewed:


Amarillo
by Teatro Linea de Sombra
directed by Jorge A. Vargas
written by Gabriel Contreras
at REDCAT
631 W. 2nd Street, Los Angeles 90012
running June 16 - 19






















The renowned Mexican visual theatrical troupe Teatro Linea de Sombra (roughly, Shadow Line Theater) brings us "Amarillo", the story of one man's attempt to cross the U.S. border. Destined for Amarillo, Texas, speculation arises as to what happened to him on the way and why he never arrived.

Raúl Mendoza is this everyman, the typical migrant trying to find a better life in another country. In fact, he says as much in his monologues, calling himself by several names, as he could be any number of those desperate souls south of the border. At one point he layers up with different clothing, which could represent all he owns in the world, as well as a piece of each person passing through on the way to the American Dream. We follow him up to the point he disappears, his relatives never to know his fate.

The rest of the cast is made up of women (Alicia Laguna, María Luna, Vianey Salinas, Antígona González) who portray lovers, muses, dancers and chorus. Jesus Cuevas is the main voice of this chorus, chanting in an almost Tibetan baritone and singing to the main character throughout his journey. Through them we get glimpses of life and love, the people hoping back home, snippets of human longing.

But don't expect a linear story. The company specializes in visual art, shown to full multimedia proportions with a huge screen projected on the back wall, several cameras following the action on stage in black and white and footage of various scenes depicting images of illegal alien life, such as passing trains and haunted faces. When Mendoza's character gets stuck in the desert, the women bring out jugs of water and bags of sand are flown in from the rafters. Cutting them open with a knife demonstrates time (and life) running out for our wrung out protagonist. One of them is even shaped like a heart and is lifted skywards, fatally wounded.

Director Jorge A. Vargas gives us a technically interesting show, filled with props, cameras and screens but also a stage essentially bare of any set, so it is not visual stunning in any traditional sense, and at times even desolate. Also, the story is an old one, covered many times, and while the company is to be commended for innovation, it is difficult to separate the sledgehammer message of obvious truth from the minimalist deprivation of the senses. Still, the poetic nature of the piece is worth a listen (some of it in Spanish).


Hot Pepper, Air Conditioner, and the Farewell Speech
by Chelfitsch
directed & written by Toshiki Okada
at Los Angeles Theatre Center (LATC)
514. S. Spring Street, Los Angeles 90013
running June 17 - 19












The Asian company Chelfitsch (roughly, selfish), combines simple stories with stylized movements (often as formal as in Kabuki theater). In "Hot Pepper, Air Conditioner, And The Farewell Speech," office workers contemplate an upcoming farewell party and some daily minutia of typical office life.

While three temporary employees are having lunch, they come up with ideas for a farewell to one of their own. Each of them stands and monologues his/her thoughts, while making deliberate movements to accent their ideas, which they also repeat endlessly. It is definitely amusing to watch them take so formal an approach to picking a take-out menu from Hot Pepper Magazine and the audience revels in this originality. Then two permanent workers discuss air conditioning in the office, repeating the dialogue and movements several times, with only slight variations. Finally, the co-worker being let go gives a rambling speech to her awkward colleagues.

The choreographed movements and repetitive dialogue are quite fascinating and Director/Writer Toshiki Okada shows this technique well, for the most part. By the end though, the final speech goes on a bit too long (and might be hard to follow, given that is in Japanese, with subtitled English, as in the rest of the piece). Actors Taichi Yamagata, Riki Takeda, Mari Ando, Saho Ito, Kei Namba and Fumie Yokoo do a good job of maintaining this highly disciplined blocking, however. It is a funny piece altogether and while some of the movements are inexplicable (touching toes while talking to a co-worker), others are delightfully quirky, like rapidly fanning a magazine. A fun show to take in, contemplate and discuss.


Neva
by Teatro en el Blanco
written & directed by Guillermo Calderón
at REDCAT
631 W. 2nd Street, Los Angeles 90012
running June 14 - 18














Teatro En El Blanco (roughly, Theater In The White) has been wowing Latin American audiences for years and now brings its latest production "Neva" to the festival. Olga Knipper (Trinidad González) is Anton Chekhov's widow and is found at a St. Petersburg rehearsal space during the Russian Revolution. Her fellow actors (Jorge Becker and Mariana Muñoz) take turns placating her diva tendencies, while worshipping her artistry.

Director and Writer Guillermo Calderón depicts a delightful peek into the absurd drama of the actors world, while real chaos and drama drum outside the windows. Olga is haunted by the death of her beloved and plays her heightened misery to the hilt (wonderfully played by González). Jorge Becker and Mariana Muñoz equal her in their schizophrenic back and forth rants, merging lines of a play with their own realities until no one is sure which world is real. The exaggerations are hilarious (even in subtitled English in a Spanish play) until the final speech by Mariana Muñoz takes your breath away.

The passion in this piece is riveting and very (literally) focused as the stage is a raised platform spotlighting the three actors in intimate detail. A definite must-see.
Read more!

BRIDESMAIDS























a kate west review

To call the new female comedy "Bridesmaids" a chick flick is to do it a disservice. It's a little bit of that, sure, but mostly it's so much more. It's really about the changing dynamics of friendships, the kind you have with old friends, with new friends and especially with yourself. But don't worry, fans of slapstick will get to enjoy some outrageous bathroom humor too, thrown in for good measure (if you're squeamish, beware the dress fitting scene).

Kristin Wiig (
SNL) co-writes her first starring role as Annie, a struggling business entrepreneur who is thrown into wedding planning hell in the middle of her own personal crisis. Her best friend Lillian (Maya Rudolph, another SNL-er) is getting married and wants her to be the maid of honor. After her initial shock (and spurt of jealousy) wears off, Annie pulls herself together and tries really, really hard to make her friend happy. But it's a herculean task to create true beauty when you are truly miserable. Loveless, jobless and homeless, she makes every effort to show her friend how much she loves her, but is thwarted at every turn, primarily by her bridesmaid rival and nemesis, the impossibly beautiful and perfect Helen (Rose Byrne), not to mention hilarious little daily reminders of how much her life sucks. As things get worse and worse, the scenes get funnier and funnier, until the inevitable climax (no spoilers here).

What makes this movie work so well is the terrific ensemble cast for one thing, many of them from Wiig's day as a Groundling. Wendi McLendon-Covey (RENO 911!) is hilarious as a jaded and harried mother of monsters, balancing out Ellie Kemper (THE OFFICE) as the sweetly, naive newlywed. They are great foils to each other. Melissa McCarthy (MIKE AND MOLLY) is the real scene-stealer of the wedding crew, with impromptu rants of insanity that have to be seen and heard to be believed. The side characters are loads of fun too (Jon Hamm's slimy playboy, Jill Clayburgh's mother and the adorable Irish cop Rhodes, played by Chris O'Dowd, Rebel Wilson and Matt Lucas' nutty roommates, flight attendants Mitch Silpa, Dana Powell and Ben Falcone's mysterious airplane passenger, the stuffy boss Mike Hitchcock, to name but a few gems).

Through all that comedic genius however, is the touching friendship between Annie and Lillian, played with real poignancy by Rudolph and Wiig. Wiig's despairing looks as her life falls apart absolutely hit home with the viewers. We can feel her pain, while laughing at how extreme everything becomes. Just when you think it can't get any worse, of course it does. Exaggerate the tragedy and you've got humor. You haven't seen funny until you watch Wiig try to push over a solid fountain (or hallucinate a butter-churning pioneer woman). Her facial expressions alone say so much with so little effort on her part. She simply lives Annie.

Then there's the writing. Kristen Wiig and Annie Mumulo (look for a cameo on the plane ride from hell scene) co-write a compelling human drama depicted by laughter. The essential things that happen, the losing of things, of self, we can all relate to, yet they are taken so outlandishly far it is safe to revel at the characters downfall. At the core of the story is of course sincere emotion, so we always root for poor Annie. She's pretty much our human condition, at one point or another in our lives, just trying to keep her head above water while the universe continues to hurl ridiculousness at her. Wiig and Mumulo demonstrate this truth very well. But there will be redemption, too - Annie's attempt to save her friendship ahead of her own needs will end up saving her own life.

On the surface though, the entire movie is non-stop fun. Director Paul Feig (KNOCKED UP) apparently allowed his actors to improvise in many scenes, giving them added spontaneity, though some of it could have been edited a little tighter. Some parts went on a tad too long at times so the pacing is sometimes off. But as a whole, the story works as a classic comedy, through ups and downs, and we are right there with the main character. Based on general audience reaction opening weekend, you will laugh until you cry.

So for the studio executives breathlessly waiting to see how BRIDESMAIDS does at the box office, congratulations. Yes damn it, women are funny and can write and deserve to be funded. Just ask Tina Fey. Well done ladies.
Read more!

Missed Connections







a kate west plea

Want to invest in your heart? Want to see someone else struggle to date in L.A.? Fund this!

Straight from the filmmakers:

I wrote this film, and my wife and I will be playing the two leads. The script was written specifically for people that we know. It's personal. We're shooting in our house and our friends houses. We've simplified the film making process to utilize what is available to us and what inspires us every day. I've been doing comedy in Los Angeles for eight years and have writing and performing on the biggest comedy stages in the city (The Groundlings, Upright Citizen's Brigade). While keeping with my comedic roots I really want to create something more, something deeper, something substantial. I have some insanely talented people involved with the project, and I'm certain that we are going create a truly funny film. We plan to shoot this project on the weekends. This is so cast and crew can still have their weekdays, if they need to go to work or auditions. We have friends working on every aspect of this film. Our editor is going to be editing while we shoot, our producer is working in her free time, and our actors are working for practically pennies. My wife is going to me making lunch and there is a good chance if I am not in a scene, I am going to be holding the boom. This project is all about friends - giving of themselves to create something special. It's our passion project.

See preview here:

Fund here:
Read more!