Starbucks Fervor

Starbucks
a kate west reflection






It's about time I commented on the eternal Starbucks craze, having drunk maybe a small lake's worth of their product in my time. The phenomenon that is the coffee behemoth has now reached heights of absurdity. Not being the biggest Theater of the Absurd fan (except for my all-in-black-coffee-shop-dweller years in college), I've been rolling my eyes at every caffeinated development. Unbelievable as it may seem, as many people are now protesting the latest closing of Starbucks chain stores as were protesting the company's unstoppable encroachment and growth not too long ago. What other company can say this?!! What is it about this place that inspires such passion (a mystery addictive drug - I mean, besides caffeine)?

For those of you who don't know (I'm assuming you've been on a deserted island the past twenty years or so?) here's the short tale: First of all it's Seattle-based, the city of grunge, known for liberal viewpoints and environmentally friendly businesses for the most part. Second, you can sit and read in your local chain store, and even write in your laptop; you've entered a comforting community recognized everywhere. Where else do you want to go when it rains, but a coffee shop? (Does anyone visit libraries anymore except students?) I myself find it very convenient for blind dates since you can so easily find one based near (and far) from where you actually live. Even when you travel abroad, you can slip into the nearest Starbucks and find a haven. Not everyone thinks that's so wonderful, as we homogenize the earth more and more, but it is admittedly better than fast food and at least the stores are always clean. Individualism is still alive and well, even in the most cosmopolitan of cities, I assure you. I've traveled some.

So how did we all end up like this? Entrepreneur Howard Schultz talked the existing Starbucks company into adding espresso to their menu in 1983 and the result is sweet coffee history (why, oh why didn't my family invest, argh). And actually, he was inspired by kaffee hauses in Europe. The first non-American chain opened in 1996 (Tokyo, Japan) and now Starbucks appears virtually everywhere. So it's an established American icon which I guess "legitimizes" neighborhoods. Thus, the panic over the store closings. In this economy though, we are all suffering (except the very, very rich, who always manage just fine, even when doing illegal things, but that's another story). And just when I contemplated a part time job at my local Starbucks. Boo.

But I have a feeling that Starbucks will be alright, with the support of a loyal customer base. So don't feel too bad for this capitalist, multi-million dollar organization. Sure, some baristas are hurting, but they'll all bounce back, and come back to selling the free trade products and overpriced beverages we all know and love.

Except now I have to drive an extra five blocks to get my vanilla latte. Hate that.

p.s. Hmmm, they can even inspire millionaires, what will they think of next:
How Starbucks Saved My Life: A Son of Privilege Learns to Live Like Everyone Else

UPDATE: The above seems the least of our problems now. And I can't even comment on the current financial crisis, as I can't seem to get out of the fetal position to muster the effort to type it out. YIKES! Read more!

How To Look Good Naked

A Little Inspiration
a kate recommendation

Kelly Park Says Getting Naked For Carson Kressley Changed Her Life

HTLGN1.jpg

How To Look Good Naked, Lifetime's double-dare, self-esteem building reality show hosted by Carson Kressley, kicks off its second season [watch a preview] with a brand new make-over star on July 22. Her name is Kelly Park. She's a 39-year-old working mom, married for 12 years, who fell out of love with her body and herself. Kelly spoke with Fancast’s Quendrith Johnson about her incredible transformation from a woman who hid her figure in maternity sizes to showing off her new sexy styling self thanks to Carson and his HTLGN crew. Here's her story in her own words:

Why did I go on ‘How To Look Good Naked’? Good question. I didn’t like the way I looked, and I didn’t like myself. But that wasn’t always the case. I grew up a poor black girl in Philly. My family struggled. We never had enough food. But as I got older, I loved my body. I had a thin waist and beautiful little breasts. I was hot.

Then I got married, had a baby, and my body started to change. Things shifted. I went through this time when I woke up in the middle of the night and I discovered this strange white stuff on my nipple. I had no idea why. For two weeks, I thought I had cancer. What else could it have been? Then I figured out it was deodorant. My breasts had grown so large that they slid in my underarms. Okay?

I stopped paying attention to who I was. I didn’t feel like my body was cute anymore. I stopped wearing cute clothes. Seven or eight months after I had my daughter, I looked at myself standing completely naked and I simply could not believe that was my body.' What happened? Where did it go? My stomach has rolls and lines. I had stretch marks. Things were hanging. I just wasn't the same person.

HTLGN2.jpg

[Preview the new season.]

And it freaked me out. I used to look at myself in car windows! Then I started to feel invisible in the sense that my mom, who’s in her early sixties, started talking to me about as women get older, not just get bigger - as they age, they become invisible. Men just don't find them as attractive. I thought, 'wow, I'm going through that now, and I'm in my early 30's!'

Then I saw the casting notice for ‘How To Look Good Naked.’ I watched it for a couple weeks. I was like 'yeah, yeah.' Then something moved me, and I said to myself, 'You know what? I'm going to audition for this. I think this [sort of experience] is what I may need in my life.'”

I didn't tell my husband. I didn't tell anyone. I went in, and I auditioned. That was a dramatic process itself. It was kind of like Nip/Tuck in a way. The producers were like 'Tell me what you don't like about your body,’ and I really exposed myself. What did I have to lose? So I told them everything, starting from when I was a kid to the present day and how I felt like my dreams had been deferred because of the way I viewed myself. I even revealed how I am with my husband in private, our relations. I couldn’t believe the things I said.

Then, a couple days later, they called me back. As I talked to them on the phone, my husband asked, 'Who's that?' I said, “Oh, yeah, I auditioned for `How to Look Good Naked.’ He was like, 'WHAT!?' I said, “I auditioned for this incredible show, I think it can help me.”

I had no idea you had to get totally undressed. When I watched the very first episode of 'How to Look Good Naked,’ I never really saw the point where she took all her clothes off. I just saw the photo shoot. I thought yeah, maybe this is something I can do. I can just sit and talk to Carson!' I didn't know actually getting butt naked was part of the process!

But by the time they called me and said 'we want you on the show,' I was so ready for change, for whatever they told me to do. I remember talking to Carson, and he asked, “Do you trust me? Do you trust me on this journey that I am going to help you realize who you are?'”

I said, “You know what? Yes! Yes!”

At that point, there was no diet that was going to fix me, no self-help book that was going to help me. I had done all that, all of that stuff and it didn't work. I could not accept who I was; I would not accept it. I needed something drastic.

HLGN4.jpg

[See Fancast's Kressley photo gallery.]

Carson also opened up to me. He told me about his life as an entertainer. He said it had been difficult for him as a gay man to become something in show business, to get himself to the next level. But he had trusted himself, believed in his own abilities, and he asked me to do the same in myself.

He said, “I just need you to rely on yourself. Always trust yourself. Do whatever you need to do to get to the next level in your life -- to reach happiness, to reach that nirvana.”

He was extremely spiritual, and highly intelligent! I must say! It was a bit shocked by that. I thought wow, Carson Kressley is really smart. I also related in an unexpected way. Being a gay man, Carson was very sensitive to my issues. Because he's been through it; he's been through something. I could relate to what he's been through, being a woman of color. Both of us had faced, and overcome adversities in our lives.

But the point where I (totally) trusted him was on the second day. We were in a beautiful loft. Carson took me aside and said, “I need you to trust this part of the process. Take a deep breath, because we are going to start the healing now.”

Then he took me over to the mirror and we stood and looked at my reflection. Neither of us spoke. It was very powerful. Finally, he said, “Okay, now that you see yourself in your jeans and your 'maternity' shirt'' -- which I did wear maternity clothes, which was hilarious – “I need you to strip your clothes off.”

I was blown away when he asked me to do that. First, the whole Lifetime crew was there. Can you imagine that? It was a good 15 to 20 people. There was absolutely no privacy. If it was just Carson and me, I would’ve been sure, no problem. But there was an audience, and I hesitated. But he said, “I need you to do this.'”

I took off my clothes – except for my underwear. They told me to leave that on.

Still, I was sweating so much that I thought I was peeing on myself. Seriously. There was sweat running down the back of my thighs. I was terrified for the first three minutes. I showed my breasts, my underarms -- the things I thought were unsightly! And Carson didn't think anything of it. He was like, “You have a body! This is what it is.”

Normally when I looked at myself in the mirror, I only saw the things that I thought were ugly, horrible and tragic. But what was really powerful was that when Carson and I looked in the mirror together, he just kept pointing out the things that were beautiful about me. I never looked at my shoulders the way he looked at my shoulders. Or my wrists. Or the backs of my calves.

HTLGN3.jpg

At that point, I was so in the moment and, thanks to Carson, already starting to feel better about myself – and we were just getting started. We shot for seven days. Behind the scenes, I talked to the crew, some incredible, beautiful women, and they told me their issues. I was like, wow, I’m not alone. I saw that stuff on "Oprah,” but to really talk about it? It made me feel better.

The process was still difficult. For the first two days I cried like a child in the shower. I wanted to change my body, but nothing was going to change it overnight. In the meantime, I had to learn to accept my body as it was. Yes, I wanted to change, but this was my body, this was what I had to work with, this was me. I remember standing there saying, “You can’t hide anymore. You’re losing opportunities, losing in love, just losing…”

One day, I was sitting in a chair talking to the director, crying about everything I felt that I had lost in my life due to the fact that I couldn't accept my body. Suddenly Riaz Patel, the showrunner and executive producer, came over, put his hand on my shoulder and looked me dead in my face. '”Listen. I am going to tell you something,” he said. “You a crazy-ass fool.'”

He said it so brilliantly. Because I mean I'm from Philly, that's how we talk. That was the sounding bell. I was done wasting time. I was done losing.

Every day Carson asked, “Did you wake up this morning and say how beautiful you are?” And I said yes. Every day, they accentuated the positive. And it affected me. My husband could not believe how every day when I came home I was a little different, more aware, and kinder to myself.

By the time I got to the photo shoot, I was ready. I mean, this time there was no drama or hesitation. When Carson said it was time, I took my clothes off. I took everything off. I had no underwear on. No bra on. I was completely ready -- and completely naked!

And I loved me. I thought I looked hot again.

Everybody said, “Well, maybe it's the make-up.” No, they did my hair and face, but everything else was au natural. There wasn’t anything on my body. They didn’t even do my toenails. And there wasn’t any photoshopping. When I took off my clothes, there was only one thing different about me, and that was the way I thought about myself. It's 100 percent perception.

I also learned a lot. There were things they told me about putting on a bra that I don't even think my mother knows! Susan Nethero, the show’s 'Bra Whisperer,’ told me about certain underwire you shouldn't wear. Do you know you are never, ever, supposed to put a bra in the washing machine?

She also gave me some of the most incredible panties. I am a big girl, size 14, and I can wear sexy panties!

I thought I couldn't wear dresses because I had a pot belly. But Carson gave me this dress, a Donna Karan, and said, “Do you see your pot belly now?” I said, “NO!" He said, “Now do the catwalk like Naomi Campbell.” I said, “Naomi Campbell ain't got nothin' on me!' Tyra Banks ain't got nothing on me!” Later, after I showed some women that dress, they were amazed that I’d worn it without a girdle. But I did.

HTLGN5.jpg

[Watch all HTLGN videos]

I feel like Carson and I were separated at birth. We connected on and off camera. We were so ridiculous together. He was like my fairy godmother, no pun intended! We paid homage to Ethel Merman. I’ve never met anyone like Carson in my life. When you look at him, he's all Armani-ed out with his Prada shoes. But inside, he’s all love.

Carson kept referring to the universe that things happen for a reason, embracing your journey. He said things I always believed and heard and talked about. He said 'you need to love yourself Kelly; it's an insult to the universe if you don't!' He would always say that. He was right.

The best part is that I feel like my journey started when that shoot ended. One day after the shoot, I was at a Starbuck's around the corner from my house. There was a woman in front of me, and her bra was almost up to her neck in the back and the front of her bra was hanging almost down to her knees. It was terrible. I walked up to her and said, “Excuse me, I'm sorry, you have the wrong bra on. I just went through this incredible process -- and I just want to take you in the bathroom and show you my bra.”

So we went into the bathroom together, and I said 'I used to think I was a C; I am an S cup. I want to show you how this bra works. It was the strangest thing, obviously, but she thanked me. I said, “This is just the beginning of the process of changing the way you feel about yourself.'

We need to have a spectrum of beauty, not just one (skinny) type. There’s nothing wrong with that type, but there’s nothing wrong with other types.

I would say to women all across the world, we have to stop loathing ourselves just because we don’t look a certain way. Instead, we have to start loving ourselves no matter how we look.

Let me just say that my sex life is at an all time high! We are so in love again.

Original post here:

http://thebiz.fancast.com/2008/07/kelly_park_says_getting_naked.html



Read more!

Sizzle






















Sizzle -

a global warming comedy
a kate west review
directed by Randy Olson
written by Randy Olson & Ifeanyi Njoku
World Premiere - Los Angeles Outfest
at Fairfax Theater
7907 Beverly Blvd. L.A.
www.sizzlethemovie.com

The movie "Sizzle" is a cinematic hodgepodge of styles: comedy, documentary and science, all in an attempt to illuminate global warming. Director/writer Randy Olson is a bonafide scientist (Marine Biologist) who chose to leave science for film school at USC. His previous films include "Rediagnosing the Oceans" and "Flock of Dodos" (about evolution). In "Sizzle" he counters Al Gore's "An Inconvenient Truth" with a mix of fantasy and a dose of skepticism.

The premise is that he, Olson as a scientist, wants to make a different type of movie about global warming and recruits (pretend) producers Mitch Silpa and Brian Clark who bring him argumentative crew members (Alex Thomas and Ifeanyi Njoku). Using real scientists and fake actors, his mix of fantasy and fact-driven reality can be confusing. For instance, Clark, Silpa and Thomas are the actors playing actors and film crew. Some of them use their real names and some do not. Real creators Olson and Njoku play themselves (Olson) and fake crew members (Njoku). He even enlists his own mother, Muffy Moose, to play his mother. Make sense yet?

The scientists are real, covering the spectrum of both the pro and the con regarding the severity of environmental impact. The alarmists include Dr. Jerry Meehl, Dr. Richard Somerville, Dr. Megan Owen, Julia Bovey and Dr. Naomi Oreskes (who was featured in Al Gore's documentary) and the skeptics include Dr. Pat Michaels, Dr. Steve Hayward, Dr. Fred Singer, Dr. Bill Gray, Dr. Marc Morano and Dr. George Chillingarian. The latter skeptic, Dr. Chilli let's call him, is such a character himself that it further blurs the fantasy/reality line. With a flamboyant mustache and attitude, his outrageousness rivals that of the fake producers.

In addition, Olson has an editing problem. So many scenes are needlessly repetitive. For instance, he interviews a scientist and his pretend cameraman (Thomas) disputes the facts; Olson shows frustration and follows up with several interviews in the exact same manner. Then about two-thirds into the film, Olson presumably finally listens to his sound man (Njoku) who tells him to put a human face on global warming, inspiring them to visit New Orleans and show the still-visible carnage of Hurricane Katrina. While obviously moving, this happens a little too far into the movie and again, goes on a little too long.

The scenes with Brian Clark and Mitch Silpa as flaky novice Hollywood producers are hilarious as the real Silpa and Clark are professional improvisers (www.groundlings.com) and darn good at it too. However, Olson is unfortunately not as talented, and thus is not a strong enough presence to keep viewer interest for an entire feature. His science is interesting, but even after a stint at USC, he is not the consummate filmmaker, having produced a film riddled with editing and believability problems. As a general audience, we appreciate the attempt at fun, but Olson does not quite understand how to maintain a coherent story line, choosing instead to throw everything in but the kitchen sink.

The overall impression is one of chaos, with Olson constantly seeming to wrestle with how to convey his confusion (he does present both pro and con, after all). One ill-directed dream sequence of a literal wrestle (with a polar bear) adds little to the film. His dramatic arguments are written to be funny and are amusing, but the reality/fantasy transitions are just not sharp enough to make a well polished film. In the editing room scene, where Olson is getting advice on focus, one wishes this had really happened behind the scenes in order to be translated into a gratifying whole.

In spite of some spots of entertainment and thought-provoking facts, the film plays as a work-in-progress. It just isn't there. Kudos for the attempt at enlightenment, and if it shifts someones global perspective, that would be great. But sadly, it is just not cinematically logical. And why it premiered at theme-structured Los Angeles Outfest is yet another mysterious facet of the experience. Read more!

The Joker





















Heath Ledger as the Joker in "The Dark Knight"

kate west kudos

Buy it:
The Dark Knight (Two-Disc Special Edition + Digital Copy) Read more!

Some Reservations














30 Days - FX

created & narrated by
Morgan Spurlock
a kate west reflection

The ground-breaking documentary "Super Size Me" turned the fast food industry upside down when Director/Creator Morgan Spurlock devoted 30 days of eating nothing but McDonald's food. The resulting alarming and terrible health problems shocked audiences into giving up their Big Macs (at least temporarily) and cut short the month-long dare. His doctors forbade him to continue.

Not only did Spurlock get his message through loud and clear, but he was inspired to start a spin-off television series, "30 Days", in which someone spends 30 days doing something contrary to their nature or beliefs in an effort to walk in someone else's shoes or just sharing a life experience like working as a coal miner or a living as a disabled person for a whole month. Past shows also include a Christian living in a Muslim household and a Pro-Lifer living with gay parents and even a month in the life of a heartbreaking immigrant family. Regular people are the new protagonists, although Spurlock still does the occasional month and all shows end up showing us an aspect of our society we never thought about before.

The most poignant episode to date has to be Morgan Spurlock's 30 days on a Native American reservation. We're all familiar with America's sordid history: slavery, WWII interments and of course Native American genocide. But to most of us, all that exists in the past and present day atrocities are more along the international lines of Middle East turbulence, African genocides and the September 11 attacks that may or may not have anything to do with the Middle East turbulence (go ahead and guess). But what we don't think about is the fact that there are still left over reservations in this country in dire straits and even when we do think about them, it's usually not out of concern for the people's welfare.

Morgan Spurlock spends 30 days with the Navajo Nation on a reservation with no running water and very few jobs. In Gallup, New Mexico, he lives with a family heavily involved in the rodeo circuit whose endearing grandmother speaks no English and still lives in the traditional way. The entire population (over 20,000 in 2000) has only 25 available jobs compared to the hundreds of jobs in similar neighboring Texan cities. The young people are fast losing the language and as Spurlock tries to learn the native tongue from a local teacher, she tears up telling him she doubts her children would carry on that tradition.

Although gambling is against their spiritual beliefs, the Navajo have little choice but to cave in to the allure of Indian Gaming. Casinos will bring in much needed money to this desperately cash-poor section of Americans. It's not ideal, but the reservations just do not provide a proper standard of living. After hundreds of years of abuse, we are still neglecting our indigenous people, the most forgotten segment of our nation. So many Native Americans suffer from poverty, drug abuse and alcoholism, that there does not seem to be an easy way out of such a long period of neglect. In spite of all this, amazingly enough, Spurlock also found that (at least within the host family) there still exists deep respect for our environment and a universal spiritualism promoting peace with our surroundings. He experiences a profound vision in a sweat lodge and is revived in both spirit and soul. After a tough transition back to the concrete cities, he resolves to keep part of that adventure intact and continues to practice earthly prayers.

A simplistically short viewpoint, to be sure, but the show reaches a vast audience as quite the devastating look at our society. And Morgan Spurlock's obvious affection and emotional ties to the people he meets are particularly effective. No one should be able to watch without a subtle shift in perception. Hopefully, we'll all be properly shamed into finally trying to be part of the solution. It's out there somewhere. By the way, if you are moved to help out, be sure to contact a reputable organization, as there are a few unscrupulous outfits preying on bleeding hearts. Do your research first. Peace.


Watch video segments of all seasons/episodes here:
http://www.fxnetworks.com/shows/originals/30days


The movie that started it all:
Super Size Me

More inspiration:
Dances with Wolves - Extended Cut (Two-Disc Collector's Edition)

Little Big Man

Black Elk Speaks, New Edition

Bury My Heart at Wounded Knee: An Indian History of the American West

Code Talker: A Novel About the Navajo Marines of World War Two

Trail of Tears


Read more!

Best Trainer in Town














Sam Page
a kate west recommendation

Long time personal trainer Sam Page is the proud owner of several fitness centers, and one right here in Hollywood. His casual, nurturing and fully-informed style of fitness training will get you where you want to be. He's quite the rage at the moment (check out his sites below and be sure to read the client testimonials and watch him interview the fabulous Kathy Griffin). He will push you as hard as you need to be pushed, all the while maintaining the utmost professionalism and hip savvy. A true find, Sam will give you all his sincerity and honesty and where else can you find that in one package, especially in L.A.? Absolute recommendation!


Sam Page Fitness


hollywood

1149 N. Gower, Suite 103-4

Hollywood, CA 90038

(323) 785-2300


glendale

121 W. Lexington, Suite B110

Glendale, CA 92103

(818) 480-3121


downtown L.A.

1010 Wilshire Blvd., Penthouse

Los Angeles, CA 90017


http://www.sampagefitness.com


PeaceLoveLunges


http://peacelovelunges.wordpress.com





Kathy Griffin & Sam Page in Bora Bora, P.1 from Sam Page on Vimeo.



Kathy Griffin & Sam Page in Bora Bora, P.2 from Sam Page on Vimeo. Read more!

Sex and the City - the Movie

Sex and the City
a kate west review











The much-anticipated film "Sex and the City" delivers luscious fashion images to its multitude of eager fans. Designer dresses and shoes galore abound as does, of course, the gorgeous background of a hip Manhattan, New York. All served up in a yummy visual feast that you won't be able to take your eyes off of.

Carrie, Miranda, Charlotte and Samantha are back, a little older, but maybe not so much wiser. As in the show, they keep making the same mistakes, falling back on friendship for support and these life experiences force them to grow up just the tiniest bit. This is the main complaint of naysayers, that that film is merely an expanded episode, but any transition from television to film will inevitably go that route, since the two mediums are so different. However, rabid fans will be satiated by the gorgeous accessories and the familiar patterns of characters. Just keep in mind that there is only so much you can fit into a feature length film, versus six years of a series run. If you allow yourself to enjoy the ride, you'll find that the movie ties in nicely with the series and that even though the series finale seemed to give us a final note, there is always more urban angst to squeeze out of truly neurotic New Yorkers. And isn't that part of the fun?

It's not Shakespeare people, so let yourself go - drink that cosmopolitan, rent that Prada handbag and bring your best gal pals. And toast fabulous women in their 40's and 50's who are still viable, beautiful and more than relevant, with or without men (plus, nice addition of sweet Jennifer Hudson, guys!)


Past review of the show here:
http://www.katewestreviews.com/2004/12/sex-and-city.html

Directed by Michael Patrick King
Produced by Michael Patrick King
Sarah Jessica Parker
Written by Michael Patrick King


The Complete Series:
Sex and the City - The Complete Series (Collector's Giftset)

Featured Website:
www.BagBorroworSteal.com
(best viewed when watching the show or playing the theme song by Douglas J. Cuomo ...)

Update: SATC2?
Meh.
Read more!

Teen Witch

Teen Witch
a kate west recommendation
a recreation of the cheesy 1980's film!






"You're invited to a night of colorful characters, unforgettable songs, flashy dance numbers, teen love and of course witchcraft!"

WHAT: Teen Witch! A Comedy Musical

WHEN: June 2nd & 3rd at 8pm

WHERE:
The Groundlings Theater
7307 Melrose Ave
Los Angeles, CA 90046
(323) 934-4747
www.groundlings.com

HOW MUCH: $5

WHO:
Eliot Benjamin
Kevin Berntson
Candace Brown
Drew Droege
Andrew Friedman
Edi Patterson
Artemis Pebdani
Amy Procacci
Derek Ringold
Hal Rudnick
Nicole Sciacca
Colleen Smith
Patty Wortham
Mike Zara

Directed by:
Mike Zara & Colleen Smith (as the foxy Teen Witch herself)

The Original Camp:
Teen Witch Read more!

Dead Moms Don't Hug

Dead Moms Don't Hug
a kate west review
written & performed
by Ariane Price
directed by Tom Lenk
at the Groundlings Theatre
7307 Melrose Avenue
Los Angeles 90046
May 20 & 27; 8pm
(323) 934-4747 x 49 or
www.groundlings.com
tix free - explicit language and graphic content




Ariane Price (Groundlings company member) reveals her motherless childhood to audiences Tuesdays in May, right in her home base of the Groundlings Theatre.

Deprived of a mother at an early age, Price recounts this traumatic event (and many others!) with sophisticated humor, videos and even puppets. She adeptly turns pain into funny with side notes to the audience and an engaging self-deprecating manner and we root for her the whole way.

Director Tom Lenk (of "Buffy the Vampire Slayer" fame) injects a great deal of creativity into the work as well, giving us an entertaining staging, including voice overs and the occasional dance break that keep us riveted until the sweetly warm payoff at the end. Both Price and Lenk work together very well and this synergy comes through seamlessly. It is an enjoyable telling of a complicated tale and when all is said and done, we know Ariane a little bit better and it is delightfully pleasing to be let in on her world for a while. Read more!

Beverly Winwood

Beverly Winwood
presents

The Actors Showcase

a kate west review


(above: Tim Bagley as The Captain)

created and directed by Tony Sepulveda
produced by Allison Kingsley
at the Groundlings Theatre
7307 Melrose Avenue
Los Angeles, CA 90046
contact (323) 934-4747 or www.groundlings.com
EXTENDED - running Monday evenings, April - July 2008

"The Actors Showcase" is a hilarious spoof on the common tedious practice of showcasing long-suffering actors to long-suffering potential agents and other industry helpers in "the biz". Directed by industry veteran Tony Sepulveda, the talented cast (current and former Groundling company members) joyfully give their worst performances from such favorite student theatrical scenes as Arthur Miller's "Death of a Salesman" and Paul Rudnick's "Jeffrey". Beverly Winwood (the endearing Cathy Shambley) is the "host" of the evening, addressing us (the "industry") as the darling rescuers who can make all her students dreams come true. Judging from the wacky headshot and resume packets handed out before the show (Thad Ripple, Danger, Taylor Elizabeth, Pu-Ping Chow, to name a few), there is no help for the absurd crew.

Bad acting, bad blocking (stage movement), line flubbing, terrible dancing and singing have never looked so good. Tim Bagley reprises his role as The Captain (as seen on late night television), monologuing and maneuvering himself into trouble in a wheelchair. Lynne Marie Stewart, complete with Latina sauciness, wrestles with an evil dummy in "The Bad Seed" and Melissa McCarthy ("The Gilmore Girls") and Rachael Harris ("Notes from the Underbelly") do a ridiculous start-and-stop "original" piece, heavy on the slapstick. There is even an overdone death scene from "Million Dollar Baby", a surprisingly dramatic scene from "The Facts of Life" and a show-stopping final number from a popular Broadway show. To say any more would be criminal (but just so you know, there might even be a surprise visit from a well-dressed "Project Runway" host). Trust that you will definitely get your money's worth from this constantly sold out show.

While some sensitive souls might feel offended that professionals are poking fun at the lesser talent, at heart "Showcase" is an acknowledgement of the absurdity that is Hollywood and the hoops everyone jumps through. In other words, we're all in this together. And who among us hasn't had that I-can-do-it-better moment anyway? Because this troop is comprised of some of the best comedians in Los Angeles, it is an entertaining evening indeed. Plus you'll get to see actors from all of your favorite t.v. shows reveling in their roots (go to www.IMDB.com to look up all the famous names below).


The Cast
(subject to change)
Carrie Aizley
Tim Bagley
Jordan Black
Patrick Bristow
Nat Faxon
Melanie Graham
Rachael Harris
Michael Hitchcock
Phil LaMarr
Antoinette Spolar Levine
Karen Maruyama
Melissa McCarthy
Michael McDonald
Wendi McLendon-Covey
Brian Palermo
Jim Rash
Mary Jo Smith
Mindy Sterling
Lynne Marie Stewart
Cathy Shambley
Christen Sussin

In past productions, previously popular cast members also included Jennifer Coolidge ("Legally Blonde", "American Pie") and Paul Reubens (Pee-wee Herman). Read more!

Madonna

Madonna -
a closet fan
a kate west confession




It's easy to disparage Madonna Louise Ciccone Ritchie. But go ahead - she won't mind. She's rich and successful and doesn't take any crap from anyone. She enjoys controversy and the spotlight and changing styles as often as her underwear. She works damn hard and whether or not you care (and why should you care about celebrity goings on, the American version of royalty, sort of - there are much more important things to follow on planet earth), she's not going anywhere. Spoiled yes, and self-indulgent certainly, and while I can admire her tenacity, I'm not assigning her more importance than world leaders or policy changers.

Still, her music gets in my head and won't let go. Her voice has the warmth that she can't or won't show. Sure, the lyrics are often inane, but for some reason it gives me strength when I need it and hours of contemplation on road trips. Maybe it's because she works so ferociously on herself, molding her body and spirit to her every whim. I played "Ray of Light" a million and one times during my big break up and it sustained me and kept me going. Her first experimental album will always feel special to me, obligating me to collect each new album with youthful anticipation. She makes great power workout songs too (try "Jump" when going for a run). So many of her songs are go get 'em self respect chats. It's not easy to achieve rock longevity.

I can't explain it. My musical theater friends are appalled that I enjoyed "Evita". I know, I know, she didn't have the range, but did increase her own and as usual, worked her ass off during filming. A fitting role, I thought, and possibly the only acting she ever did well. As I keep telling people, I don't attribute logic to my favorites. I often love bad movies no one else likes (and rightly so - I get why it's bad, but am still a fan, i.e. "Alien 3"). And didn't Linda Hamilton model her "T2" Sarah Connor role after Madge?

Maybe I just like the balance of the sweetness of her vocals with the toughness of her exterior and wish I could emulate that. In spite of growing up without a mother, her single-mindedness got her everything she wanted. I understand musical sophistication - I love old and modern jazz and classical music and have attended scores of operas. I even dig the Kingston Trio. Aside from my sentimental 80's indulgence, Madonna doesn't really fit into my musical library, yet I am fiercely loyal to her Highness. But I would never want to meet her. I'm not advocating all this overexposed oversharing either. In other words, I don't read about her (or anyone's) personal life. I'm just quietly trying to be bad ass for as long as I can and mind my own beeswax.

Besides, she's 5'2", as is Yours Truly. And now she's older, as am I. And still going strong. As am I. So sue me.

More Madonna:

Hard Candy

Confessions on a Dance Floor

Music

American Life

Ray of Light

Madonna - Drowned World Tour 2001

Madonna - Video Collection 1993-99

Evita

Bedtime Stories

The Immaculate Collection

I'm Breathless

Read more!

James Adomian

Impersonator Extraordinaire
a kate west recommendation







James Adomian is a brilliant young comic who does THE best impersonation of George W I've ever seen. Granted I haven't seen every GW impersonator, but I am fairly confident Adomian is way up there. You heard it here.

Not only does he capture the mannerisms, but he has the pathology of speech down pat. He's an accomplished mimic, a well-trained improviser and not a bad actor to boot. Trained at the world-famous Groundlings (www.groundlings.com), I doubt there is anything he can't do.

See for yourself. You can catch him on any number of late night shows, including Craig Ferguson and of course YouTube. Look him up on IMDB (and note the prominent "Harold and Kumar" credit)!


James on YouTube:

Read more!

FRIES ON THE SIDE



OPENING NIGHT
FRIES NATION - SATURDAY, APRIL 19, 2008
www.friesontheside.com
Season 6: Opening Night (Thursday, April 24)








"It's the biggest Fries on the Side show ever and all proceeds go to a wonderful cause. That's right, every penny we make goes to charity:water. The best part is that the venue matches our ambitions. We're at the 700 seat Music Box at the Henry Fonda. Tickets went on sale only yesterday and we've already sold an enormous number of them, so be sure to get yours today. As always, for all of your Fries on the Side information, visit our web site.

WHO
Hosted by Garrett Morris, Musical Guest The Kin, and a rooftop after party with DJ Brett.

WHERE
The Music Box @ Henry Fonda - 6126 Hollywood Blvd., Los Angles, CA 90028

WHEN
Thursday, April 24th @ 8pm - Doors open at 7pm

TICKETS
If you want to see a seating chart and buy tickets there's only one place to go ( LINK TO TICKETS )
Take a closer look at the venue and the show - ( Fries Opener One Sheet PDF )
Have a look at our Season 5 recap video too - ( Season 5 Recap Video ) - a big thank you to Thomas Everman (our video guru) for assembling this.
Host: Garrett Morris
Garrett Morris Garrett Morris is an original Saturday Night Live cast member. He trained at Julliard School of Music and appeared in several Broadway musicals before joining the SNL family. Since then he's appeared in many films and television shows including Different Strokes, The Jeffersons, and most recently, Family Guy. Garrett is the host and founder of the Downtown Comedy Club, declared the official comedy club of LA in 2007 by the mayor of Los Angeles.

The Downtown Comedy Club
www.downtowncomedyclub.com


Musical Guest: The Kin
The Kin We're incredibly happy to announce that The Kin will be our musical guest at the opening night show. To learn more about this amazing band, we've included some information for those of you who are old and out of the loop...

Brothers Thorry and Isaac Koren are a long way from singing harmonies in the backseat of the car on family trips in their hometown of Adelaide, Australia. The brothers, known simply as The Kin, were following different musical paths until they united to create a song as a wedding present for their father in 2003. Instantly, the brothers knew they'd stumbled upon something amazing. As Isaac said, "After we played together we realized that we couldn't not do this."

The Kin's music has been featured on radio including Q104.3 NY, 104.7 MA, WZBC Boston, WMMR and XM Radio. They've made several notable TV appearances, including FOX's Good Day New York and Fearless Music TV, Backstage with Barry Nolan on Comcast and CBS Saturday Morning's Second Cup Cafe. Their print credits include Billboard, New York Times, BMI, Time Out New York, YRB, Foam and more. Recently, the duo had three of Rise and Fall's songs featured on Lifetime TV's critically acclaimed series, Army Wives.

Besides creating music that spans the globe, the brothers Koren are devoted to creating a better world. They recently began working with, and promoting the efforts of, charity:water (www.charitywater.org), a non-profit initiative bringing clean water and basic sanitation into impoverished communities throughout Africa and the world. They band raises money through awareness and outreach via their website as well as by performing at organization sponsored events. As of March '08, they have raised over $35,000. The band also works closely with Save Darfur (www.savedarfur.org), an organization aimed at fighting for human rights in the Sudan region."

Presented by Snow Queen Vodka

Regular Season Cast Members:
Shane Elliott, Kenny Stevenson, Dorien Davies, Jeff Huit, Rachel FordPritchett, Sean Pritchett, Chris Pauley, Wes Robertson, Avi Rothman, Barbara Sanders, AJ Schuermann, Anthony Tedesco

Previous review here: http://www.katewestreviews.com/2007/08/fries-on-side.html










Read more!

Sweeney Todd







Sweeney Todd - The Demon Barber of Fleet Street
a kate west review
music & lyrics by Stephen Sondheim
book by Hugh Wheeler
directed by John Doyle
at the Ahmanson Theatre
Center Theatre Group
135 North Grand Ave, Los Angeles 90012
playing March 11 - April 6, 2008
contact 213-628-2772 or www.centertheatregroup.org

The much-talked about Tony-award winning new Broadway production of "Sweeney Todd" has arrived in Los Angeles. John Doyle (the same director who brought the new version of Sondheim's "Company" to New York) directs Stephen Sondheim's acclaimed operatic piece about a bloody barber this spring.

Sweeney Todd (played by David Hess), a long-suffering British barber (formerly Benjamin Barker), whose wife and child were cruelly stolen from him by an abusive Judge, returns to London years later to wreak revenge and falls in with his mad match Mrs. Lovett (Judy Kaye). In this take, the Greek-like tragedy is accompanied by stylistic orchestration and staging which, while certainly innovative, tend to take away from the raw emotion and passion of the story's essence.

The cast is strong, especially Lauren Molina as Todd's lost daughter Joanna and Judy Kaye as the nutty meat pie maker Mrs. Lovett, who takes in Todd and inspires him to start slaughtering people ("A Little Priest"). Frustrated over not being able to reach his nemesis the Judge, Todd grows even more reckless ("Epiphany") and it sends him closer and closer to the edge, until the final destruction consumes all. There are some inexplicable casting choices, such as Pirelli, the outrageous rival barber, being played by a woman (Katrina Yaukey), and while it is interesting that every cast member plays a musical instrument, it is also a gimmick that steals some richness from the original piece.

This production plays more like a stylistic concert version of a once-dimensional and multi-layered musical. The actors literally play out to the audience and do not make eye contact with each other or connect, leaving us even more disconnected. The essential horrific barber chair is missing and the blood and gore is also representational, with the actors donning red spattered white jackets when killed and red paint poured from bucket to bucket. The violence is so stylized in fact, that it distills and objectifies the intensity we should feel.

The music is still Sondheim great ("The Ballad of Sweeney Todd", "Johanna", "Green Finch and Linnet Bird") and the voices all Broadway quality, but the stories don't always come across and if you bring a friend who has never seen the show, he/she may be lost. For instance the "By the Sea" number where Lovett conjures up such delightful visions for the disillusioned Todd would read better with more nuance as would sweet Tobias (Edmund Bagnell) reassuring Lovett that nothing will harm her ("Not While I'm Around"). Every relationship, from the dueling barbers ("The Contest") to Anthony (Benjamin Magnuson) pursuing Johanna in "Ah, Miss" and "Kiss Me" and Todd grimacing through "Pretty Women" with the Judge would be better served with more interaction between the players.

The set is one towering piece on the back wall where the actors take props they need from time to time - another stylization, along with a not-too-subtle interchangeable coffin. To those not familiar with the story, it is about retribution and vengeance and how bitterness corrupts the victim more than the aggressor. It is a dark and tragic tale and the opera-like score deserves an epic-like production, in emotion and visual riches, but this modern minimisation diminishes the overall effect and may leave many cold and untouched.

The Original Score:
Sweeney Todd, the Demon Barber of Fleet Street (1979 Original Broadway Cast) Read more!

John Adams

John Adams - HBO
a kate west review
















John Adams, one of our early founding fathers, is now back in vogue. HBO brings us his story (based on David McCullough's Pulitzer prize novel) in a seven-part mini series.

The versatile Paul Giamatti plays a very real and human John Adams, with a burning vision of uniting the former British colonies into a United States of America. Laura Linney is his loyal wife Abagail, supporting and advising him throughout all of his different stages of life. It is remarkable to watch this touching relationship play out just like any modern couple.

And of course the history is fascinating as well. We first get to know Adams as he defends some British soldiers in an unjust trial and then through his direct involvement in the birth of our fine nation. This includes making the great journey abroad to the Old World to plead assistance from France and Denmark, in spite of the impact on his family life. He then returns, adamant as always to principle, in spite of failing popularity.

The casting is great, all fine actors, and many of them done up to look like the historical characters they portray, complete with the bad teeth and powdered wigs. It's filmed with natural-looking light too, with an addicting original and classical soundtrack. Fans of the book are well pleased with this cinematic rendition and for those of us who haven't read the book yet, it's a good insight into what it might really have been like for these complicated and dimensional revolutionaries.


If you enjoyed this, a recommended beautiful period piece is Stanley Kubrick's "Barry Lyndon".
http://www.imdb.com/title/tt0072684

Read the book:
John Adams Read more!